Blu-Ray Review: X-Men: Days of Future Past – The Rogue Cut

Director: Bryan Singer
Screenplay: Simon Kinberg
Based on a Graphic Novel by: Chris Claremont, John Byrne
Starring: Hugh Jackman, James McAvoy, Michael Fassbender, Jennifer Lawrence, Patrick Stewart, Ian McKellen, Peter Dinklage
Country: USA/UK/Canda
Running Time: 142 min (Rogue Cut) 126 (Theatrical Cut)
Year: 2014
BBFC Certificate: 12 (although the commentary is rated 15)


I like to moan about super hero movies. There seems to be an endless stream of them nowadays with these extended universes and such, so I’ve grown very tired of hearing about them. 90% of online chatter seems to surround the latest super hero movie trailer or casting news. Personally I couldn’t give a s**t about most of it and become a snob hiding in the corner with my indie movies and classic re-releases. However, despite my grumbling, I’ve actually enjoyed most of the super hero films I’ve seen during this decade-and-a-half boom.

One of last year’s super hero movies that I liked quite a lot was X-Men: Days of Future Past. So when I was offered a chance to review the new Rogue Cut of the film, I decided to break away from my usual snooty high-brow/classic/cult posts to join the mainstream.

I won’t go into too much detail about the plot for X-Men: Days of Future Past as most of you will already have seen it. Basically, in the future, the world is a bleak and desolate place, particularly for mutants who are being hunted and killed by the all powerful Sentinels (big evil robots that can take on mutant powers). The X-Men have a plan though. They send Wolverine (Hugh Jackman) back into the subconscious of his 1970’s self to change events surrounding Mystique/Raven (Jennifer Lawrence), Charles Xavier (a.k.a. Professor X, played by James McAvoy) and Erik Lehnsherr (a.k.a. Magneto, played by Michael Fassbender) which led to the development of the Sentinel programme, spearheaded by Dr. Bolivar Trask (Peter Dinklage).

What The Rogue Cut adds in its 16 extra minutes, alongside a couple of minor changes here and there, is, as you might have guessed, a role for Rogue (Anna Paquin). She was a major character in the first couple of films, but was left on the cutting room floor when Days of Future Past hit cinemas. In these re-instated scenes she is saved from experimentation by Professor X (Patrick Stewart), Magneto (Ian McKellen) and Bobby/Iceman (Shawn Ashmore) so that she can help the wounded Kitty Pryde (Ellen Page) keep Wolverine in his former subconscious.

Would you like to know more…?

Cinecast Episode 398 – Crying in the Darkness and Licking the Floor

Outside of the lengthy “Game of Thrones” discussion this week (which covers the last two episodes), we manage to stay pretty spoiler free, despite a main review for part of the 2015 western resurgence in Slow West. Also, Andrew hits the theater for the latest Cameron Crowe joint from Hawaii and the Brian Wilson / Beach Boys biopic, Love & Mercy. On the “television” front, Netflix and Kurt hangout for about 12 hours in the compelling mess that is “Sense8″ and Andrew finds enough commuting time to follow-up with Adnan and friends in the “Undisclosed” podcast. It’s a jam packed show full of fire and Australia; yes all of it (copyright Mark Kermode).

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!

 

 
 

aloha-cinecastposter aloha-cinecastposter

 

Would you like to know more…?

Cinecast Episode 392 – Man Candy

Both of the guys were at film festivals last week. Andrew at Minneapolis Int’l Film Festival and Kurt at HotDocs. We each pick four films from the screenings and give short capsule reviews. Coincidentally enough, two picks from each of us are of the western genre. Who knew you could have a western documentary, but apparently you can have more than one. Bill S. Preston Esquire directed a doc and apparently the story of Kurt Cobain has not completely been told as Montage of Heck goes deeper and is quite excellent. Michael Fassbender (who opens the audio of the show) teams up with Kodi Smit-McPhee and Ben Mendelsohn in Slow West and Brit Marling defends her manor and her life in a post Civil War wasteland in The Keeping Room. All this and more inside. Grab a cup of bottomless java and have a listen!

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!

