Trailer: Suffragette

“I‘ve worked there part-time since I was 7, full-time since I was 12.”

Sarah Gavron’s Sufragette, is set in the early 20th century film about the foot soldiers of the early feminist movement in the UK, stars Carey Mulligan, Meryl Streep, Helena Bonham Carter and Natalie Press. Ben Whishaw, Brendan Gleeson are on hand to represent the types of male authority at the time.

In 1912 England, women were forced underground to pursue a dangerous agenda with an increasingly brutal State. In other words, the film is a document on being a working filmmaker in Hollywood these days. The trailer even ends with Ms. Streep solemnly intoning, “Never give up, Never surrender.”

Suffragette opens in UK cinemas on October 30, 2015. The trailer is below:

Blindspotting #5 – Kramer vs Kramer and Terms Of Endearment

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As my tastes have changed and morphed over the years, my willingness to try different things has increased. I now relish, particularly in the universe of film, diving into something heretofore unknown (e.g. I dabbled in some Czech new wave films a little while ago and then couldn’t wait until that Eclipse set rested in my hands). But in my younger days I simply avoided a lot of movies. None with more conviction than the dreaded family drama – especially the ones that were “critical darlings” or multiple Oscar nominees.

I’m not sure why, but at the time most of them struck me as dull, unlikely to have much visual splendor and probably designed to wrench undeserved emotion from their viewers. In recent years, two such films have moved into my “I’m kinda curious now…” ruminations: Kramer vs. Kramer and Terms Of Endearment, both of which hogged Oscars in their respective years. They’ve been staring balefully at me over the last 30 years constantly reminding me at any opportunity that they remained unwatched like that hole in my fence remains unpatched (I swear I’ll get to it in the Spring). I mention the Oscars mostly to tie back to my young feelings of “it won awards, so it must be boring”, but far more interestingly because each film won almost the exact same 5 statues: Best Picture, Director and Adapted Screenplay plus two acting wins (Kramer won for Best Actor and Supporting Actress, while Terms flipped that to garner Actress and Supporting Actor).

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Cinecast Episode 225 – We Saw the Future

Thanks so much to Jandy Stone for dropping by to help talk movies this week. It would not have been much of a conversation without her. Hope you kicked arse for the lord with your trivia contest! At any rate, there’s surprisingly lots to dig into this week despite it being that odd time of year when not much is going on in the multi-plexes and people are spending their time tooling up for school and enjoying the beautiful weather. That of course, does not deter us from sitting indoors, ignoring the children and watching film. In limited release, we talk about Miranda July’s sophmore feature, The Future. Also on the platter is some British, sci-fi, humor action in Attack the Block and lastly Brendan Gleeson and Don Cheadle in The Guard. Grab some Pepsi for our discussion on the ins and outs and what have you’s of Kubrick’s Spartacus, Disney showing signs of life and film noir is still alive and kicking in the Netflix Instant realm. We remain relatively spoiler free throughout, so enjoy!

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!


 
 

 

To download the show directly, paste the following URL into your favorite downloader:
http://rowthree.com/audio/cinecast_11/episode_225.mp3

 
 
Full show notes are under the seats…
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15th Annual Critics Choice Awards Winners

One might presume that the more prestigious (at least in name rcognition) Golden Globes are the precursos to the Oscars to which everyone should look at before checking off boxes on their Oscar ballot. Not so fast, the group of almost 200 critics from the Broadcast Critics Association have predicted the winners of the Oscar every year for the past ten years but 2004 and 2005. If there’s any doubt now that The Hurt Locker is pretty much a lock for best picture as is Kathryn Bigelow for best director, they are fading fast. In fact, not that it’s any surprise, but this is one of the first year’s I can remember in which just about every one of the six major categories are all pretty much locks – as proved here by the Critics. The tie for lead actress is a little bit weird, but I”m sure the Academy will hash it out.

Box office success (i.e. fan favorites) were also high on the evening’s priorities, with The Hangover taking home best comedy, Up walking away with best animated film, and Avatar continuing its rule of Hollywood with a record-breaking six awards, including best action film and a slew of tech honors, including best visual effects and sound.

