Mamo #396: An Easy Lay

Mamo!

Glom Gazingo, and welcome to Oscar night 2015! Jamie “The Dew Over” Dew joins us on the couch for our annual slate of mini-podcasts recorded throughout the telecast, as the Academy of Motion Picture Arts and Sciences hands out the golden trophy to the favourites among themselves. Plus, special guest stars Sasha and Max! Join us for this omnibus edition of our evening’s activities.
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Not At Odds #2 – What Historians Get Wrong About Faccuracy!

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On this week’s episode of NOT AT ODDS, Jandy and I go into the issue of historical accuracy in film and whether or not that’s a big deal. We coin a new term – FACCURACY – and admit to not having seen Selma. Lotta good truth here. Well, mostly truth. Actually, a few things were added for drama, but the moment was truthy…

Oh you get the idea. Listen to our new episode and tell us what you think!

 

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Cinecast Episode 376 – 2014 in Review: Ski Lifts & Psychological Rape

 
We needed a referee. Seriously. And unless it’s Jesse “The Body” Ventura, we might as well not even bother. The rampages on 2014-in-film are epic: Battles are fought, won, lost and lines are drawn in the sand (Cross this line, you DO NOT…) Also, Jim Laczkowski from The Director’s Club Podcast is here to help us figure out Inherent Vice. Is it “pure shit” or “something that needs to be seen 18 times to enjoy”? And where does Matt Gamble come down within the argument? Shortly after tackling the critical darling that seems to be Selma, we look at all of the trends and highs and lows of 2014: from lack of strong female performances to computer desktop horror to the importance of ski lifts and dog revenge. Everything culminated in our annual top ten list and figuring out the odds (or lack thereof) of best picture winner.

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!

 

 
 

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Review: Selma

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Director: Ava DuVernay (Middle of Nowhere, The Door)
Writer: Paul Webb
Producers: Cassandra Kulukundis, Todd J. Labarowski, Emanuel Michael
Starring: David Oyelowo, Carmen Ejogo, Wendell Pierce, Lorraine Toussaint, Tom Wilkinson, Giovanni Ribisi
MPAA Rating: PG-13
Running time: 127 min.


Sometimes there’s a sense that a movie is succeeding because of its timeliness and little more. It’s why there are instances of multiple biopics vying to be first out the door after a subject’s death but sometimes, it’s a little more abstract than that. That certainly appears to be the case with Ava DuVernay’s Selma which was in production long before the events of Ferguson ever happened but in the wake of that national disaster, Selma is likely to become a rallying cry for change and it’s a damned fine one at that.

Written by newcomer Paul Webb, Selma picks up in early 1965. LBJ is in office and he has a pretty good relationship with Martin Luther King Jr.. In one particular meeting, King pushes for change, namely in the ability of African Americans to vote. Johnson argues there are more important issues to deal with; he has a different agenda. King pushes ahead with the argument and along with the leaders of the Southern Christian Leadership Conference, the group take action and their next fight to Selma, Alabama. A ripe territory for a showdown.

Du Vernay’s film isn’t simply a retelling of the events leading up to what happened in Selma. It’s also a portrait of a man who has been fighting for a long time. A man who is tired; a man who feels defeated; a man who leads but does not go on alone. Webb’s portrait of King gives the good with the bad. The film shows King to have been a great preacher, a man who could mobilise masses, but it also doesn’t shy away from King’s troubles; his infidelities, his indecision, his feeling of defeat and fighting an unwinnable fight. Mostly it creates the picture of a man who led a movement but who was only human. A man who relied on the supported by the people around him to succeed.

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