Alexander O. Phillipe’s compulsively watchable documentary on the 3 minute show sequence from Alfred Hitchcock’s Psycho is finally getting a commercial release from IFC. And here they have cut a wonderful ‘talking heads’ sans talking heads trailer using the re-staging moments from the film. It pulls you in. And as all the critics quotes (curiously mostly nerd sites over more prestigious outlets) say, it is indeed an excellent examination of cinemas most famous murder. 78 Shots, 52 cuts, aka 78/52 comes to theatres and VOD on Oct. 13, 2017.
Director: Alexandre O. Phillipe (Doc of the Dead, The People vs. George Lucas)
A Documentary on Alfred Hitchcock’s Psycho, specifically the shower scene.
Producers: Kerry Deignan Roy, Robert Muratore
Starring: Walter Murch, Elijah Whood, Karyn Kusama, Peter Bogdanovich, Danny Elfman, Jamie Lee-Curtis
MPAA Rating: PG
Running time: 129 min.
In 1960, Alfred Hitchcock’s thriller PSYCHO redefined the horror landscape.
In the process of bringing his cinematic vision to life, Hitchcock was afforded a whopping seven days to film the iconic shower scene. From the moment the shower faucet is turned on to the moment the Marion Crane meets her fate, a mere 146 seconds pass. In two minutes and twenty-six seconds, there are 78 setups and 52 cuts.
78/52 is an examination of that incredible cinematic execution, the psychology at play, and how it affected pop culture for years to come.
Throughout the doc, PSYCHO’s shower scene is broken down detail by detail – including precisely which melon was used to create the sound effect of the knife stabbing the skin. Artists and fans of all sorts discuss the impact and psychology of the work, all in tones that are equal parts reverie and delight.
There is an inherent joy in seeing the talent gathered for 78/52 just watch PSYCHO. Elijah Wood, Jamie Lee Curtis, and Guillermo del Toro are but a few of the fans that gather for the documentary. Repeatedly, the documentary pauses for a moment, and we can see studious delight on their famous faces as they watch Hitchcock’s twisted tale unfold before their eyes.
PSYCHO is a film about coveting through watching. So, what about it do these fans covet? What, in turn, do we?
The temptation with a documentary like this is to geek-out a little too hard. Hitchcock is a master who has inspired volumes. His works have been broken down frame-by-frame and studied to the enth degree. Could there possibly be more to say? Well yes, as it turns out.
As we close in on sixty years past the PSYCHO’s release, it’s easy to take for granted the films place in the lexicon. Like STAR WARS, THE WIZARD OF OZ, and JAWS, PSYCHO has become “something other”. It is a touchstone, cinematic shorthand, something people know even if they don’t know – but there’s the rub. So very many now do not know PSYCHO. With that in mind, the time is right to examine the work, and concentrate so much time on the most iconic scene in this truly iconic work.
For films like 78/52, the trick is to find the sweet spot. Remind people of things they may have heard before, bring ideas to the table that few may have considered, and wrap it all up with talk of impact and legacy on works that would follow. If the film doesn’t do enough, it gets met with a shrug. If the film does too much, it loses the audience. The happy medium is about as wide as a knife’s edge.
Happily, 78/52 knows just how to wield that knife.
As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!
We’re now available on Google Play!
One of two Alfred Hitchcock themed pictures coming down the pike. This one stars Anthony Hopkins as Hitch while the director was making Psycho (the other, in a situation reminiscent the Capote thing a few years ago, stars Tobey Jones as the auteur while he was making The Birds.)
Focusing on the relationship between the director and his partner, Alma Reville, played by Helen Mirren here easily stealing the show from Sir Anthony, the film appears to be a bit of witty and charming Oscar Bait-y kind of entertainment from the director of Anvil! The Story of Anvil, Sacha Gervasi.
It should also be noted that the casting on this Studio picture goes pretty deep with Scarlett Johansson playing Janet Leigh, as well as supporting roles from Michael Stuhlbarg, Jessica Biel, Toni Collette, Danny Huston, Ralph Macchio, and two characters who should be working more: Michael Wincott & Kurtwood Smith.
