It’s finally time to close up the summer box office contest for 2014! Congratulations to our winner, Philip Poirot, for pantsing the rest of us on one of the hardest-to-call summers we’ve ever seen. We recap what happened from the back of a speeding car.
Aafter nearly a three week hiatus, Weeeeee’re Baaaaa-aaack. In what is a true first on the Cinecast’s 8 year history, all three of Andrew, Kurt and Matt assembled in the same space to do a show with no telecommunications/web bridge. So, of course we pick a noisy bar and record over too many cocktails. With munchies and Montreal Smoked Meat, on the docket are three main reviews: Guardians of the Galaxy, Boyhood and Lucy which, oddly enough GotG gets the consensus favourite. Ever want to hear Kurt praise a Disney-Marvel production, now is your chance.
There is no 1984 project this week, but rest assured things will return to tomorrow with 2010: The Year We Make Contact next week, and Stop Making Sense after that.
Kurt does his annual 1+ hour recap of The Fantasia International Film Festival (which was also the source of the imported smoked meat) which is followed by a slew of titles from Matt (James Cameron Rape Sci-fi, Abortion Comedy, Punk Catharsis) and Andrew (Zach Braff, Heavy Metal, Alan Partridge and the last of Phillip Seymour Hoffman) with a little Terry Gilliam to round out the picture. LIVE FROM MINNEAPOLIS it is a lengthy, boozy, robust episode of the Cinecast, where bartenders, paramedics, rowdy billiard players, and the odd waitress all make for background character and salty language is tossed around in public spaces.
As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!
In response to those grumbling about the experience of watching Lucy (Luc Besson’s latest big effects action film – this time with Scarlett Johansson as the kick ass lead), I’m of two minds…Going in to the movie, I was simply hoping it would at least be a somewhat fun trifle of a summer flick on the order of Limitless. On that scale, it hits its target the majority of the time (though you’ll have to decide for yourself if it deserves bonus or penalty points for its rather kooky ending that is part 2001: A Space Odyssey, part Isaac Asimov and part “You’ve gotta be kidding me…”). However, I can’t help but think about what the film could have been…How it could have explored the nature of the brain from Lucy’s perspective and touched on how the organ evolved, continues to do so and manages to have such a vast array of amazing abilities and structural flaws. That probably would have departed drastically from what I hoped for going in, but the possibility is just so tantalizing…
The movie you do get is patently ridiculous. That’s OK though – even though it’s not overly thrilling, has laughable science, is best when no one (except maybe the always menacing Choi Min-sik) is talking and has CGI effects that get in their own way sometimes, I’ll be damned if I wasn’t at least somewhat entertained. Most often that was due to the built-in ridiculousness, but at some point it’s easy enough to roll with the whole thing and realize that it’s just one of “those” movies. As it slowly but surely ramps up the silly, it lets you reset your approach to it, laugh with and/or at it and then settle back with a bit of a grin on your face.