Posts Tagged ‘TIFF’

  • Survey: Bobcat Goldthwait

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    Although I should have brought this up on the Netflix segment for recent episode of the Cinecast, alas, I did not notice it until late last night: Bobcat Goldthwait‘s 1991 directorial debut, Shakes the Clown, popped up on the Canadian version of the streaming site this week. Goldthwait, as an onscreen performer peaked somewhere in the mid 1980s – most people probably know him as the weird, dirty (literally, not figuratively) Cop from the Police Academy sequels, but the cool kids probably fondly remember One Crazy Summer. he more or less disappeared after Shakes failed to take off beyond a weird cult curio. For about a decade he was MIA before returning as a director in the early 2000s for cable TV programs (Crank Yankers, Chapelle’s Show, The Man Show and Jimmy Kimmel Live) and eventually moving into smart, subversive indie features. With the quite fun, and rather timely, debut of the writer/director/comedian’s latest film, God Bless America (Kurt’s Review) and the fondness for his rather auteur-ish three-word-title laden C.V. (Windy City Heat, Sleeping Dogs Lie, World’s Greatest Dad, God Bless America.) Regular listeners of the Cinecast, know that Matt Gamble raves about World’s Greatest Dad often, and at length.

    Want an overview? Lots video clippings are tucked under the seat.
    » Read the rest of the entry..

  • Cinecast Episode 229 – But Fate Runs Another Course…

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    It is festival time folks! With Kurt returning from the Toronto International Film Festival, and Gamble MIA due to the Twin Cities Film Festival – which Andrew recaps a few titles – there is precious little time for us to get to the weeks regular releases. Those looking for talk on Moneyball can consult the previous episode of the Cinecast, Over/Under. So prepare for a lot of monologuing (in brief spoiler-less spurts) on many of the festival titles – some of which will end up in the fall slate of films on the domestic front, others will probably be only released abroad until the end up on DVD or VOD. Join us as we tour through festivaland at warp speed. Also, for something completely different, Willem Halfyard comes into the mix to beef up The Watch List segment and Andrew gets to talk a bit of Star Wars from the perpective of two different generations of viewers.

    As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!


     
     

     

    To download the show directly, paste the following URL into your favorite downloader:
    http://rowthree.com/audio/cinecast_11/episode_229.mp3

     
     
    Full show notes are under the seats…
    » Read the rest of the entry..

  • Kurt Talks Midnight Madness for The Substream

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    It’s been one hell of a week in Toronto, Ontario but one thing that will keep the demons at bay is most certainly the electricity of the audience at a Midnight Madness screening. Our own Kurt Halfyard grabs the mic this particular evening before a screening of Lovely, Molly (director Eduardo Sánchez, The Blair Witch Project) to get the man on the street memories of The Blair Witch craze of the late nineties. Then a quick flash forward to get reactions about the new movie, Lovely, Molly.

    Take a look…

     

     

    A couple of Other Episodes featuring Kurt and the Mamo Matts are tucked under the seat.
    » Read the rest of the entry..

  • Cinecast Episode 227 – Come for the Violence, Stay for the Orgy

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    Despite being a man down this week and the multi-plexes pretty much in dumping-grounds mode in the doldrums of August and back-to-school season, Kurt and Andrew manage to talk it up for a few hours of chit-chat and whoop-de-do! On the menu today: Steven Soderbergh, Greta Gerwig, Paul Greengrass, Jessica Chastain, Steve McQueen, Gus Van Sant, John Milius, Kirk Douglas, Serial Killers and Netflix bandwidth issues (plus a whole lot more)! Clear out the ashes of fall fireplace, strike up a cheery evening blaze, grab a mug of hot cider and relax for a couple hours of pleasant chat with only half a dozen F-Bombs. Cheers.

    As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!


     
     

     

    To download the show directly, paste the following URL into your favorite downloader:
    http://rowthree.com/audio/cinecast_11/episode_227.mp3

     
     
    Full show notes are under the seats…
    » Read the rest of the entry..

  • Trailer: Paddy Considine’s Tyrannosaur

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    There is something about actors making their directorial debuts that inspires incredibly dark and depressing subject matter (See Nil By Mouth, Romulus My Father, The War Zone, Gone Baby Gone) and Tyrannosaur looks to be no different in that regard. But that does not in any way lessen my enthusiasm to see what actor Paddy Considine (Dead Man’s Shoes, In America) is going to do behind the camera and his casting of three exceptionally talented character actors (Peter Mullan, Eddie Marsan and Olivia Colman) in the leads. Tyrannosaur has been getting near universal praise on the festival circuit, and it coming to TIFF in a couple weeks.