Are you ready for dueling Hitchcock movies? (For comparison sake, the trailer for the Toby Jones HBO picture is tucked under the seat)
We are good friends around here with the Film Junk folk, and always like to keep up with the work of Jay Cheel. Even if he is goofing off with his good buddy Reed Farrington by updating a decades old DIY cooking video made in the late 1980s and incorporating the signature FJ Poutine into the mix, well our attention is there. When the whole piece is edited into a Lynchian slash Norman Bates crazy show, complete with Sergio Leone close-ups of eating (see: Duck You Sucker!) with creepy zooms and unsettling music, it flirts with transcendence. The result is a solid and entertaining piece of work, and a great accompaniment to the sporadic Cantankerous podcast.
The full episode of Cooking with Gerry is tucked under the seat.
Renaissance, playing Monday at 8:25am on IFC
Not too many new ones this week, but still plenty of great films to round out the year, including a marathon of Hitchcock’s best films on TCM on New Year’s Eve, followed by the entire Thin Man series overnight. EDIT: Sorry the early ones on Monday, including Renaissance (pictured above) have already happened. I scheduled the post to post last night and for whatever reason, WordPress thought it better not to post it.
Monday, December 28
6:15am – Sundance – Adaptation.
Spike Jonze and Charlie Kaufman’s follow-up to Being John Malkovich is slightly less bizarre, but still pretty out there – just in a more subtle way. Nicolas Cage plays a screenwriter named Charlie Kaufman who’s stuck in his attempt to adapt a bestseller; it doesn’t help when his successful brother (also played by Cage) shows up. The end feels like it’s going off the rails, but that’s all part of the genius.
2002 USA. Director: Spike Jonze. Starring: Nicolas Cage, Meryl Streep, Tilda Swinton, Chris Cooper.
8:25am – IFC – Renaissance
In near-future Paris, a brilliant young scientist is kidnapped; her employer Avalon (a highly influential company that sells youth and beauty itself) wants her found, but her importance to them may be more sinister than first meets the eye. The story’s not handled perfectly here, but it’s worth watching for the beautifully stark black and white animation.
2006 France. Director: Christian Volckman. Starring (English version): Daniel Craig, Romola Garai, Ian Holm, Catherine McCormack, Jonathan Pryce.
(repeats at 2:05pm)
10:45am – IFC – Before Sunrise
Before Sunrise may be little more than an extended conversation between two people (Ethan Hawke and Julie Delpy) who meet on a train in Europe and decide to spend all night talking and walking the streets of Vienna, I fell in love with it at first sight. Linklater has a way of making movies where nothing happens seem vibrant and fascinating, and call me a romantic if you wish, but this is my favorite of everything he’s done.
1995 USA. Director: Richard Linklater. Starring: Ethan Hawke, Julie Delpy.
(repeats at 4:00pm, and 5:05am on the 29th)
Village of the Damned, playing on TCM at 2:00am on Wednesday, October 28th (late Tuesday night)
This week we get to Halloween, and while TCM’s been doing a slow build for the past three weeks, this week they start really piling on the classic horror, starting with a double feature of The Haunting (the good one) and Village of the Damned at midnight on Tuesday. Then they’ve got some Val Lewton on the Friday and Saturday, hitting both highlights (Cat People at 5pm on Saturday) and lesser-known but still quite good films (Isle of the Dead on Friday, The Body Snatcher on Saturday). And you can compare two versions of Robert Louis Stevenson’s novella Dr. Jekyll and Mr. Hyde on Saturday night. Finally, DO NOT MISS the oft-overlooked Dead of Night on TCM Saturday morning. If you like 1940s understated British horror, this is a winner.
In non-horror offerings, IFC is showing Les enfants du paradis on Wednesday, a film that absolutely bowled me over when I first saw it, and Kurosawa’s classic of ambiguity Rashomon on Saturday. Not to be outdone, TCM’s got the New Hollywood classic Easy Rider on Wednesday. Also plenty of repeats that are masterful films, so check for any of those you haven’t caught up with yet.
Monday, October 26th
5:05am – Sundance – The Squid and the Whale
Jeff Daniels and Laura Linney are married writers/academics who finally drive each other too crazy to keep living together, bringing their two adolescent sons into their turmoil when they separate. Everything about the film works together to create one of the best films of the past few years. Writer/director Noah Baumbach has crafted a highly intelligent script which is achingly witty and bitterly funny; the acting is superb all around; the music fits beautifully, and even the setting (1980s Brooklyn) is something of a character.