 

 
 

Would you like to know more…?

MSPIFF 2015 Review: Slow West


Sadly, American audiences refuse to embrace the western genre as they once did. But don’t tell that to the people of Minneapolis flocking to a packed full screening of John Maclean’s directorial debut, starring the great Michael Fassbender as well as Noah Taylor, Kodi Smit-McPhee and… The Hound; who is likely the harriest man I’ve ever seen. But I digress.

Slow West will offer very little to change the minds of modern day audiences; even if it does attempt, on some levels, to gain their trust and admiration. Clocking in at a cool 85 minutes certainly doesn’t hurt and hiring fairly big names or up-and-comers for the main characters further bodes well. Moments of levity and a simple tale all equal perfect escapist fodder for the modern movie goer. And yet they will resist.

But for fans of the contemporary western, there is a lot to love. The film’s title is apropos of the languid pacing the film has to offer. Despite coming in under an hour and a half, it certainly is in no hurry to get anywhere – and I suppose even if they were in a hurry, horseback through rough terrain and scoundrels would be a tricky thing to maneuver quickly. The plot is ever so simple, yet ever so clever that it’s difficult not to be sucked into the slow build of mayhem sure to come as layers of plot reveal.

Would you like to know more…?

Cinecast Episode 366 – Mermaid Mode


In this episode, Kurt and Andrew struggle to grasp hold of Ari Folman’s hybrid animated/live-action film The Congress. Then it is back to 1984 to visit Madison the Mermaid and high energy Tom Hanks. The Watchlist looks at the healing power of music, obscure Tae Kwon Do weirdness, VHS culture, Swedish deadpan masterpieces, a musician hiding behind paper mâché head, and Rob Brydon and Steve Coogan touring restaurants in Italy. Have at it.

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!


 
 

 
 

Would you like to know more…?

Review: X-Men: Days of Future Past

DaysOfFuturePastStill1

Director: Bryan Singer (Valkyrie, Superman Returns, X-Men, X-Men 2: X-Men United)
Screenplay: Simon Kinberg
Producers: Simon Kinberg, Hutch Parker, Lauren Shuler Donner, Bryan Singer
Starring: Hugh Jackman, James McAvoy, Michael Fassbender, Jennifer Lawrence, Ellen Page, Nicholas Hoult, Peter Dinklage, Ian McKellen, Patrick Stewart, Halle Berry, Anna Paquin
MPAA Rating: PG-13
Running time: 131 min.


One would think that after successfully re-launching the X-Men with a new A-list cast a couple of years ago, the studio would stick to that cast but as is common with comic books, it seems that creators are always jumping around timelines, characters and stories, it’s only appropriate that a sequel that brings director Bryan Singer back into the fold would not only involve time travel but also include nearly every member, past and present, of the X-Men movie franchise. Looking on the surface, you’d think this is the movie to end the entire franchise rather than a next step.

X-Men: Days of Future Past opens somewhere in the 2020’s in a future that is dark, ugly, foreboding and just generally unpleasant. Kitty Pryde and her team of mutants are fighting apparently unstoppable robots who are able to adapt to the mutants they are fighting. Most of the mutants die. Except they don’t because jump forward a while and Pryde is now meeting up with Professor X, Magneto, Wolverine and Storm to explain her time-travel tactic. Everyone on screen seems to follow the explanation (though I still don’t really get it) and a plan is hatched to send Wolverine back to the 70s to change the past which will also change the future – they hope – for the better.

Would you like to know more…?

Friday One Sheet: Fassbeth

Click for larger

The down in the trenches, grime-covered visage of handsome devil Michael Fassbender promises a visceral version of the Bard’s most easily digestible play: MacBeth. Sure I would love this to be Hamlet, but I’ll take a good old-fashioned fall-from-grace with Ms. Cotillard co-starring as his scheming wife. Either way, it is hard not to be compelled by the simple ‘sell the actor’ premise of the poster. Yes, the world wants this, and yes the world shall have it eventually. Currently, it’s in the Cannes marketplace looking for buyers.

Marion Cotillard’s Lady MacBeth is tucked under the seat.

Would you like to know more…?