Review: Trouble with the Curve

Trouble with the Curve Still

Director: Robert Lorenz
Screenplay: Randy Brown
Producers: Clint Eastwood, Robert Lorenz, Michele Weisler
Starring: Clint Eastwood, Amy Adams, Justin Timberlake, Matthew Lillard, John Goodman
MPAA Rating: PG-13
Running time: 111 min.

Early into Trouble with the Curve we meet “Peanut Boy” (Jay Galloway) a Latino youth that throws a bag of peanuts at Bo Gentry, a cocky hitter at the top of the draft list and who all the scouts are there to check out, including Clint Eastwood’s Gus. Problem is that Gus is losing his vision so he’s depending on his daughter Mickey (Amy Adams), named after the baseball legend, to help him figure out if the Gentry kid is as good as the computers say he is.

It’s important to note this scene because from the moment it plays out, I expected the story to meander in his direction. It eventually goes the way you’d expect it to though that bit of plot doesn’t take centre stage until much later in the movie and the farther the plot meanders from that scene, the clearer it becomes that Trouble with the Curve isn’t really a movie about baseball. Sure, there’s a lot of baseball in it and it takes place in the heat of a baseball road trip (complete with tailgaters) but at its core this is a family drama and a romantic comedy brought together by baseball.

Gus is a stubborn and independent guy, the best scout in the business. Bo Gentry is the up-and-comer everyone’s talking about so the Braves send Gentry out to make sure that the kid is solid. But Gus’ boss and good friend Pete (John Goodman) knows Gus isn’t doing so well so he calls up Gus’ daughter Mickey and essentially convinces her to help out dad by going with him on this scouting trip which could likely be his last. Reluctantly she agrees, a decision that will affect both her personal and professional life. While on the road she and her father finally come to terms with their broken relationship, Mickey falls for a former player turned scout (Justin Timberlake) and she eventually saves the day by discovering that Peanut Boy is an exceptionally gifted pitcher.

Would you like to know more…?

Cinecast Episode 236 – Ocular Coitus

While our friend Matt Gamble is still on the mend (not from a boating accident), Kurt and Andrew grew a bit tired of executing these shows together all alone and reached towards the heavens above for this episodes guest host: Aaron Hartung (aka the dude who lives upstairs). Aaron also happens to work for the best cinema chain in town, Landmark Theaters; not only does he seem to know his movie stuff, he’s got a voice for radio to boot.

We missed last week’s episode due to other obligations and illness, there is a LOT to get to this week. From Lars von Trier’s visually rich disaster/depression epic to the long awaited new Alexander Payne film (it has indeed been six years) we cover your auteur cinema-making-guys. But wait, there’s more: Fifties sex icons, furry-little-singing-nostalgia-engines(tm) and a whole lot of early cinema history enshrined in a Martin Scorsese ‘kids film.’ Enjoy this double-digest episode of the show: It’s time to start the music, it’s time to light the lights, it’s time to talk death, depression and the urgent need for knowing our history on the Cinecast tonight.

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!



To download the show directly, paste the following URL into your favorite downloader:

Full show notes are under the seats…
Would you like to know more…?