2005 USA. Director: Noah Baumbach. Starring: Jeff Daniels, Laura Linney, Jesse Eisenberg, Owen Kline.
8:30am – IFC – Au revoir, les enfants
A new boy arrives at a French school and becomes close friends with one of the French boys. But it’s the early 1940s and the new boy turns out to be Jewish, and hiding from the Nazis. Louis Malle directs this achingly lovely portrait of schoolboy friendship in an uncertain time.
1987 France. Director: Louis Malle. Starring: Gaspard Manesse, Raphael Fejtö, Francine Racette.
(repeats at 2:25pm)
5:55pm – IFC – Trainspotting
Days in the lives of Scottish heroin addicts. Sounds like a downer, and I won’t say it’s not, but it’s also brilliant and searing. It’s actually one of the scariest movies I’ve seen, despite not being in any way a horror film.
1996 UK. Director: Danny Boyle. Starring: Ewan McGregor, Ewen Bremner, Jonny Lee Miller, Kelly McDonald.
10:30pm – Sundance – INLAND EMPIRE
David Lynch’s latest magnum opus, which pretty much can’t be understood by any use of normal narrative logic. However, it works thematically and emotionally as well as any movie I’ve seen ever. Stories weave in and out of each other, characters merge and separate, the plot you thought you had a hold of becomes elusive and it’s essentially impossible to tell what’s real. But if you let yourself go to it, you’re in for a special treat. You know those 3D images that you can only see by throwing your eyes out of focus? Do that with your mind in order to “see” INLAND EMPIRE.
2006 USA. Director: David Lynch. Starring: Laura Dern, Justin Theroux, Jeremy Irons, Jan Hencz, Karolina Gruszka, Grace Zabriski
12:00M – Sundance – Metropolitan
If Jane Austen made a movie in 1990 and set it among entitled Manhattan socialites, this would be it. The film follows a group of such entitled teens from party to party, focusing especially on the one outsider, a boy from the blue-collar class who has to rent a tux and pretend he likes to walk to avoid letting his new friends know he has to take the bus home. Though they find out soon enough, they keep him around because his intellectual nattering amuses them. In fact, it’s quite amazing that this film is interesting at all, given the amount of pseudo-intellectual nattering that goes on, from all the characters. But from start to finish, it’s both entertaining and an incisive look at the American class structure.
1990 USA. Director: Whit Stillman. Starring: Edward Clements, Chris Eigeman, Carolyn Farina, Taylor Nichols, Dylan Hundley.
(repeats at Midnight on the 30th)
2001: A Space Odyssey, playing on TCM at 2:00am on the 22nd
There are several newly featured films worthy of highlight this week. TCM is playing a double-feature of Buster Keaton silents on Monday night, starting with Sherlock Jr.. They’re also throwing out some noirs that are new to our listing – the Raymond Chandler-based Murder, My Sweet on Wednesday and the Bogart-Bacall Key Largo Sunday. And don’t miss a couple of really great romances – Two for the Road Friday on the Fox Movie Channel, and Brief Encounter Saturday on TCM. Something for everyone this week, as well as the usual crop of repeats in case you missed something in earlier weeks.
Monday, September 21
6:30am – IFC – Howl’s Moving Castle
Hayao Miyazaki has been a leader in the world of kid-friendly anime films for several years now, and while many would point to Spirited Away as his best film, I actually enjoyed Howl’s Moving Castle the most of all his films. Japanese animation takes some getting used to, but Miyazaki’s films are well worth it, and serve as a wonderful antidote to the current stagnation going on in American animation (always excepting Pixar).
2004 Japan. Director: Hayao Miyazaki. Starring (dubbed voices): Christian Bale, Emily Mortimer, Jean Simmons, Lauren Bacall
(repeats at 12:20pm)
3:45pm – TCM – The Window
Young boy Bobby Driscoll is a chronic liar, which makes it very difficult to make his family and other adults believe him when he claims he saw a murder being committed. But when the murderer finds out what he knows… A solid little thriller told from a child’s point of view.
