Posts Tagged ‘sequel’

  • Machete Kills

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    I know that Robert Rodriguez works fast as a filmmaker and all, but doing some quick arithmetic says this: Danny Trejo’s current age of almost 68 years old – the tall tattooed Mexican is almost 70 and you have two films to go through pre-production! So, yea, you better get on the promised sequels to the Grindhouse trailer-turned-feature, Machete, fast, Mr. Rodriguez. Of course, Trejo still manages to crack out about 10 films appearances per year, despite his age, so there is that – and even in the first film, it seemed Machete was almost supporting character in a huge ensemble.

    Machete Kills! is currently in pre-production. No word if Machete Kills Again! will be happening.

    Oh, and given that these films came from Planet Terror (in a way), is it too much to ask for a Zombie Seagal (post Hara-Kiri guts hanging out and all to appear in one of the sequels

  • Fantasia Review: The Wicker Tree

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    The Wicker Man is one of those films that has taken on such a life of its own over the past 38 years. It succeeded against all manner of personality conflict, distribution woes, and production logistics – tales of which are legendary – to pretty much re-mythologize various old pagan rituals and philosophies and has hypnotized and surprised fans of thrillers, art-house horror, and folk-laden musicals. Director Robin Hardy calls The Wicker Man its own genre: The Wicker Man genre. Ironically, the 1973 film is in itself a satire of sorts on the power of belief, but that did not stop its fecundity of myth-making from re-establishing icons (look no further than modern Beltane festivals, Burning Man and other such festivals around the world) in popular culture that went well beyond simple film circles. Christopher Lee, who famously played Lord Summerisle as a mixture of haughty academic superiority and benevolent believer has often claimed The Wicker Man as his favourite film, and this on a resume that spans hundreds of films of all genres, budgets and ambition. Quite simply, the film is one of the greatest movies about the nuts and bolts of religion and the power of belief (a quite separate thing from religion, I assure you) as a tool for manipulation. A thriller, a mystery hidden in plain sight that shocks the audience in its final scene with a power rarely seen in movies, past or present.

    So.

    How do you top that?

    » Read the rest of the entry..

  • Review: Cars 2

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    Directors: John Lasseter, Brad Lewis (Toy Story, A Bug’s Life, Cars)
    Story: John Lasseter, Brad Lewis, Dan Fogelman
    Screenplay: Ben Queen
    Producer: Denise Ream
    Starring: Owen Wilson, Larry the Cable Guy, Michael Caine, Emily Mortimer, Eddie Izzard, John Turturro
    MPAA Rating: G
    Running time: 112 min

    Though filled with their typical beautiful animation and penchant for including a myriad of little touches and background jokes, Pixar’s 2011 summer entry Cars 2 is easily their least significant piece of work. It’s not as horrible as many people expected (and even seemed to want it to be), but it doesn’t feel like the same effort has gone into the story and characters as even their lesser films. There’s a great deal of creativity here (in the details – particularly when they take their car society to other parts of the world), but not as much artistry. For the most part it’s flash and brash and gets bogged down with chase after chase after chase. The story isn’t propelled by the characters this time around – and everything suffers as a result. There’s some fun to be had, but not really a great deal of humour and not a speck of warmth.

    » Read the rest of the entry..

  • The Wicker Tree at Cannes and coming to North America

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    Still chuckling (or curled up in a corner sobbing) over that 2006 re-envisioning of The Wicker Man with a very “punchy” Nicolas Cage? The original director, Robin Hardy, has been working for years to get a sequel (of sorts) called Cowboys For Christ made, and the film being complete, and retitled, The Wicker Tree. He has been working on this for a while, as the film comes up several times in the book “Inside the Wicker Man: How Not to Make A Cult Film” (a good read) and that was written in 2000. Looks like the film is finished and heading to Cannes (according to Business of Cinema,) the release company, High Point, who will be pursuing sales rights to international markets, while British Lion is already handling Canada, US, and UK – the film is not in Competition or Un Certain Regarde. This is not surprising because the film looks to be in the murky territory of loose remake but also sequel involving two American Christian country singers that arrive in remote Scotland to preach the gospel, only to be bulldozed (and sexed up) by the local pagans. Although the original director, producer, and star Christopher Lee all being involved (impressive as the Wicker Man was made nearly 40 years ago!), I can’t say the trailer gives me a lot of hope that this will be as nuanced and off-kilter as the original, frankly it looks a little shrill, but you can bank on the fact that it will clear the low-bar set by Neil LaBute and Mega-Cage. Somebody out there, please pick up the rights and give show it over here.

