Posts Tagged ‘The Player’

  • Eleven Great Tracking Shots

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    Though I like a really well-edited scene as much as the next person, it’s no secret that I really prize long takes and appreciate them whenever I see them. Add some tracking or quality steadicam movement in there, and I’m in heaven. With that in mind, here are ten of my favorite virtuoso tracking shots. Tracking shots have been in use since the mid-1910s, with Italian epic Cabiria popularizing the technique so much that for a while, it was known as “Cabiria movement.” D.W. Griffith of course made it his own in Intolerance, and it’s been part of cinema language ever since. Originally done by placing the camera on actual railroad tracks (hence the name) or dollies, now moving shots are more likely to be done via steadicam, but either way, long take shots with camera movement require a lot of pre-planning, set-up, and rehearsal, so I’m counting them the same whether they’re tracking, crane, dolly, steadicam, whatever. As long as there’s camera movement involved. I am purposefully excluding full films done in a single take (like Russian Ark) as being too obvious. Film buffs will know most of my picks already, but revisiting a great tracking shot is never a bad thing.

    Kill Bill, Vol 1, Quentin Tarantino – 2003 – 1:52

    What I love so much about this traveling shot, even though it’s relatively short compared with many of the others, is that Tarantino uses it to establish the whole space of the House of Blue Leaves, where a gigantic fight is about to take place. He can cut as close and as fast as he wants throughout that fight without the audience ever losing track of where Beatrix is compared with everyone else, because this shot established the layout of the place so well. Plus it’s cool to look at.

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  • Review: THE SQUARE

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    Just a detail, but isn’t the devil in the details? I do not know if it was intended or not, but our titular square, a competent but out of his element everyman caught up in an affair and some larceny walks up an outdoor staircase with a road sign dominating the lower portion of the frame saying: “No Through Road.” In the fine tradition of noir in colour, from the Coen brothers Blood Simple to Sam Raimi’s A Simple Plan to Robert Altman’s The Player, comes the Australian duo, writer/ actor Joel Edgerton and stuntman/director Nash Edgerton and their dazzling juggling act of just how many things can go wrong when everyday folks go about planning a dead-simple crime. At one point, late in the game, of their 2008 film, The Square (only recently making it to North American shores) there are so many spinning plates that you cannot help but sit back and marvel at the plot. It’s a Swiss watch. It’s bad assumption. It’s Murphy’s Law writ small. The film passes effortlessly from tense thriller to pitch-black comedy and is better for it. Anyone who is a fan of this genre should get out there and reap the pure pleasure on offer; for us Canadians, better late than never.

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  • Film on TV: September 21-27

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    2001: A Space Odyssey, playing on TCM at 2:00am on the 22nd

    There are several newly featured films worthy of highlight this week. TCM is playing a double-feature of Buster Keaton silents on Monday night, starting with Sherlock Jr.. They’re also throwing out some noirs that are new to our listing – the Raymond Chandler-based Murder, My Sweet on Wednesday and the Bogart-Bacall Key Largo Sunday. And don’t miss a couple of really great romances – Two for the Road Friday on the Fox Movie Channel, and Brief Encounter Saturday on TCM. Something for everyone this week, as well as the usual crop of repeats in case you missed something in earlier weeks.

    Monday, September 21

    6:30am – IFC – Howl’s Moving Castle
    Hayao Miyazaki has been a leader in the world of kid-friendly anime films for several years now, and while many would point to Spirited Away as his best film, I actually enjoyed Howl’s Moving Castle the most of all his films. Japanese animation takes some getting used to, but Miyazaki’s films are well worth it, and serve as a wonderful antidote to the current stagnation going on in American animation (always excepting Pixar).
    2004 Japan. Director: Hayao Miyazaki. Starring (dubbed voices): Christian Bale, Emily Mortimer, Jean Simmons, Lauren Bacall
    (repeats at 12:20pm)

    3:45pm – TCM – The Window
    Young boy Bobby Driscoll is a chronic liar, which makes it very difficult to make his family and other adults believe him when he claims he saw a murder being committed. But when the murderer finds out what he knows… A solid little thriller told from a child’s point of view.
    1949 USA. Director: Ted Tetzlaff. Starring: Bobby Driscoll, Barbara Hale, Arthur Kennedy, Paul Stewart, Ruth Roman.

