
Director: Joe Wright (Pride & Prejudice, Atonement)
Book: Steve Lopez
Screenplay: Susannah Grant
Producers: Gary Foster , Russ Krasnoff
Starring: Robert Downey Jr., Jamie Foxx, Catherine Keener
MPAA Rating: PG-13
Running time: 109 min




(3/5)Has there been in recent memory a more maligned film by virtue of its marketing campaign than Joe Wright’s The Soloist? Like the overkill of the Vantage Point trailers in every theater and seemingly in front of every film I saw in 2008, The Soloist was sold to the public in a way which had an adverse effect, sure people were talking about it, but what they had to say wasn’t pretty. Shelved nearly half a year, the film is being unloaded the weekend before the summer movie season begins, a notorious dumping ground for beleaguered projects. Is this a colossal fuck-up by the marketing department, a heavy-handed trailer edit of the movie’s dramatic value to court the Academy’s quaint notions of worth, or is the source material ultimately at fault?
Having now seen the film, I would have to say it’s a bit of both. The uncomfortably naïve evocation of liberal guilt and white man’s burden as depicted through the trials and tribulations of L.A. Times reporter, Steve Lopez (Robert Downey Jr.), in his efforts to befriend Nathaniel Ayers, a Julliard trained musician since homeless (Jamie Foxx), is palpable in the script. Driven home through the voice-overs as Steve talks into his tape recorder and through the clumsy exposition as he confides to his ex-wife (Catherine Keener), the story is forever pivoting around social touchstones that make this just the kind of touchy feely public interest column that I suspect garnered Lopez his book deal in the first place. The only saving grace in the storytelling is that the mental issues that Nathaniel is dealing with are not reduced to some particular event, even though strangely the flashbacks seem to suggest that just such a revelation is around the corner.
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