    You can see for yourselves in the trailer which is tucked under the seat.

    » Read the rest of the entry..

  • Is Pixar Finally Preparing to Jump a Giant Shark?

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    Having not yet seen Cars 2, it’s impossible to say unequivocally that the Pixar juggernaut is about to have its first failure; at least critically speaking. But if any of the marketing thus far is to be trusted, one might surmise that not only does Cars Part Deux look not very good, it looks downright embarrassingly terrible.

    It’s a pretty sure thing that the movie is going to make money. Cars is probably Pixar’s biggest money maker if you take into consideration merchandising. Kids seem to not be able to get enough and I’m sure they’re frothing at the mouth for more Lightning McQueen and his buddy Mater. The rest of us? Even the lovers of the original Cars, such as myself, are absolutely dreading the day and have thought the notion of a sequel a bad idea. It may end up working out; time will tell. But nonetheless, with the originality and creativity Pixar studios has shown us in the past, I can’t help but think a sequel to an already less-than-well-received feature seems at the very least to be lazy and unimaginative. A cash grab if you will. Still, knowing the kinds of things Pixar is capable of, we’ve yet to see them misstep and I still remain cautiously optimistic.

    I’ll see Cars 2 with interest and hopefulness but as the Pixar sequel train keeps chugging along (after Toys and Cars), word has been floating around for a while now that there would be a Monsters, Inc. sequel in store for us as well – albeit with a couple of new properties thrown in between. Today I learn (and it has been confirmed by Disney/Pixar) that this new Monsters will in fact be what has become known as a prequel: Monsters University. In which Mike and Sully meet up in college, initially hate each other and then learn to be friends. Being that Monsters, Inc. is still my personal favorite of the Pixar filmography, I feel it’s stands its own perfectly and shouldn’t be touched. To make the idea potentially even worse, nothing has been confirmed about John Goodman and Bill Crystal reprising the use of their voices for our two main protagonists. Remember Dumb and Dumberer?

    With other animation studios hot on the heels of the Pixar machine with films such as ILM’s Rango and Dreamworks’ How to Train Your Dragon, showing huge profit margins as well dazzling visual and critical and audience adoration, it’s going to be the studio that has the highest levels of ingenuity, foresight and artfulness that comes out as the leader in today’s animation. With Pixar seemingly taking the easy way out with their next couple of ventures, I can’t help but wonder if the steam has finally been exhausted from this boiling kettle known as Pixar.

  • Wake up Blade Runner, Time to Live Again

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    While I am always curious interested in the burbling Blade Runner rumours that seem to sprout up ever couple of years, things seemed to have come to a boil yesterday with the trades announcing that Alcon Entertainment has optioned the prequel, sequel, equal rights to make more films. I am certainly not opposed to making tangent films in that unusual universe. Cyberpunk has come a long way since 1982, so we are already in an analogous place from the Original Star Wars trilogy aesthetic to the Prequel Trilogy aesthetic, most likely. And lets not forget that supposedly forgettable Soldier (yea, the Kurt Rusell one) is ostensibly set in the same universe. I’m all for the 28 Days/Weeks/Months later philosophy of new stories in developed universes.

    But lets not get too worked up either way, people. The lesson from TRON is that 30 year old cult films are never going to make Spielberg/Cameron type money and I expect that the production cycle for a film such as this is going to be a long and arduous one. Nevertheless, I’m sure people paying for the rights are bandying about the word ‘Franchise.’

  • Wall Street 2 International Trailer

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    I still have trouble with Shia LaBeouf in the principle role, but I must say that with each subsequent bit of marketing, the 20 years on Wall Street sequel is looking better and better. With the Rolling Stones featuring heavily on this trailers soundtrack, it seems (just a bit) that Oliver Stone is taking a page out of the Scorsese playbook.

    “I once said, greed is good. Now, it seems it is legal.”

    Despite being one of the centerpieces of the first trailer, it remains a knock out line and probably should be on the poster. Michael Douglas is clearly reveling in one of his more well known rolls. When are we going to get Romancing The Stone 3?

    The International trailer for “Money Never Sleeps” is tucked under the seat.

    » Read the rest of the entry..