    8:00pm – TCM – Sherlock, Jr.
    Buster Keaton is a film projectionist who longs to be a detective so much that he dreams himself into a film he’s projecting so he can become the detective hero of the story. The scene of him entering the film is justly famous, though it’s a smaller portion of the film than its fame leads you to believe.
    1924 USA. Director: Buster Keaton. Starring: Buster Keaton, Kathryn McGuire, Joe Keaton, Ward Crane.
    Must See
    Newly Featured!

    9:00pm – TCM – Steamboat Bill, Jr.
    One of Buster Keaton’s best-known films has him as the city-boy son of a steamboat captain who goes to learn his father’s trade. Many mishaps later, he’s left to rescue his father from a tremendous hurricane – that scene is one of Keaton’s absolute best set-pieces, as he remains implacable while buildings literally fall around him.
    1928 USA. Director: Charles Reisner. Starring: Buster Keaton, Ernest Torrence.
    Newly Featured!

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  • Film on TV: September 14-20

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    The Cranes are Flying, playing on TCM Monday the 21st at 2:00am (or really late Sunday night, depending on your point of view)

     

    Mostly repeats this week, but a few really cool new additions, all courtesy of TCM. First, one of Hitchcock’s most lighthearted thrillers, The Trouble With Harry, is showing on Tuesday. Then Friday night/Saturday morning, don’t miss one of the all-time great so-bad-it’s-good movies, Russ Meyer’s Faster, Pussycat! Kill! Kill!. And then The Cranes are Flying, a Soviet classic I’ve never seen TCM run before, is playing late Sunday night/early Monday morning.

    Monday, September 14

    8:00pm – IFC – Fargo
    Still one of the Coen Brothers’ best films, despite over a decade of mostly good films in the intervening years. Dark comedy is not an easy genre, and Fargo is the gold standard, blending shocking violence and a noir-ish crime story with comical inept criminals and a perfectly rendered performance from Frances McDormand.
    1996 USA. Director: Joel Coen. Starring: Frances McDormand, William H. Macy, Steve Buscemi.
    Must See
    (repeats at 2:00am)

    Tuesday, September 15

    7:15am – IFC – Waking Life
    Richard Linklater’s first foray into overlaid animation is a philosophical dreamscape that’ll either leave you cold or inhabit your thoughts for weeks. It’s the latter for me. Like most of Linklater’s films, it’s largely made up of people talking, but with the added interest of the unique ever-shifting, never-solid animation style (which he’d reuse with a slightly more standard sci-fi story in A Scanner Darkly).
    2001 USA. Director: Richard Linklater. Starring: Wiley Wiggins, Ethan Hawke, Julie Delpy.
    (repeats at 11:45am and 5:35pm)

    8:00pm – TCM – The Trouble With Harry
    A group of small-town New Englanders find a dead body (that of Harry) in the woods and, fearing they’ll be murder suspects if it’s found, conspire to hide it. One of Hitchcock’s funniest films, mixing the macabre and the absurd adeptly.
    1955 USA. Director: Alfred Hitchcock. Starring: Shirley MacLaine, Edmund Gwenn, John Forsythe, Mildred Natwick.
    Newly Featured!
    (repeats at 10:00am on the 20th)

    8:05pm – IFC – I Heart Huckabees
    Not too many films take philosophy as their base, but this one basically does, following a man (Jason Schwartzman) plagued by coincidence who hires a couple of existentialists to figure out what’s going on.
    2004 USA. Director: David O. Russell. Starring: Jason Schwartzman, Isabelle Huppert, Dustin Hoffman, Naomi Watts, Mark Wahlberg, Lily Tomlin, Jude Law.

    10:00pm – TCM – The Man Who Knew Too Much (1956)
    Hitchcock’s second version of this story (the first was 1934) has Doris Day and James Stewart as a couple who discover an assassination plot and have their son kidnapped to try to keep them quiet. It’s a well-done film and worth watching, though not quite up to many of Hitchcock’s other classics.
    1956 USA. Director: Alfred Hitchcock. Starring: James Stewart, Doris Day, Bernard Miles, Brenda De Banzie.
    Newly Featured!

