Cinecast Episode 433 – Stay for the Limb Licking

We should probably just get right to it as there is a lot to cover this week folks! First off, we have our good friend Corey Pierce of the Soundtrack of your Life podcast joining us this week to help in a (SPOILER!) discussion of the spiritual successor to Cloverfield, 10 Cloverfield Lane. After that, there are some other films in the cinemas these days so we dive into both Stephen Chow’s Mermaid and the astoundingly great movie that got yanked from US cinemas at the zero hour, The Little Prince.

The Watch List has documentaries, remakes, young adult epics, the slowest film of all time (yes, one of us shut it off after an hour), James Gillham’s (Google him) favorite film of all time, a Ben Stiller marathon, revisiting of an Oscar nominee, Wrestlemania and Thundercats in the Soprano’s TV era. If there isn’t something in there to float your proverbial boat, then you’re probably not even reading this in the first place. We do have some connection issues with our guest towards the end as Corey drifts off into the ether.

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!

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Cinecast Episode 359 – Downtown China

Not sure even where to start with the monologue this week. Let’s see, there’s The Bay-Man’s fourth installment in the giant robots fiasco; which inexplicably is really easy to get worked up about. It’s not really worthy of hate, nothing to love, yet so easy to rant about. There’s a “sick, twisted desire” to torture ourselves over this movie – plus always an opportunity to delve into Andrew’s sordid history with the franchise.

Before all of this is Bong Joon-Ho’s English language debut with Snowpiercer and it’s overly satirical view of our apocalyptic, dystopian future on a crazy train. And Chris Evans is there. And protein bars made of shitty CGI.

The 1984 project continues with Val Kilmer’s first starring role in Top Secret!. He sings, dances, talks backwards, bar fights underwater and delivers punchlines that will be stolen by countless films for the next thirty years.

The Watch List sees Kurt wrapping up Breaking Bad, Andrew living in Tiny Houses, and Matt enjoying Disney’s Amblin knock-off currently playing in theaters. It’s a 150 minute power rant. LATRINE!

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!



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Review: Inside Llewyn Davis

Inside Llewyn Davis

A few years ago, Tom Waits did a spot on The Daily Show with John Stewart. Before the taping began, Tom was using the men’s room at the television studio, and the bathroom roof fell in on him. In some ways, this seems like the sort of thing that could only happen to Tom Waits. In both his demeanour and his artistic output, he comes across as a grizzled, weary, and down-on-his-luck. Why would anyone be drawn to someone so sad-sack and alone?

Inside Llewyn Davis spends one week in the life of its titular hero (Oscar Isaacs), a folk singer in 1961 New York City. As the film begins, we are given a clear picture of what sort of singer he is. While some of his contemporaries are singing plucky tunes bound for AM radio play, he takes to smokey stages in dank clubs singing from the point of view of a criminal about to be hanged.

Llewyn is talented, there’s no denying that. Sadly, he’s also broke. After his first performance in the film, he awakes on the couch of The Gorfeins – music appreciators that open their Upper West Side apartment to Llewyn when he needs a hand up (which is often). As he goes to leave, The Gorfeins’ cat slips out. Unable to get the cat back home, Llewyn scoops it up and begins looking after it until he can return it.

That’s Llewyn in a nutshell: locked out of the last place he called home, holding more baggage than he carried walking in.

Llewyn’s week will find him crossing paths with friends and family. Most reach out their hand to help him, but few help him for long, and few help him to the extent that he needs. With his musical career stuck in neutral, his greatest need is monetary. Besides not having a place of his own, he cannot even afford a winter coat. Slowly, Llewyn is becoming less and less of a folk singer than he is becoming a character in one of his own songs.

As a greater need for money crops up with an old friend (who now mostly hates him), Llewyn hits the bricks with his guitar and cat in hand hoping he and get something going. Of course, if he’d listened to the lyrics in the songs he sings so often, he’d know exactly how his mission will play out.

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Trailer #2: Inside Llewyn Davis

Inside Llewyn Davis

Another soulful and engaging trailer for The Coen Brothers’ Inside Llewyn Davis which gets it’s wide release around Christmas time this year. There are few doubts that this film will be excellent, and the smattering of critics quotes in the trailer (I don’t look at the text of the quote, I look at the names of the critic used to assess these things) only confirm things. Great cast, great musical vibe, and great setting – the niggling question here is how easy it will be to acclimatize to the glowing-desaturated-instagram-filter cinematography with Roger Deakins sitting this one out while Bruno Delbonnel (Amélie, Dark Shadows) pinch hits.

Pixar’s “Monsters University”

And the quick decline of Studio Pixar’s originality continues to spiral downward as the sequel prequel for my favorite of their output draws ever nearer: Monster University.