1949 USA. Director: Ted Tetzlaff. Starring: Bobby Driscoll, Barbara Hale, Arthur Kennedy, Paul Stewart, Ruth Roman.
8:00pm – TCM – Sherlock, Jr.
Buster Keaton is a film projectionist who longs to be a detective so much that he dreams himself into a film he’s projecting so he can become the detective hero of the story. The scene of him entering the film is justly famous, though it’s a smaller portion of the film than its fame leads you to believe.
1924 USA. Director: Buster Keaton. Starring: Buster Keaton, Kathryn McGuire, Joe Keaton, Ward Crane.
9:00pm – TCM – Steamboat Bill, Jr.
One of Buster Keaton’s best-known films has him as the city-boy son of a steamboat captain who goes to learn his father’s trade. Many mishaps later, he’s left to rescue his father from a tremendous hurricane – that scene is one of Keaton’s absolute best set-pieces, as he remains implacable while buildings literally fall around him.
1928 USA. Director: Charles Reisner. Starring: Buster Keaton, Ernest Torrence.
The New World, playing Thursday, September 10th, at 10:05pm on IFC.
A lot of good stuff this week, including a bunch we haven’t featured yet in these posts. I added in a few playing on Fox Movie Channel this week; on my channel guide, FMC is right next to IFC, and I keep seeing great stuff on there as I’m setting my DVR, so I figured it’d be a good idea to go ahead and start monitoring it as well.
Monday, September 7th
9:00am – TCM – King Kong
The granddaddy of special effects monster films still holds up pretty well, considering it’s almost 80 years old. The real beauty is that even though the effects are obvious today, you’ll care enough about Kong that it won’t matter. For more, check out guest author Chris Edwards’ great post.
1933 USA. Director: Merian C.Copper and Ernest B. Schoedsack. Starring: Robert Armstrong, Fay Wray, Bruce Cabot.
5:30pm – TCM – The Dot and the Line
A Chuck Jones-directed animated short is almost always worth highlighting. This is a later one, post-Looney Tunes, and shows very well his later experimentation into minimalist art. A straight line falls in love with a dot, but she’s enamored of an unruly squiggle. There’s an undercurrent of distrust toward the “anything goes” hippie culture of the 1960s, which is kind of interesting, too.
1965 USA. Director: Chuck Jones. Starring: Robert Morley.
8:00pm – IFC – Office Space
Anyone who’s ever worked in an office will identify with Office Space immediately – with the paper-jamming printers, the piles of beaurocratic paperwork, and the difficulty of keeping up with staplers if not the plot to make off with boatloads of money due to an accounting loophole. In fact, if you do or have worked an office job, I’m gonna call this required viewing.
1999 USA. Director: Mike Judge. Starring: Ron Livingston, Jennifer Aniston.
(repeats at 1:30am on the 8th)
9:30pm – IFC – Secretary
Maggie Gyllenhaal and James Spader – making sado-masochism fun since 2002! But seriously, this was Maggie’s breakout role, and it’s still probably her best, as a damaged young woman whose only outlet is pain. And despite the subject, Secretary is somehow one of the sweetest and most tender romances of recent years.
2002 USA. Director: Steven Shainberg. Starring:James Spader, Maggie Gyllenhaal.
(repeats at 3:00am on the 8th)
10:00pm – TCM – I’m Not Scared
While playing one day, a young Italian boy discovers another boy chained up in a dark hole and befriends him. But why is he there, and is it safe to tell anyone about it? A well-done little thriller, with a good many twists and turns and a great performance from twelve-year-old Giuseppe Cristiano.
2003 Italy. Director: Gabriele Salvatores. Starring: Giuseppe Cristiano, Mattia Di Pierro.
4 Months, 3 Weeks, and 2 Days, playing on Sundance on Thursday, July 9th, at 8pm
In my haste to get this post ready this week, I nearly skipped checking Sundance’s schedule, since they usually only have a couple I want to highlight anyway. Glad I didn’t, because they’re running some of my favorite foreign films from recent years, including Romania’s 4 Months, 3 Weeks, and 2 Days, which I’ve been touting everywhere I can since it came out. TCM of course has its usual high quality stuff as well.