    The story of Joseph a man plagued by violence and a rage that is driving him to self-destruction. As Joseph’s life spirals into turmoil a chance of redemption appears in the form of Hannah, a Christian charity shop worker. Their relationship develops to reveal that Hannah is hiding a secret of her own with devastating results on both of their lives.

    The full trailer is tucked under the seat.

    » Read the rest of the entry..

  • I Believe in the God of Carnage

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    …And his name is Roman Polanski. He wreaks havoc of awesome with every piece of celluloid he touches and now he’s got another A-list set of stars to carry on the tradition in this seemingly dark comedy based on the play by Yasmina Reza.

    Two sets of parents meet an apartment to talk over the violent dispute between their 11 year-old sons on the school yard. Slowly, what starts as friendly banter turns into verbal blood-shed. aka Carnage.

    Maybe a little bit more over the top yet light-hearted version of Who’s Afraid of Virginia Woolfe? See the trailer below and make the call. I for one have a new most anticipated film for this year…

     

     

  • TIFF 2011: First Wave of Titles Announced

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    A number of the Row Three Staff make it an annual ritual to see between 30 and 50 films during the month of September when Toronto is taken over by its largest celebration of cinema from around the world, The Toronto International Film Festival, aka TIFF. So the first announcement of titles is interesting because it often goes back to what the festival was many moons ago: a Festival of Festivals, where best films from Cannes, Berlin and Sundance (amongst others) are offered to local audiences. Of course the festival has gotten bigger over the years (and much more expensive) and World Premieres are also par for the course, but this first announcement allows to see many of the ‘big titles’ (aka Special Presentations and Masters programmes) with guaranteed distribution will make their World, North American or Canadian debuts.

    A quick survey by director offers new films from David Cronenberg (A Dangerous Method), Lars Von Trier (Melancholia), Pedro Almodovar (The Skin I Live In), Francis Ford Coppola (Twixt), Fernando Meirelles (360), Alexander Payne (The Descendents), Nicholas Winding Refn (Drive), Steve McQueen (Shame), Sarah Polley (Take This Waltz), George Clooney (The Ides of March), Roland Emmerich (Anonymous), Todd Solondz (Dark Horse), Terence Davies (The Deep Blue Sea), and Luc Besson (The Lady).

    Other titles of interest is the former Soderbergh project starring Brad Pitt, Moneyball, as well as a lot of stuff from popular music, including Cameron Crowe’s Pearl Jam documentary, David Guggenheim’s U2 documentary and a feature film from Madonna simply titled W.E.

    Some interesting genre films, including the James Ellroy adaptation, Rampart, which has a loaded cast: Woody Harrelson, Sigourney Weaver, Robin Wright, Ned Beatty, Ben Foster and Anne Heche. South Korean thriller The Countdown exposes uses the underbelly of Seoul as a backdrop for a thirller. The Hugh Jackman and Olivia Wilde comedy, Butter, which also features Kristen Schaal. Noirish Killer Joe features Matthew McConaughey, Emile Hirsch, Thomas Haden Church, Juno Temple and Gina Gershon. And the B&W silent comedy favourite at Cannes, Michel Hazanavicius’s The Artist will be screening, as will Joseph Gordon-Levitt cancer comedy, 50/50 which also features Seth Rogen, Anna Kendrick, Bryce Dallas Howard, Phillip Baker Hall and Anjelica Huston

    In the more dramatic side of things, I’ve been quite anticipating Paddy Considine’s Tyrannosaur which features Peter Mullan as an angry, cynical alcoholic who has reached rock-bottom is surprisingly brought back into life by a complete stranger: a middle-class woman with a strong belief in Christ. Eddie Marsan is also in it. Also Tilda Swinton and John C. Reilley star in Lynne Ramsay’s We Need To Talk About Kevin. Ewan McGregor, Emily Blunt, Kristin Scott Thomas star in Lasse Halstrom’s Salmon Fishing in the Yemen. And from the directors of Persepolis comes another enchanting film adaptation of a graphic novel by Marjane Satrapi: Chicken with Plums follows the last days of a talented musician’s (Mathieu Amalric) life as he desperately seeks to replace his beloved instrumental, the violin.

    There are many titles, 50 in all so far, for those who wish to peruse over at the TIFF website.

  • Polanski’s “Carnage” Looms Ever Nearer

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    Everyone’s most anticipated film of the year seems to unanimously be Terrence Malick’s The Tree of Life. While I too can hardly stand the wait, it comes at a distant second to Polanski’s latest, destined to be a classic, Carnage starring Jodi Foster, John C. Reilly, Christoph Waltz and Kate Winslet. How anyone can not be absolutely stoked for that line-up is beyond me. The above image doesn’t give much but at least we see the cast in action.