Check out the full list below. Is this just about en exact duplicate of what we’ll see at The Kodak Theatre on March 7th?

BEST PICTURE:
Avatar, An Education
The Hurt Locker
Inglourious Basterds
Invictus
Nine
Precious
A Serious Man
Up, Up In The Air

BEST ACTOR:
Jeff Bridges – Crazy Heart
George Clooney – Up In The Air
Colin Firth – A Single Man
Morgan Freeman – Invictus
Viggo Mortensen – The Road
Jeremy Renner – The Hurt Locker

BEST ACTRESS (tie):
Emily Blunt – The Young Victoria
Sandra Bullock – The Blind Side
Carey Mulligan – An Education
Saoirse Ronan – The Lovely Bones
Gabourey Sidibe – Precious
Meryl Streep – Julie & Julia

BEST SUPPORTING ACTOR:
Matt Damon – Invictus
Woody Harrelson – The Messenger
Christian McKay – Me And Orson Welles
Alfred Molina – An Education
Stanley Tucci – The Lovely Bones
Christoph Waltz – Inglourious Basterds

BEST SUPPORTING ACTRESS:
Marion Cotillard – Nine
Vera Farmiga – Up In The Air
Anna Kendrick – Up In The Air
Mo’Nique – Precious
Julianne Moore – A Single Man
Samantha Morton – The Messenger

 
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Bookmarks for January 12

  • It’s Really Not That Complicated
    While I do not completely agree with Noah Forrest’s take on the Nancy Meyers’ Romantic Drama-dy, It’s Complicated, I do agree that Meyers does take some easy-way-outs to facilitate the story, rather than any sort of realism. As a bonus there is some interesting ‘Best TV of the Decade” stuff tacked on at the bottom of this column. While the film isn’t really complicated, it is still a very solid genre entry and easily the directors best film to date. BONUS: There is a tid-bit of interesting ‘Best TV of the Decade” commentary tacked on at the bottom of Noah’s column.
  • DVD in awards season could be the trigger for The Hurt Locker
    “Though audiences seemed unwilling to trust the 97% positive rating from film review site RottenTomatoes.com, the awards season may help The Hurt Locker turn a corner in the fight for moviegoers.”
  • Sony on Spider Man Reboot
    Sam Raimi and Tobey Maguire are done. Brand new take on the character is aiming for 2012. Sony issues press release.
  • Lost in the Air: Jason Reitman animates the press corps
    Here’s a short depicting Reitman’s recent press tour, edited together from iPhone images.
  • The Oscars, Australian Government, and You: A Guide to Oscar Nods
    The final list of ten nominees is actually pruned down from a few hundred potential films (274 this year) by preferential voting rather than by a plurality. That way, a movie needs more than 10% of the total votes to be nominated. Preferential voting essentially lessens the chance of a wasted vote by giving each voter a series of fall back choices instead of one all or nothing shot. Here’s a full breakdown of the system.
  • The Curse Of Harrison Ford
    Look at all of the careers Ford has destroyed simply being on screen together that one time.

 
 

You can now take a look at RowThree’s bookmarks at any time of your choosing simply by clicking the “delicious” button to your left. It looks remarkably similar to this:

UPDATE: Hurt Locker Still Leading Critics’ Awards. By a Long Shot

UPDATED: (01/05)Continuing into the new year, critics all across the country are placing their votes and announcing the “winners” of their picks for outstanding achievement in film in all of the usual categories. These are all precursors of course to the Oscars, with the pinnacle of those being The Golden Globe nominations which were announced in December.

Other than The Hurt Locker taking the spotlight in almost every case by a huge margin, early indications are not really all that surprising. George Clooney, current front-runner for a leading man Oscar leads mentions while Christophe Waltz is not surprisingly completely running away with it for his breakout role in Inglourious Basterds. Carrie Mulligan and Mo’Nique are also top winners so far in the leading and supporting actress categories respectively. Oh and even more surprising (at least to me, who hasn’t seen the film (update: I have now)), NY Critics give the best picture award to Avatar! Interesting.

