Trailer Round Up (Contagion, Thing, Sherlock Holmes, Hugo)

Lots we missed this week, so let’s get to it. This is all star-studded, big budget material in today’s round-up. And you know what? It all ranges from pretty good to damn near amazing; starting with Mr. Soderbergh (and Matt Damon and Gwynneth Paltrow and Marion Cotillard and Kate Winslet and John Hawkes and Larry Fishburne and Bryan Cranston and Jude Law and awesomeness). Ladies and gentlemen,

Contagion – – :

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Review: The Tempest

 

I supposed my reaction to Julie Taymor’s photographically bold, yet cinematicly flat rendition of William Shakespeare’s play could be summed up by comparing the performance of Alan Cumming from her previous film Titus to the one he yields here. In Titus, he is a campy-over-the-top force of nature, a pure delight of showmanship. In The Tempest, he is yawning his way through the inevitable march across the Hawaiian voclanic badlands with an equally subdued Chris Cooper and David Strathairn. Maybe the gory Grand Guignol of Titus was a more suitable fit than the more introspective, meta-ish nature of The Tempest for her particular sort-of-a-stage-production-sort-of-a-film style. Outside of the farcical comedic elements, Alfred Molina is at his bawdy best here, with Russell Brand providing somewhat consistent support, which seem to capture the best elements of Shakespeare’s ability to play to the back of the room, The Tempest merely makes me want to go back and revisit Peter Greenaway’s take on the Bard with Prospero’s Books, or for that matter, just re-watch Tarsem’s The Fall.
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Clips and Images for Taymor’s “The Tempest”

 
Which is really all I need to know I’m seeing this asap. Kind of a lover her or hate her director it seems, I personally love the visual flair and flavor of Taymor’s style. The only other director that is comparable in the original and fantastical look of their films is probably Tarsem.

I personally can’t wait for this adaptation. Taymor seems to like her Shakespeare and with Mirren, Whishaw, Cumming, Molina, Cooper and Strathairn, how can anyone not? Definitely in my most anticipated list of movies for December.

Collider was kind enough to let me steal all of their images and mash all of the clips into one long streaming experience of rad.

clip and more stills below the seats…
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Cinecast Episode 187 – Stop Putting Wings on Paul Bettany!

Are we silly enough to talk about the use of 3D in Jackass 3D whilst watching it in 2D? Yes we are. Indulge us, as we do not spend that much time on it, but hey, this franchise gets crapped on more than it deserves and the boys are creative and energetically subversive enough in their stunt-ery to be worthy of some consideration. And despite what the haters think, it is still funny. We rehash some of the finer details of Knoxville and company over the past decade before switching gears to a second opinion on the seniors-on-a-mission mayhem from Helen Mirren, Bruce Willis and John Malkovich in Red. This leads to a bit of a tangent on all the ‘on-a-mission’ movies released this summer. Meanwhile, Andrew has been managing to keep up with his one-a-day DVD viewings and this week plugs another hole in the Polanski oeuvre with a quite violent take on a Shakespearean classic. Furthermore, the question of why are there not more caveman movies is uttered aloud after we look back at 1981’s Quest for Fire and also the pretty darn swell filmography of Frenchman Jean-Jacques Annaud. Another round of Nolan’s Batman pictures vs. Ang Lee’s Hulk, and the joy of surround sound screenings are all tossed into the conversational mixer. It is a good week for classic and contemporary DVDs and Blurays too. They are considered. If the title (or the truncated runtime of this episode makes little sense to you, that is because some seasonal gremlins ate a discussion on some of the remaining films to be released. Suffice it to say that the segment was out-of-this-world awesome now that it has been sacrificed to the binary demons and no one can hear it, but we are both surprisingly anticipating the Angelina Jolie / Johnny Depp ‘Charade-esque‘ thriller The Tourist amongst other things. Enjoy this exceedingly rare ‘short version’ of the RowThree cinecast!

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!

 
 

 
 

To download the ALTERNATIVE (no music track) version of this episode,
paste the following URL into your favorite downloader:
http://rowthree.com/audio/cinecast_10/episode_187-alt.mp3

 


 
Full show notes are under the seats…
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Helen Mirren to Play a Man in Taymor’s Tempest

Helen MirrenI love Julie Taymor. Even if I can’t get 100% behind her films, I can appreciate the woman’s talent and her passion and determination to make films her way – even if they fail. Though I wasn’t a huge fan of Accorss the Universe (did love the look of the film), I’m a big supporter of Titus so news that Taymor’s next will be another adaptation of Shakespeare is good news but even better news is the recent casting which is bound to raise a few eyebrows.

According to an article at Paste, Taymor wanted to cast Helen Mirren in the lead of her upcoming adaptation of The Tempest except that the lead is that of Prospero, a man. That hasn’t phased Taymor and the film will go ahead with Mirren playing the lead and costaring Jeremy Irons, Russell Brand, Alfred Molina, Ben Whishaw and Djimon Hounsou as truly inspired casting playing the role of Caliban.

There’s a mention of “Prospera” in the Paste article but I’m not sure if that’s simply a bit of a joke or a suggestion that Taymor will change the character into a female – something which would also be ballsy and which I wouldn’t put past Taymor.

If you’re a little rusty on your Shakespeare, The Tempest is a comedy featuring magic, deformed creatures and an unlikely romance. All of the plot details and machinations are laid out in great detail here. This is one of the last plays I read and it also happens to be one of my favourites. I can’t wait to see what Taymor puts together. If nothing else, it’s bound to be a feast for the eyes and with that cast, it’s also likely to be much more.