Review: Going in Style

Director: Zach Braff (Garden State, Wish I Was Here)
Story: Edward Cannon
Screenplay: Theodore Melfi
Producer: Donald De Line
Starring: Joey King, Ann-Margret, Morgan Freeman, Michael Caine, Alan Arkin, Christopher Lloyd, Matt Dillon, John Ortiz, Kenan Thompson
MPAA Rating: PG-13
Running time: 96 min.

 

 

My original posting of this review can be found on LetterBoxd

 


Hollywood has truly hit a point now where basically anything is ripe for a remake or reboot or revival, whatever they decide on calling it, with the end result ultimately being dredging up some title from the vault for a new coat of paint on the same old shell. We’ve gotten now to the extreme of seeing remakes of remakes, like last year’s Magnificent Seven and the upcoming Scarface. Instead of using acclaimed, still popular and widely seen sources like those though, which tend to give off the stench of being made primarily for monetary reasons, the more enticing remakes (which is admittedly a bit of an oxymoron) are ones of films that had solid concepts that maybe didn’t reach their full potential, or ones of films that have been long forgotten and aren’t known these days by the large majority of viewers. Going In Style would be an example of the latter, remaking the 1979 Martin Brest film starring George Burns, Art Carney, and Lee Strasberg, which was a minor hit in its day but has faded from the public awareness in the decades since.

The tale of three down on their luck pensioners who plot to rob a bank, this version stars Oscar winners Michael Caine, Morgan Freeman, and Alan Arkin, and is quite bizarrely directed by Zach Braff of all people, from a script by Hidden Figures writer/director Theodore Melfi. Thankfully, Braff holds off on the whimsy and indie cliches that have defined his previous directing efforts, instead delivering a straightforward and feel good little comedy that banks on the appeal of its starring trio more than anything else. In that regard it works in spades, as all three actors bring a different flavor to the mix that makes for a pleasant concoction, and they have wonderful chemistry with one another. Freeman brings his sage wisdom and gravitas, Caine is the suave gangster with dry British wit, and Arkin (who oddly starred in the similarly themed Stand Up Guys a few years back with Al Pacino and Christopher Walken) is the boisterous wild card who gets all of the biggest laughs.
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Friday One Sheet: [Korean] Youth

My love for Korean movie posters is probably well known in these parts. Usually only one or two characters in a simple full bleed still image that is rich in colour and texture and simplicity. The poster for Paul Sorrentino’s is no exception to this. Michael Cain resting on a tree stump overlooking a verdant Austrian valley. It’s a direct still from a drop-dead gorgeous (if too much on the nose at times) film.

Cinecast Episode 411 – We Wanna See The Business

Despite seeing nearly 100 films combined at TIFF 2015, Ryan from The Matinee and Kurt indulge Andrew by getting out to the multiplex to see the latest Johnny Depp performance, as James “Whitey” Bulger in Black Mass. We have a spoiler discussion on that, but needless to say, no one was overly pleased with Andrew for suggesting it. Kurt and Ryan attempt to wrassle TIFF to the ground after 11 days of shared screenings and food. They, in part, hash out the bests, the beasts and the worsts (or in the cast of Love 3D, the wurst) of some of the films on hand.

But wait, there is more.

Ryan and Andrew have a Watch List which includes re-evaluated Spielberg, various Afflecks and a new-ish film starring Matthew Broderick. Hunker down with your favorite blankie, take out your blue contact lenses, and settle in for the show!

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!

 

 
 

 

 
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Trailer: Paolo Sorrentino’s Youth

Paolo Sorrentino has been a darling on the festival circuit in the past few years with both 2008’s Il Divo and 2013’s The Great Beauty. The latter of which walked home with the Best Foreign Language Oscar of that year.

Here he has oldsters, played by Michael Caine and Harvey Keitel ,struggling with retirement (or rather, impending retirement) at a boutique hotel in the Alps. The trailer for his latest, Youth, angles it as both an emotional and a pedantic experience. That sounds about right. Rachel Weisz, Paul Dano and Jane Fonda also star.

The film certainly looks gorgeous, was well received at Cannes, is playing on this side of the pond at TIFF, and opens commercially in December.

Fred and Mick, two old friends, are on vacation in an elegant hotel at the foot of the Alps. Fred, a composer and conductor, is now retired. Mick, a film director, is still working. They look with curiosity and tenderness on their children’s confused lives, Mick’s enthusiastic young writers, and the other hotel guests. While Mick scrambles to finish the screenplay for what he imagines will be his last important film, Fred has no intention of resuming his musical career. But someone wants at all costs to hear him conduct again.

Cinecast Episode 381 – Eau de Credíts

 
With Oscar night quickly approaching, we’re kind of on our last gasps of fresh cinema to talk about for a couple of weeks; so we enjoy this one as much as we can. Kingsman starring Colin Firth is not really what we expected, so to keep Andrew and Kurt’s experiential bias at bay, special guest, 11 year-old Willem Halfyard helps put things into perspective in a full spoiler assessment of the situation. After the boy’s bedtime, things get naughty as the grown-ups go on to talk about the Fifty Shades of Grey alternative in the much loved (and unfairly dominated) The Duke of Burgundy. Later, Kurt explores more gonzo action cinema including a triple scoop helping of Bourne and the unfairly hated (but loved around here) Domino and Book of Eli. Andrew takes the violence angle in a more classical route with John Ford’s Liberty Valance and animated rabbits killing animated rabbits. Oh and Dan Hedaya always brings the A-game… as do we.