  • Bookmarks for Feb. 4-9

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    • Bruce McDonald talks about Trigger, This Movie Is Broken and a Hard Core Logo Sequel
      “For many years we’ve been talking about doing a follow-up [to Hard Core Logo]. Hugh and Callum have both been super busy so we thought that while we were waiting — and waiting to see if Joe Dick comes back from the dead — we could take some of the minor characters from the first movie and put them in the foreground. So Bucky Haight, who is their mentor in the original, becomes one of the major characters. I become a major character, too — I play the filmmaker who filmed the onscreen suicide of the unfortunate Joe Dick and who’s wracked with guilt. Care Failure and her band Die Mannequin play themselves — they’re recording an album with Bucky and I’m documenting it. She’s been channeling the spirit of Joe Dick — he’s writing songs through her. It’s crazy but it’s essentially the story of them making a record in this old dancehall in northern Saskatchewan.”
    • Do Movies Matter Anymore? Steven Soderbergh Doesn’t See Any Evidence They Do
      “It was odd to see people who allegedly are pro-cinema, kind of rooting against Che conceptually. Taking the position of why would somebody make a movie of this length and try and release it this way? My attitude is, well, why wouldn’t you encourage somebody to do something that’s out of the box? Whether you like the movie or not — you can not like the movie — but it was odd to see people slamming the idea of making it.”
    • The White Stripes: Under Great White Northern Lights [review]
      It’s been a while (about 6 months actually), but Andrew finally got around to writing up a review for the rock doc showcasing The White Stripes tour about Canada. It’s over at the MorePop page
    • The Decade’s 30 Best Long Tail Films
      Pretty much every movie related website on the Internet has come up with some sort of Best of the Decade list over the past month. But while the majority of them focused on straight up “Best of” lists, in the spirit of [Where The Long Tail Ends] that I would instead focus on the lesser known films that have been made over the past ten years.”
    • Is Avatar the Oscar Villain?
      “Almost any good story has to have a great villain in order for it to work. And the best thing about the Oscars — because they’re so darn predictable these days — is the narrative. But we still need a villain, don’t we? For some people, Avatar is that villain. Right now the Oscar race is shaping up to be the two-billion-dollar-movie versus The Hurt Locker, a film that managed only $16 million … worldwide. The problem is this: Avatar is not the general audience’s villain and those are the people the Oscar telecast is hoping to pull in. On a superficial level, though, Avatar is a marvelous stand-in for Darth Vader. In a way, it reminds me of another imperial franchise, the New York Yankees.”

     
     

    You can now take a look at RowThree’s bookmarks at any time of your choosing simply by clicking the “delicious” button in the upper right of the page. It looks remarkably similar to this:

  • Iron Man 2 Trailer

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    iron-man-2-war-machine

    I bet you didn’t think we were going to post this, considering that it as about as ubiquitous as can be around the internet geek-sites. There was a lot of indifference and dismissal of the first Iron Man around Row Three for playing things oh-so-safe to formula (both comic book superhero formula and RDJ persona-formula) and its embrace in the popular and critical community. Call me a sucker, but this one looks slightly better with its Euro-accented Mickey Rourke and CEO-Celebrity Stark (Robert Downey Jr.) becoming a political and economical trump card. There is grist there, will they mill it?

    Fool me twice, shame on me!

    Trailer is tucked under the seat.

    » Read the rest of the entry..

  • Bookmarks for September 8th through September 24th

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    What we’ve been reading – September 8th through September 24th:

