You may notice a distinct difference in the quality of the screen caps contained within this post. 36th Chamber Of Shaolin has a proper widescreen aspect ratio and clear image (straight from the Dragon Dynasty DVD) while Five Deadly Venoms has a poorly cropped 4:3 image that was obviously recorded years ago off TV to well-worn VHS (and then transferred to YouTube where I found it). Was I desperate to catch that second film and willing to watch anything I could source? No. It was actually a bit of a design point.
Several months ago when I first mentioned this pairing of Shaw Brothers Kung Fu films for my Blindspot, it was suggested to me that I should swing on down to Chinatown and get my viewing copies there. After all, crappy, English-dubbed copies are how most people get introduced to Kung Fu in the first place. Though I completely saw the merit in the idea, I was against it for two reasons…First and foremost, I really can’t handle cropped films and bad dubbing – hell, even Fellini films dubbed afterwards back into their own language (as Fellini intended) drive me a bit crazy since things like intonation never quite match up quite properly when dubbed. I’ve been a stickler for proper aspect ratios since realizing what they were (somewhere during the mid-point of the VHS years) and mostly seethe if I come across a film on TV or DVD in a bastardized form. Secondly, I already had that copy of 36th Chamber on DVD sitting at home on my stack of unwatched films. But the idea of watching at least one of the films in the format in which I would’ve seen my first taste of Kung Fu was still somewhat appealing. My knowledge of Kung Fu is not extensive (loads of Jackie Chan, the more serious Come Drink With Me, the much less serious Mad Monkey Kung Fu and all sorts of clips and scenes from Sunday afternoons long ago), but when I think of it, I do indeed think of desaturated videotape stock, people being cut out of the frame and halting English dubbed in an attempt to match with the characters’ mouths. Oh, and enough whooshing and whacking sounds to make a foley artist break into a sweat.