Our traditional round-up of impressions and reactions to the massive slate of the 2017 Toronto International Film Festival has arrived in its tenth (!) edition, here in the third row. Happy Decade to us! As always, several of the Row Three staff and contributors, along with a few a regular reader or two, provide a tiny capsule – a postcard if you will – of all the films that they saw at the festival. These are accompanied by an identifier-tag: [BEST], [LOVED], [LIKED], [DISLIKED], [DISAPPOINTED], [FELL ASLEEP], [WALKED OUT], [HATED] and [WORST].
Collectively we – Kurt Halfyard, Bob Turnbull, Courtney Small, Mike Rot, and Sean Kelly – saw a sizable chunk of the films shown at the massive public festival. Hopefully this post can act as a ‘rough guide’ for films that will be finding distribution on some platform, whether on the big screen, small screen, or streaming service, in the next 18 months.
THE SHORT VERSION:
Personal BEST: FACES PLACES [Bob], mother! [Kurt], CALL ME BY YOUR NAME [Courtney], LADY BIRD [Mike], and I, TONYA [Sean].
Personal WORST: The personal low-lights were THE RITUAL [Kurt], THE CONFORMIST [Bob], VERONICA, [MIKE], and FIRST REFORMED [Sean].
Other Consensus Picks: THREE BILLBOARDS OUTSIDE EBBING, MISSOURI, THE CRESCENT, THE KILLING OF A SACRED DEER, THE DISASTER ARTIST, LOVELESS, THE SHAPE OF WATER and THE FLORIDA PROJECT.
The ‘MASSIVE’ version is below. All our thoughts and impressions from offerings of the 2017 Toronto International Film Festival.