    The film focuses on two couple coming together to talk about the behavior of their children. As the night wears on, things become quite heated. The story is based off of a Tony Award winning stage play by Yasmina Reza of which I personally know nothing about. Sounds a bit like Who’s Afraid of Virginia Woolfe? but is apparently a bit more on the humorous side. The film’s run time is about 105 minutes and all in real time. So 105 sequential minutes of our lives equals 105 sequential minutes of the character’s lives (kind of like “24″).

    Looks like probably a late 2011 release for this one and if Polanski is allowed in Canada there’s a good chance there will be a director Q&A at the very likely screening at TIFF. Which also means Andrew James will be in Toronto that week and shelling out whatever it takes to be there. Here are a couple of more photos…

     
     

  • Meek’s Cutoff Trailer

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    The team that brought you Wendy & Lucy are back to entrance you with another, albeit historical, take on the dire Oregon experience. Michelle Williams, Bruce Greenwood, Shirley Henderson and Paul Dano saddle up with writer/director Kelly Reichardt for the art film western, Meek’s Cutoff. I had the opportunity to catch the film at last years Toronto International Film Festival and it handily made my end of the year top ten list.

    The year is 1845 and Stephen Meek is a for-hire guide leading a handful of immigrant families across the Oregon Trail in search of the American dream. As hours turn into days since their last discovery of fresh water, mutinous thoughts and paranoid rumors abound among the families over the ability and motivations of their delegated leader. Part suspense story, part historical drama, part meditation on the frailty of life, Meek’s Cutoff is a mesmerizing feat that, while deliberately paced, is continually engrossing to watch. My TIFF review can be read here.

    The trailer is tucked under the seat.
    » Read the rest of the entry..

  • Cinecast Episode 202 – Obviously You’re Not a Golfer

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    It is a cornucopia, a smörgåsbord, a veritable potpourri of cinema, as the Cinecast regulars get together with nothing on the agenda other than to talk about what they have watched, in the cinema, on the DVD and streamed from the internet or (in an exciting technology development, from the Computer Hard Drive.) Andrew continues to dig into the Foreign Language Nominees with Alejandro González Iñárritu’s Biutiful. Kurt comes at Oscar a different way with the new documentary on the man with the midas touch when it comes to little gold men, Harvey Weinstein. And Gamble talks best animated film of 2011 with a preview of the flat out awesome Gore Verbinski/Nickelodeon/Industrial-Light-And-Magic Johnny Depp western, Rango. From there, we go from the occult, to Penelope Cruz DTV failures, to two vastly different takes time travel from the 1980s to Chinese shopping malls. Then it is onto Romans wandering about Scotland, Aussie crime dynasties and suburban teenage prostitution rings! It is all a part of your complete breakfast.

    As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!


     
     

     

    To download the show directly, paste the following URL into your favorite downloader:
    http://rowthree.com/audio/cinecast_11/episode_202.mp3

    ALTERNATIVE (no music track):
    http://rowthree.com/audio/cinecast_11/episode_202-alt.mp3

     
     
    Full show notes are under the seats…
    » Read the rest of the entry..

  • John Carpenter’s The Ward Get Trailerized

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    Back when it premiered at TIFF The Ward got lambasted pretty sharply from movie goers. It had its defenders to be certain, but the general consensus was that it was pretty bad. So my expectations are fairly low and this trailer doesn’t do much to change those fears (the background audio of a little girl singing quietly? really? L.A.M.E.). Still, I’m pretty interested and excited to check out John Carpenter’s latest.

    Take a look…
     

     

  • The Other Woman: Natalie Portman

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    Portman’s other film at TIFF last fall didn’t play to critics and fans as well as her current, Oscar contending project, Black Swan received. In fact apparently it was received rather negatively. “Love And Other Impossible Pursuits,” now being released to North American audiences as The Other Woman will already be upon us within the next few days. Personally, I hadn’t even heard of the film – maybe overshadowed by its Aronofsky directed older brother – but now it looks like the studio plans to latch on to the popularity of Black Swan and get this thing in theaters now while the buzz is still blazing.

    Directed by Don Roos (”The Opposite Of Sex,” “Happy Endings”), the film revolves around Portman’s character who steals a man from his wife and then must bond with her new stepson while dealing with the loss of her own child. It looks like pretty heavy handed melo-drama but in this camp that isn’t always a deal breaker. In fact it’s quite often a selling point. It looks clear (from the trailer below) that Portman will continue her streak of awesome performances; co-starring with Lisa Kudrow, Lauren Ambrose and Scott Cohen.

    We’re getting the film via on demand next week (Jan. 1) and then a theatrical distribution begins on February 4th. I don’t know, Portman alone is enough to get me to watch and I tend to enjoy gawking at others’ misery. So I may get my trusty ol’ PS3 downloading this asap. Is this your kind of thing? Will critics warm to it? Check out the trailer under the seats and sound off…

    » Read the rest of the entry..

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