Of course it’s still early, but other than The Hurt Locker taking home so many wins for best picture and best director, I’d say this is about as an exact replica of the Oscar ceremony as you’re going to see – at least for the five major categories.

Below are the Indiewire links to many of the critics choice awards around the country with the full results from the Boston and L.A. critics awards just for reference below that. Take a look below. See anything shamefully overlooked or is this about right? Does the uber-love for The Hurt Locker surprise anyone?

AWARDS and NOMINATIONS announced so far:
African-American Film Critics
Alliance of Women Film Journalists
Austin Film Critics
Boston Film Critics
British Indie Awards
Broadcast Film Critics Awards
Chicago Film Critics
Cinema Eye Honors
Dallas-Fort Worth Critics
Detroit Film Critics
European Film Awards
Florida Film Critics
Golden Globes
Golden Satellites
Gotham Awards
Houston Critics
Int’l Doc. Assoc.
Indiana Film Critics
Las Vegas Film Critic
London Film Critics
Los Angeles Film Critics
National Board of Review
National Society of Film Critics
New York Film Critics
New York Film Critics Online
Online Film Critics Society
PGA Awards
Phoenix Film Critics
San Diego Critics
San Francisco Film Critics
Screen Actors Guild Awards
Southeastern Film Critics
Spirit Awards
St. Louis Film Critics
Toronto Film Critics
Utah Film Critics
Washington D.C. Area Critics

 

 

Best Picture:
The Hurt Locker 11 wins (NY, LA, NSFC, Las Vegas, Austin, Satellites, Houston San Francisco, Boston, Gothams), 13 mentions (PGA, Globes, London, Online, BFCA, Utah, Southeastern, St. Louis, Detroit, African-American, NBR, Washington, NY Online)
Up In The Air 7 wins (Dallas, Florida, Southeastern, Utah, Indiana, NBR, Washington) 12 mentions (PGA, Globes, London, Online, Chicago, Dallas, African-American, BFCA, St. Louis, LA, Satellites, Detroit, NY Online)
Inglourious Basterds 3 wins (Toronto, Phoenix, San Diego) 14 mentions (PGA, Globes, BFCA, NSFC, Online, Chicago, Utah, Dallas, Southeastern, Detroit, NBR, Washington, NY Online)
Precious 1 win (African-American Critics) 10 mentions (PGA, Globes, Dallas, BFCA, Southeastern, St. Louis, Spirits, Washington, NY Online, Satellites)
Up 1 win (Detroit) 11 mentions (PGA, BFCA, African-American, Online Southeastern, Dallas, St. Louis, NBR, Washington, NY Online)
Avatar 1 win (NY Online) 5 mentions (PGA, Globes, London, Dallas, BFCA)
Moon 1 win (British Indie)
Hunger 1 win (Toronto)
A Serious Man 9 mentions (BFCA, Southeastern, Online, Chicago, NBR, Dallas, Gothams, NY Online, Satellites)
(500) Days of Summer 6 mentions (Globes, Southeastern, St. Louis, Spirits, Detroit, NBR)
An Education 6 mentions (PGA, BFCA, Dallas, St. Louis, NBR, Satellites)
The Messenger 4 mentions (Southeastern, NBR, NY Online, Satellites)
Fantastic Mr. Fox 4 mentions (Dallas, Southeastern, Indiana, NY Online)
Invictus 4 mentions (PGA, BFCA, St. Louis, NBR)