    12:15am (16th) – TCM – Vertigo
    James Stewart is a detective recovering from a vertigo-inducing fall who’s asked by an old friend to help his wife, who has developed strange behavior. Hitchcock plays with doubling, fate, and obsession, all the while creating one of his moodiest and most mesmerizing films. And watch for a great supporting turn by Barbara Bel Geddes as Stewart’s long-suffering best friend.
    1958 USA. Director: Alfred Hitchcock. Starring: James Stewart, Kim Novak, Barbara Bel Geddes.
    Must See

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  • Film on TV: June 29-July 5

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    Cléo from 5 to 7, playing on IFC at 6:45am on July 4th

     

    Well, TCM’s showcase of great directors is winding down this week, but don’t worry, there’s still plenty of great cinema playing. On Thursday, TCM is running a bit of a tribute to 1939, widely considered one of the best years in filmmaking history, at least in terms of the sheer quantity of great films released that year. Also, IFC really picked up the ball this week, and are showing a bunch of really great films.

    Monday, June 29

    8:00pm – IFC – Raising Arizona
    This relatively early Coen Brothers comedy has Nicolas Cage and Holly Hunter as a childless ex-con couple who decide to rectify that situation by stealing one of a set of quintuplets. They’ll never miss him, right? Wrong. Zany complications ensue.
    (repeats 2:30am on the 30th)

    9:45pm – IFC – The Player
    Robert Altman takes on Hollywood in this story of a script screener (Tim Robbins) who gets drawn further and further into a web of blackmail and double-crosses when he’s threatened by a screenwriter whose script he rejected. You gotta love it for the virtuosic opening pan at the very least; the rest of the Hollywood insider references are just gravy.
    (repeats 4:05am on the 30th)

    Tuesday, June 30

    Great Directors on TCM: Anthony Mann
    Though Sergio Leone and Sam Peckinpah and later Clint Eastwood often get well-deserved credit for developing the revisionist western, some of it should also probably go to Anthony Mann. Along with frequent star James Stewart, Mann tapped into a darker side of the quintessential American cowboy hero, showing him as a little more morally compromised, a little more expedient, and a little more personally haunted than most classic westerns.

    8:00pm – TCM – The Man from Laramie
    Of course TCM is playing the one Mann-Stewart western I HAVEN’T seen. But given the high quality of their other films together, I set my DVR for it immediately.

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  • Film on TV: June 15-21

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    The 400 Blows, playing Thursday, June 18th, at 10pm on TCM

     

    This week TCM pays tribute to Elia Kazan, Orson Welles, William A. Wellman, François Truffaut, Martin Scorsese, Mervyn LeRoy, and Vincente Minnelli, as well as throwing in some shorter director marathons for Tony Richardson (on Wednesday) and Blake Edwards (on Friday). I only highlighted a couple from those last two, but if you like them, check out the full morning schedule on TCM for those days.

    Monday, June 15

    3:30pm – TCM – National Velvet
    One of my favorite movies growing up, probably not least of all because I was mad about anything to do with horses. Even so, National Velvet stands pretty tall among family friendly films, with a young Elizabeth Taylor fighting to run her beloved horse in England’s most prestigious steeplechase with the help of world-weary youth Mickey Rooney.

    Great Directors on TCM: Elia Kazan
    I gotta say I don’t really count Elia Kazan among my favorite directors – he tends to be a little message-y for me. Still, he got some great performances out of some great actors, and the Academy Awards loved him – although I’m not entirely sure that’s a positive.

    9:30pm – TCM – On the Waterfront
    Marlon Brando’s performance as a former boxer pulled into a labor dispute among dock workers goes down as one of the greatest in cinematic history. I’m not even a huge fan of Brando, but this film wins me over. Must See

    12:00M – Sundance – Sex and Lucia
    This isn’t a favorite of mine, but a lot of people around Row Three like it a lot, so I’ll let them defend it in the comments if they so choose. :)

    See the rest after the jump.

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  • Film on TV: June 1-7

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    Ingmar Bergman’s Persona, playing at 12:30am on the 5th on TCM

    I‘ve been posting these TV schedule recommendation run-downs on my blog for a few months, and it was suggested I crosspost them over here as well. This turned out to be a good time to start, at least for classic movie fans, because Turner Classic Movies is apparently highlighting a different Great Director every night in June, showing some of their best movies. That means they are showing a BOATLOAD of great films. I’ve included a tiny intro to each director – note that after the director blurb, all the rest of the films that day on TCM are by that director. There may be films on other channels interspersed, because I’ve kept the times chronological.

