Many of the posters for Christopher Nolan’s war-rescue picture Dunkirk have been of the super-wide banner variety. Here is a classic vertical design (and nothing gives a vertical impression than a sailboat) that emphasizes the scope and chaos through depth of field rather than panorama. There are a lot of elements and things to see here, shadows of air planes, fishermen working frantically, soldiers drowning in the water, or floating on objects. The fire offers a few flashes of colour in an otherwise desaturated ‘grim seas’ palette. It is also noteworthy that the IMAX specialty releases of films tend to be a bit more adventurous with their poster designs, probably because they are not distributed as widely.
Cannes is happening now, and as per every year it looks like the festival has a diverse and wonderful line up. This includes the latest from “New Greek Weird” standard bearer, Yorgos Lanthimos. And the poster designed for its festival debut is easily my favourite one sheet of the year. Look at those glorious vertical lines, that create a medical space that absolutely dwarf Colin Farrell. White matting, and some strange varied typesetting on the mouthful of a title, which of course involves an animal, as per Lanthimos’ previous films, Dogtooth and The Lobster. Speaking of the latter, Farrell was so good in that film as the dumpy protagonist, he is again collaborating with the director. If this poster is any indication of the tone and style, expect great things for The Killing of A Sacred Deer.