Best Director:
Kathryn Bigelow, The Hurt Locker 14 wins (NY, LA, NSFC, San Francisco, Boston, Chicago, Southeastern, Houston, Satellites, NY Online, Washington, Las Vegas, Austin, Toronto) 6 mentions (BFCA, London, Online, St. Louis, Globes, Detroit)
Jason Reitman, Up in the Air 3 wins (Utah, Florida, Dallas) 7 mentions (Globes, Chicago, London, BFCA, Southeastern, St. Louis, Detroit, Washington)
Quentin Tarantino, Inglourious Basterds 2 wins (Phoenix, San Diego) 6 mentions (Globes, Online, Chicago, BFCA, St. Louis, Detroit, Washington)
Lee Daniels, Precious 1 win (African-American) 4 mentions (BFCA, Spirits, Satellites, Washington)
Clint Eastwood, Invictus 1 win (NBR) 3 mentions (Globes, BFCA, Washington)
Spike Jonze, Where The Wild Things Are 1 win (Indiana) 1 mention (Chicago)
Andrea Arnold, Fish Tank 1 win (British Indie)
Pete Docter, Up 1 win (Detroit)
James Cameron, Avatar 4 mentions (London, Online, Globes, BFCA)

Best Actor:
George Clooney, Up in the Air 9 wins (NY, Dallas, Phoenix, Indiana, Florida, NBR, Houston, Southeastern, Washington) 9 mentions (Globes, Online, Chicago, SAGs, London, BFCA, St. Louis, Detroit, Satellites)
Jeremy Renner, The Hurt Locker 5 wins (NSFC, Las Vegas, Chicago, Satellites, Boston) 8 mentions (SAGs, Online, Utah, Southeastern, Indiana, BFCA, St. Louis, Washington)
Colin Firth, A Single Man 4 wins (Austin, Detroit, San Diego, San Francisco) 7 mentions (Globes, SAGs, BFCA, LA, Spirits, Washington, Satellites)
Jeff Bridges, Crazy Heart 2 wins (LA, NY Online) 10 mentions (SAGs, Chicago, NSFC, Online, London, Globes, BFCA, St. Louis, Spirits, Satellites)
Morgan Freeman, Invictus 2 wins (African-American, NBR) 5 mentions (SAGs, Globes, BFCA, St. Louis, Washington)
Viggo Mortensen, The Road 1 win (Utah) 2 mentions (BFCA, Washington)
Nicolas Cage, Bad Lieutenant 1 win (Toronto) 1 mention (NSFC)
Tom Hardy, Bronson 1 win (British Indie)
Matt Damon, The Informant! 4 mentions (Globes, Chicago, Detroit, Satelllites)
Joseph Gordon-Levitt, (500) Days of Summer 3 mentions (Globes, Spirits, Detroit)
Michael Stuhlbarg, A Serious Man 1 win (Satellites) 3 mentions (London, Globes, Chicago)

Best Actress:
Carey Mulligan, An Education 9 wins (NBR, Toronto, Dallas, San Diego, Utah, Chicago, Washington, Indiana, British Indie) 9 mentions (Globes, SAGs, London, Online, BFCA, St. Louis, LA, Detroit, Satellites)
Meryl Streep, Julie & Julia 7 wins (NY, San Francisco, Phoenix, Boston, Satellites, Southeastern, NY Online) 12 mentions (Globes, BFCA, SAGs, NSFC, Online, Chicago, London, Indiana, St. Louis, Detroit, Washington)
Gabourey Sidibe, Precious 3 wins (Detroit, Florida, Las Vegas) 9 mentions (Globes, SAGs, Chicago, BFCA, Online, Southeastern, St. Louis, Washington, Spirits)
Yolande Moreau, Seraphine 2 wins (NSFC, LA)
Melanie Laurent, Inglourious Basterds 1 win (Austin) 1 mention (Online)
Nicole Beharie, American Violet 1 win (African-American)
Shoreh Aghdashloo, The Stoning of Soraya M. 1 win (Satellites)
Sandra Bullock, The Blind Side 4 mentions (SAGs, Globes, BFCA, Washington)
Abbie Cornish, Bright Star 4 mentions (Chicago, NSFC, London, Satellites)
Maya Rudolph, Away We Go 4 mentions (Chicago, Utah, St. Louis, Washington)

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67th Annual Golden Globe Nominations

I know that the thumbs snubbed at the Golden Globes each year is just something I have to deal with, but honestly, there are things to really like about this award ceremony. One, it splits up the acting awards into two groups: drama and musical or comedy. The ceremony itself is rather short and to the point which I rather like and maybe most importantly to us bloggers/readers, it’s the award show that most clearly gives us an indication of what to expect from The Academy.