    • David Lynch art installation: "Machines, Abstraction and Women"
      Hmmmm, who came up with the idea of having David Lynch speak out for Violence against women? "Shut up! It's Daddy, you shithead! Where's my bourbon? Can't you fucking remember anything?"
    • When have we not been in the midst of a vampire craze?
      Slate thinks it is better to look at the few periods of Vampire droughts as there is almost always a Vampire craze going on
    • Joe Dante on Roger Corman’s Lifetime Achievement Oscar
      “It’s about time,” says Dante, whose 3-D horror film The Hole is debuting at TIFF. “But it’s the one year they decided not to include that award in the telecast. He and (legendary cinematographer) Gordon Willis and Lauren Bacall. Three of the most interesting people, and they’re not going to be on the show. And all because they want to nominate 10 movies for Best Picture. “Why? So Transformers can get a nomination? This is an attempt to try to keep this fairly moribund idea of the Oscars alive, but it’s staid and it’s serious and it’s competing with 100 other awards shows where people get drunk and say interesting things.”
    • How to Sell a Guilty Pleasure: The CW and Its Posters | MediaCommons
      A look at CW's poster campaigns for its crop of guilty-pleasure teens-behaving-badly shows, from Gossip Girl to the Melrose Place reboot.
    • The 50 Greatest Directorial Debuts of All Time? – Cinematical
      Cinematical looks at, and generally approves of, London Time Out's recent list of the 50 Greatest Directorial Debuts of all time.
    • Charlie Kaufman talks Charlie Kaufman
    • Let’s Dance like it was 1989!
      Last Toronto After Dark 2009 Item. An interview with Romanian vampire black comedy, Strigoi, director Faye Jackson. Check out the radically new Twitch while you are at it.
    • Sadly, Tetsuo: The Bullet Man Stinks
      Reviews from around the blogosphere are not kind for Shinya Tsukamoto's third Tetsuo film. Sad, but hopefully the director will lay the franchise to rest and make more films like Vital and A Snake of June
    • The TIFF Tel Aviv Controversy
      A nice starting point to the Grayson protest on the Toronto International Film Festivals " City to City: Tel Aviv" Spotlight this year. Protests to follow.

  • TIFF 09 Review: [Rec] 2

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    Directors: Jaume Balagueró, Paco Plaza ([Rec])
    Writers: Jaume Balagueró, Paco Plaza
    Producer: Julio Fernández
    Starring: Manuela Velasco, Jonathan Mellor, Ariel Casas, Alejandro Casaseca, Pep Molina
    MPAA Rating: R
    Running time: 85 min.


    Two years ago, Spanish directors Balagueró and Plaza gave audiences a unique look into the zombie sub-genre with a handheld, first person perspective film taking place within a single building which bore witness to a zombie outbreak that spread like wildfire. Due to the quarantine lock down of said building, the film also gave us a claustrophobic and dark tone which helped in creating one of the scariest films of all time which quickly became a cult phenomena that even gave birth to an American remake within a year of its original release. Here we are just two years later and Balagueró and Plaza are back to up the ante with [Rec] 2. And up the ante they did!

    [Rec] 2 begins mere minutes after part one’s credits have rolled so it’s a good idea to make sure you’ve seen the original installment before preceding onward. A special ops team has been called in to quell whatever sort of viral outbreak is causing “the disturbance” inside the building. This cocky bunch of cowboys are told that tenants infected inside the building are “aggressive,” but what becomes quickly obvious is that these boys are ill informed and ill prepared; for once inside the building, the “infestation” is more than they can handle and has grown to much larger proportions than they had originally presumed. On top of this, there is something more than meets the eyes with these infected people than just a mere “illness” or “virus.” If [Rec] was Alien, then [Rec] 2 is Aliens; in terms of structure, plot points and sheer intensity.
    » Read the rest of the entry..

  • The Descent 2 Trailer; Because Once Wasn’t Enough

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    The Descent: Part 2 Movie StillIf you still haven’t seen Neil Marshall’s excellent claustrophobic horror thriller The Descent but have intentions to see it, you may want to skip this until after you’ve caught up otherwise, huge spoilers are coming.

    At the end of Marshall’s film is one survivor who comes wondering out of the mountains alone and covered in blood. With no believable explanation for what happened, the police think she’s crazy or making it up so they do what any sane person would (sarcasm): they take the distraught woman and force her to return as a member of a rescue party. Yeah, that’s seriously smart thinking; because if she didn’t kill the others, someone else did and if she did do the deed, you’ve just added more people to her kill count. There you have it, the plot for The Descent: Part 2.

    Obviously, shit goes wrong and people start to die and I’m sure the rescue team starts to think they should have listened to the now-not-so-crazy-woman and stayed away.

    I thoroughly enjoyed Marshall’s film and I’m sure Jon Harris’ directorial debut will have some great moments but one of the things that worked so well in Marshall’s is the fact that we didn’t know what was down there with the women. Now that we know, I have a hard time believing the second film will have the same power. It looks like it may do a mediocre job but really, they should have left well enough alone.

    The Descent: Part 2 doesn’t have a US release date yet but opens in the UK on December 4th.

    Trailer is tucked under the seat!

    » Read the rest of the entry..

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