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!

 

 

     

 

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Trailer for Chris Nolan’s Interstellar

The full trailer for realist science fiction Blockbuster Interstellar not only does a great job of explaining Murphy’s Law, but it also brings Matthew McConaughey full circle to his big role in Robert Zemeckis’ Contact. The visuals looks just right here, the emotion hits the significant notes for the genre, and 21st century dreams and fears seem to be realized simultaneously.

I simply can’t wait for November, folks.

Now You See Me [trailer]

Flashy, exotic, big-budget. These are Louis Leterrier’s movies in a nutshell. I wasn’t a fan of The Incredible Hulk, but I do think the Transporter movies are fun for what they are and Clash of the Titans was unfairly railed upon. All of it high art? No of course not. But now maybe Mr. Leterrier is attempting to turn over a new leaf with Now You See Me. Kinda. It still looks flashy and ridiculous but at least it’s something new:

A high caliber cast who robs a bank. With magic. On the other side of the world. In front of a live audience. I’m sold. Nothing else to say other than that making Jesse Eiesenberg look like somewhat of a badass is a magic feat all in teslef. Check out this flashy trailer starring the following. Ready?
Morgan Freeman, Dave Franco, Mark Ruffalo, Isla Fisher, Woody Harrelson, Jesse Eisenberg, Michael Caine, Mélanie Laurent and Elias Koteas.

Trailer: The Dark Knight Rises

 

 

No, this is not the 6 minute prologue attached to IMAX prints of Mission Impossible, which, lets be honest, was the best possible advert for a film that needs no further advertising. We are all going to watch you when you come out, no worries, M’Kay. But studio policy likely dictates a formal trailer for the 35mm filmgoers. On the minus side: the first look at ‘dodgy CGI’ in the form of a football field collapsing. On the plus side: Everything else is weighty and impressive; in particular the voice of Sir Michael Caine. Even the use of the American National Anthem fits with the films epic size and scope. S’all good.

The trailer is tucked under the seat.

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R3view: Inception

Director: Christopher Nolan (Memento, The Prestige, The Dark Knight)
Writer: Christopher Nolan
Producers: Christopher Nolan, Emma Thomas
Starring: Leonaro DiCaprio, Joseph Gordon-Levitt, Ellen Page, Tom Hardy, Ken Watanabe, Cillian Murphy, Pete Postlewaite, Tom Berenger, Marion Cotillard, Michael Caine, Lukas Haas
MPAA Rating: PG-13
Running time: 148 min


Synopsis:
Inception is Ocean’s Eleven taking place in The Matrix with a dash of 007 and a tease of 2001: A Space Odyssey. A convoluted heist film that takes place in dreams within dreams within dreams. The job is to plant an idea into a rich industrialists subconscious (so-called ‘inception’) and get out undetected. The team leader brings his own baggage into the complicated job, and there is danger of the whole operation getting stuck down the rabbit hole as the dig deeper and deeper into the layers of the mind. Made with sharp suits, big guns and practical landscapes and sets, this is the first big budget blockbuster to come along since The New World with a sense of both scale and tactility.

Read all of our reviews below…

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More Inception. More Awesomeness.

I know there are a lot of you out there resisting all the details and spoiler-y visual opulence of Christopher Nolan’s science fiction blockbuster, Inception. I simply cannot resist looking at how they are slowly easing a multiplex audience into the world they have created. This new trailer focuses on the wonderful cast, and their unusual jobs within the world of the film. It is a great way to show off the star wattage, but still give people some sort of grasp of what the story is going to be . Nonetheless, I have no fear that this movie will be still blowing peoples minds on July 16th, no matter how much they give away in the marketing materials. I wonder if Nolan is a fan of Satoshi Kon’s Paprika as this film does seem to borrow a few of his images.

Cue deep-voiced man (or check out the character posters):

Leonardo DiCaprio is The Extractor
Joseph Gordon-Levitt is The Point Man
Ellen Page is The Architect
Tom Hardy is The Forger
Marion Cotillard is The Shade
Cillian Murphy is The Mark
Ken Watanabe is The Tourist

Trailer is tucked under the seat.

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Cinecast 168 – The Hacksaw Dilemma

 
Revenge is a dish best served cold. So claims an old Klingon proverb. While probably not technically accurate as to the origin of the phrase, it is apropos of this weeks cinecast. It would perhaps be even more appropriate to say that revenge is a dish served often, and in a versatile and diverse number of ways! Even though that does not exactly roll off the tongue – we present a couple of lists to prove it. Tying in with this weeks top ten is our full (and shockingly spoiler free!) review of the Michael Caine revenge drama, Harry Brown. Though there are only two of us to go back and forth this week, we still find some DVDs to discuss and maybe grump out a bit at dismal outlook on our near future at the multiplex.

As always, feel free to leave your own thoughts in the comment section below and thanks for listening!




To download the show directly, paste the following URL into your favorite downloader:
http://rowthree.com/audio/cinecast_10/episode_168.mp3

 
 
 
Full show notes are under the seats…
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