So with all that in mind and still expecting the vitriol in the comments below, here are the nominees for the 2009 Golden Globe Awards. Not too surprisingly, Jason Reitman’s Up in the Air takes the cake with 6 nominations and NINE comes to the table with 5 nods.

Who do you think got snubbed and who shouldbn’t be here? I might make the case that the great Meryl Streep competing against herself is at least discussion worthy, if not kind of cheap. Presentation of the awards will be telecast live on NBC at 8pm EST on Sunday, January 17th.

MOVIES

BEST MOTION PICTURE, DRAMA
Avatar
The Hurt Locker
Inglourious Basterds
Precious: Based on the Novel Push by Sapphire
Up in the Air

BEST MOTION PICTURE, MUSICAL OR COMEDY
(500) Days of Summer
The Hangover
It’s Complicated
Julie and Julia
Nine

BEST DIRECTOR
Katherine Bigelow, The Hurt Locker
James Cameron, Avatar
Clint Eastwood, Invictus
Jason Reitman, Up in the Air
Quentin Tarantino, Inglourious Basterds

BEST DRAMATIC ACTOR
Jeff Bridges, Crazy Heart
George Clooney, Up in the Air
Colin Firth, A Single Man
Morgan Freeman, Invictus
Tobey Maguire, Brothers

BEST DRAMATIC ACTRESS
Emily Blunt, The Young Victoria
Sandra Bullock, The Blind Side
Helen Mirren, The Last Station
Carey Mulligan, An Education
Gabourey Sidibe, Precious: Based on the Novel Push by Sapphire

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Cinecast Episode 145 – Animalistic Nature

Episode 145:

SPOILERS ALERT!
Fantastic Mr. Fox opens this weeks show on a fantastic note and is followed up quickly by a fantastically epic episode. An Education gets a lengthy (fantastic) mention as well as Cormac McCarthy’s fantastic novel adaptation, The Road – which finally got a slightly wider release last week. Not such a fantastic week in the DVD department but that is more than made up for with fantastic discussions on the fantastic Noah Baumbach, Coppola Siblings, James Cameron and introducing kids to the fantastic Star Wars trilogy. Thanks so much for checking out this fantastic show and feel free to leave your thoughts (let them be fantastic!) in the comment section below. As snobby as we may sound, we love to hear discussion and/or disagreement from any of our fantastic regular or fist time listeners.

Thanks for listening!

Click the Audio Icon below to listen in:


show content


show content

To download the show directly, paste the following URL into your favorite downloader:
http://www.rowthree.com/audio/cinecast_09/episode_145.mp3

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Review: Fantastic Mr. Fox

fantastic_mr_fox_header

Like all of Wes Anderson’s pictures, Fantastic Mr. Fox dances between meaningful and artificial. Often the directors detractors spend too much time on the latter, and perhaps miss the immense character detail revealed in their diorama surroundings and meticulously selected wardrobes. Of course the stop-motion technique selected to animate the film threatens to enhance the artificial, but somehow, the animators have transcended the challenge put to them to tell the story this way. This is simply the right way to do a Wes Anderson Joint (or rather French Cigarillo). Do the simple thought exercise of imagining this film as a 3D CGI or 2D cel animation affair. After seeing the auburn and honey world in sumptuous detail (right down to a micro-train set and a high-school chemistry laboratory), the thought of it being anything else is simply, well, unthinkable!

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Improbable Movie Trading Cards

When I was a kid I collected all sorts of cards. Baseball cards of course, but before (and after) that I collected loads of movie and TV show cards. I still have most of my Star Wars collection and I snatched up “Dukes of Hazzard” cards and even “M*A*S*H*” cards for some reason.

I’m sure they still make such cards today, but since I don’t seek them out, I rarely actually see any. Either way, I’m sure these mock movie collecting cards I found over at automaticlifestyledispenser.com would get a few parents upset. I for one would be all over the Coens set though! This is some seriously great work. Especially love the sticker inserts. Kudos sir!

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more under the seats!
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