    These tend to lean heavily on TCM, because studio-era films are where my film knowledge is the strongest. I throw in films from IFC and Sundance as well, but not as many, frankly because I don’t know as many of them; if you have other channels you’d like me to include, let me know. And if any other R3 writers want to fill out the IFC and Sundance portions a bit more in the future let me know. Oh, and this month it’s going to lean especially heavily on TCM, because of the Great Director theme. I normally don’t pick almost EVERY SINGLE FILM on TCM for these posts, I swear.

    All times are Eastern Standard.

    Monday, June 1

    9:30am – TCM – Love Affair (1939)
    This film is not as well known as its remake, 1957′s An Affair to Remember, which has the advantage of having the more famous Cary Grant and Deborah Kerr rather than Irene Dunne and Charles Boyer – who were both huge stars at the time, but are less known now. Both films were directed by Leo McCarey, and tell of a shipboard romance and a fateful rendezvous. I actually like Love Affair a tad better, but that could be just because I like being contrarian.

    2:30pm – TCM – Duck Soup
    Leo McCarey directs the Marx Brothers in what many think is their best and zaniest film. This is the one with Groucho becoming the dictator of Freedonia and declaring war on nearby Sylvania. Frequent Marx Brothers foil Margaret Dumont is on board as the wealthy woman who causes the rivalry that leads to the war. Personally, I prefer A Night at the Opera to Duck Soup, but this may be your best bet if the idea of musical interludes from Allan Jones (of which Opera has several) turns you off. Must See

    6:15pm – TCM – The Awful Truth
    This is one of the definitive screwball comedies (along with Bringing Up Baby), starring Cary Grant and Irene Dunne as a married couple who constantly fight and decide to divorce, only to wind up meddling in each other’s lives (and screw up other relationship attempts) because they just can’t quit each other. Dunne’s impersonation of a Southern belle showgirl is a highlight. Must See

    8:00pm – IFC – Clerks
    Kevin Smith’s first feature, done for cheap, has become a cult classic, and though I think he’s done better films since Clerks, it’s definitely a worthwhile watch.
    (repeats at 2:05am on the 2nd)

    TCM – Great Director: John Ford
    TCM starts off their celebration of great directors with John Ford, usually considered one of the greatest auteurs of the American studio era. He’s best known for westerns (like Stagecoach and She Wore a Yellow Ribbon, playing tonight) and war films, but turned out plenty of quality dramas as well (like The Quiet Man). Disappointingly, TCM is not playing The Searchers, arguably his best film. Pick it up on Blu-ray, though – it’s not very expensive and it looks incredible.

    10:00pm – TCM – Stagecoach
    Major breakthrough for John Wayne, here playing outlaw Cisco Kid – he and the various other people on a stagecoach form a cross-section of old West society that has to learn to get on together to make it to the end of the ride alive. The most memorable, though, is Claire Trevor’s prostitute – a woman who does what she must to survive, and is shunned by everyone except Wayne. Her reaction to him treating her as a lady is perfect. Must See

    2:00am (2nd) – TCM – The Quiet Man
    John Wayne plays a retired boxer returning to his ancestral home in Ireland, where he meets spitfire Maureen O’Hara and decides to marry her. She’s game, except her somewhat boorish brother Victor McLaglen disapproves and refuses to give up her dowry, and tradition is tradition! A great supporting cast of character actors and an epic (and comic) boxing match round out The Quiet Man into one of the most entertaining and endearing films John Ford ever made. Though I will say the last time I watched it, I was a little more concerned by its gender politics than I had been in the past.

    4:15am (2nd) – TCM – She Wore a Yellow Ribbon
    The first of John Ford’s informal “Cavalry trilogy,” which continued with Fort Apache and Rio Grande – all three films star John Wayne, though they’re unrelated in plot and character. Technically, I guess that makes them both westerns and war films, doesn’t it? Heh.

    Tuesday through Sunday after the jump, highlighting Frank Capra, King Vidor, Ingmar Bergman, Steven Spielberg, William Wyler, and Michael Curtiz. And other random films, of course.

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