Director: Joe Wright (Pride and Prejudice, Atonement, The Soloist)
Writer: Seth Lochhead, David Farr
Starring: Saoirse Ronan, Eric Bana, Cate Blanchett, Tom Hollander, Olivia Williams
MPAA Rating: PG-13
You’ve seen Hanna before. From Angelina Jolie’s Salt to Kill Bill‘s The Bride, from Jason Bourne to Wolverine. In the business they call it genre, and this film is steeped in it (the kind of a film that makes Quentin Tarantino and Stephen King end-of-the-year lists). Without divulging much in the way of spoilers, Hanna is the story of a CIA asset that goes missing only to be found and, as you would expect, all shit breaks loose. Sprinkled about this mayhem is an affecting coming-of-age story wherein the unstoppable Frankenstein monster is a fourteen year old girl who wants to know what music feels like as much as she wants revenge. In lesser hands this delicate balance of genres would upset one or the other fan bases, but with Hanna, director Joe Wright is somehow able to maintain the momentum of both the emotional story and the high-octane action without doing a disservice to either. The result appears effortless, a steady stream of event movie-making on par with anything of the Bourne franchise.
Saoirse Ronan walks the razor’s edge of cool and vulnerable in her performance of Hanna – this curious vision of a doe-eyed, blood-speckled assassin is just one of the joys of the film. Added to this is a stellar supporting cast: Eric Bana as Hanna’s father and sole provider, Cate Blanchett (rocking a Scully do) as the formidable CIA opponent, Joe Wright regular, Tom Hollander, as the whistling psychopath-for-hire, and even a bit part for Olivia Williams as a hippie mom caught in the middle. Hollander’s Isaacs is a stand-out and a fascinating turn for this character actor typically resigned to playing daft weaklings, here, despite his stature, Isaacs is channeling Dennis Hopper from Blue Velvet, running head-on towards whatever damage he can administer. Would you like to know more…?