Monday, July 6
6:00am – TCM – Psycho
Alfred Hitchcock built the foundation for all future psycho-killer movies with his classic. It’s not as terrifying as it once was, but that doesn’t at all diminish its greatness. Must See
8:00am – TCM – The Manchurian Candidate
The original 1962 version, not the pale comparison of a 2004 remake. Former soldier Frank Sinatra starts having nightmares about his war experience, then finds that he and his unit were part of a brainwashing experiment – the result of which was to turn his colleague Laurence Harvey into a sleeper agent assassin. A classic of the Cold War era, full of well-honed suspense and paranoia.
6:15pm – IFC – Millions
Danny Boyle has a way of making very simple stories into something special, and this is no exception. A young British boy finds a bag with millions of pounds in it; the catch is that Britain is days away from switching to the euro, so the money will soon be worthless. The shifting ethical questions combined with a sometimes almost Pulp Fiction-esque style and a fascinating religious backdrop (I’m still not sure where he was going with that) at the very least means an intriguing couple of hours.
(repeats at 4:00am and 11:30am on the 7th)
8:00pm – TCM – Manhattan
In one of Woody Allen’s best films, he’s a neurotic intellectual New Yorker (surprise!) caught between his ex-wife Meryl Streep, his teenage mistress Mariel Hemingway, and Diane Keaton, who just might be his match. Black and white cinematography, a great script, and a Gershwin soundtrack combine to create near perfection. Must See
2:35am (7th) – Sundance – Volver
Pedro Almodovar deftly straddles the line between drama and comedy in one of his more accessible films. Two sisters return to their home at the death of their aunt, only to find their mother’s ghost – or is it a ghost? And as always in Almodovar’s films, there are related subplots aplenty. Penelope Cruz is incredible as the younger, fierier sister – she’s never been more moving than in her passionate rendition of the title song, nor funnier than when calmly cleaning up a murder scene. Must See
(repeats at 2:15pm on the 7th)
Rear Window, playing on TCM on Sunday, June 28th at 12:15am
As TCM nears the end of their month of Great Directors, they shine the spotlight on George Stevens, Ernst Lubitsch, Stanley Kubrick, Federico Fellini, Alfred Hitchcock, and George Cukor. And a mini-spotlight on David Lean on Friday morning. Oh, and Norman Jewison on Friday night, but I’m not a particular fan – feel free to watch In the Heat of the Night and Fiddler on the Roof (which I like in a sort of innocuous usually-stop-watching-half-way-through sort of way) that night if you want, though.
Monday, June 22
10:45am – IFC – Mon Oncle
Jacques Tati’s Chaplin-esque character, Mr. Hulot, this time takes on modern life in the form of his sister’s house that has been mechanized with all the most modern electronic aids – think Disney’s 1950s House of Tomorrow. Of course, everything goes wrong.
(repeats 5:05am on the 23rd)
4:00pm – TCM – The Caine Mutiny
Humphrey Bogart’s Captain Queeg is a piece of work, and by that I mean some of the best work Bogart has on film. He’s neurotic, paranoid, and generally mentally unstable. Or is he? That’s the question after first officer Van Johnson relieves him of duty as being unfit to serve and faces charges of mutiny.
Great Directors on TCM: George Stevens
I’m not a huge fan of Stevens, personally, but I think my apathy is largely based on how overrated I think Giant is, and TCM isn’t playing that anyway.
10:00pm – TCM – Shane
Alan Ladd plays the titular cowboy, idolized by the young son of the family he takes refuge with as he tries to escape outlaw Jack Palance.
12:00M – Sundance – Talk to Her
Talk to Her is one of Spanish auteur Pedro Almodóvar’s finest and most moving works, drawing heavily on the passion of bullfighting and dancing. Marco and Benigno develop a friendship as they care two women in comas – Marco’s girlfriend Lydia, a bullfighter gored in the ring, and nurse Benigno’s patient Alicia, whom he has fallen in love with. There’s a touch of the bizarre, as there always is in Almodóvar, but the film is richly rewarding in mood and vision.
2:15am (23rd) – TCM – Swing Time
Many people call Swing Time the best of the Fred Astaire-Ginger Rogers musicals, and it’s certainly up there. Frothy story? Check. Jerome Kern music? Check. Fantastic dances? Check. Of course. Must See