Director: Joe Dante
Screenplay: John Sayles, Terence H. Winkless
Based on a Novel by: Gary Brandner
Starring: Dee Wallace, Patrick Macnee, Dennis Dugan, Christopher Stone, Belinda Balaski, Kevin McCarthy, John Carradine, Slim Pickens
Running Time: 91 min
BBFC Certificate: 18
Hollywood has a history of releasing two similarly themed films to fight for an audience in the same year (memorably, 1998 had a double bill of double bills with A Bug’s Life competing against Antz and Armageddon up against Deep Impact). Back in 1981 it was the battle of the werewolves, with three films released that featured the mythological creatures – An American Werewolf in London, Wolfen and The Howling. Wolfen was the most expensive of the three but bombed and is largely forgotten these days. An American Werewolf made the most money, but The Howling hit theatres first and was still fairly successful (particularly as it cost far less to make than the other two). It certainly went on to spawn the greater legacy, with its seven sequels and a remake coming soon. That said, it’s always stood in the shadow of An American Werewolf, especially since both films take a humorous approach to the subgenre. I couldn’t help but compare the two either, so my review is definitely affected by the fact that I’m a fan of John Landis’ film and have seen it quite a few times, whereas this viewing of The Howling was a first time watch.
The Howling opens with newswoman Karen White (Dee Wallace) being tailed by police as she goes to meet a possible serial killer, Eddie Quist (Robert Picardo), who is obsessed with her. The killer is shot dead whilst he tries to sexually assault Karen, who is left disturbed by the experience. It affects her marriage and work, so she is sent to a retreat called The Colony by her TV station’s resident doctor, George Waggner (Patrick Macnee), who runs it. Once there, her husband Bill (Christopher Stone) gets bitten by a wolf and starts acting strangely. Meanwhile, a couple of Karen’s colleagues, Chris (Dennis Dugan) and Terry (Belinda Balaski), investigate Eddie for a story, but find his body missing from the morgue and uncover links between him and the Colony, so Terry heads over there to warn Karen. As more werewolves crop up, it becomes difficult to say who’s in danger from who.