I mean sure, I like Mötley Crüe and watching hippie circles get steamrolled as much as the next guy. And I gotta give props for the Lebowski homage (you want a toe?). But seriously Pixar? This is the best you’ve got for us? Looks like Dreamworks output from the early aughts.

Of course luckily we have Nemo 2 to look forward to.

It’s here! First trailer for Coen Brothers’ Inside Llewyn Davis!


We haven’t seen much from the Coen Brothers’ much anticipated Inside Llewyn Davis, surprising considering that the movie is due for release on February 8th (thanks to the comments section for clearing up the erroneous date. No release date is confirmed), but a trailer has emerged and it looks very different from the directing duo’s last few outings.

Part of it is the fact that Roger Deakins was unavailable to shoot this project, too busy on Skyfall I presume, but Bruno Delbonnel, known best for Across the Universe and Harry Potter & The Half-Blood Prince brings a beautiful dreamlike aesthetic to the picture which nicely captures the 60s setting of the movie.

The story is loosely based on the life of influential folk musician Dave van Ronk and stars Oscar Isaac as the titular character with Carey Mulligan, John Goodman, Garrett Hedlund and Justin Timberlake in supporting roles (though Timberlake is nowhere to be seen in this trailer). It’s certainly a fantastic cast and there’s some great dialogue in the trailer (surprise, surprise) particularly from Mulligan.

Cinecast Episode 277 – He’d Pass a Polygraph But He Ain’t Innocent

In which Andrew and Kurt Argo fuck ourselves trying to get at the pleasures and the frustrations of Benna-fleck’s latest film. We grade homework in the middle (lots of good choices in there). Then we encounter the same set of frustrations and pleasures in counting up the Seven Psychopaths in Martin McDonagh’s latest offbeat violent comedy. The Watchlist is mainly Kurt as he digs through a diverse trio of films (Bernie, Watchmen, The Living Daylights) before waxing rather prosaically (sorry folks) on the great George Carlin. We have a fun time chatting Joss Whedon’s “Firefly” to close out the show.

Thanks to Nat Almirall for this week’s poster promo sitting to the right. Yeah! (sorry, we had to censor it. Non-censored version can be found HERE.

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!




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Full show notes are under the seats…
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Review: Trouble with the Curve

Trouble with the Curve Still

Director: Robert Lorenz
Screenplay: Randy Brown
Producers: Clint Eastwood, Robert Lorenz, Michele Weisler
Starring: Clint Eastwood, Amy Adams, Justin Timberlake, Matthew Lillard, John Goodman
MPAA Rating: PG-13
Running time: 111 min.

Early into Trouble with the Curve we meet “Peanut Boy” (Jay Galloway) a Latino youth that throws a bag of peanuts at Bo Gentry, a cocky hitter at the top of the draft list and who all the scouts are there to check out, including Clint Eastwood’s Gus. Problem is that Gus is losing his vision so he’s depending on his daughter Mickey (Amy Adams), named after the baseball legend, to help him figure out if the Gentry kid is as good as the computers say he is.

It’s important to note this scene because from the moment it plays out, I expected the story to meander in his direction. It eventually goes the way you’d expect it to though that bit of plot doesn’t take centre stage until much later in the movie and the farther the plot meanders from that scene, the clearer it becomes that Trouble with the Curve isn’t really a movie about baseball. Sure, there’s a lot of baseball in it and it takes place in the heat of a baseball road trip (complete with tailgaters) but at its core this is a family drama and a romantic comedy brought together by baseball.

Gus is a stubborn and independent guy, the best scout in the business. Bo Gentry is the up-and-comer everyone’s talking about so the Braves send Gentry out to make sure that the kid is solid. But Gus’ boss and good friend Pete (John Goodman) knows Gus isn’t doing so well so he calls up Gus’ daughter Mickey and essentially convinces her to help out dad by going with him on this scouting trip which could likely be his last. Reluctantly she agrees, a decision that will affect both her personal and professional life. While on the road she and her father finally come to terms with their broken relationship, Mickey falls for a former player turned scout (Justin Timberlake) and she eventually saves the day by discovering that Peanut Boy is an exceptionally gifted pitcher.

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Trailer: Robert Zemeckis’ Flight

It has been so long since Robert Zemeckis has made a live action movie, that something such as Flight, with its unapologetically populist bent, seems like just the trick at getting this director back on his feet after the hard knocks of his last three forgettable mondo-budgeted Mo-Cap efforts. If this flies somewhere in the middle between Castaway (meh) and Contact (yay!), well, I’ll be happy. I’m not expecting something as rich and moody as Fearless (from the trailer, an obvious point of comparison) but Zemeckis often has a way to slip a fair bit of depth between his polished surfaces. And hell, Denzel Washington, John Goodman, Don Cheadle, Bruce Greenwood and Melissa Leo. That’s some fine casting, folks.

An airline pilot saves a flight from crashing, but an investigation into the malfunctions reveals something troubling.

While You Were Out…

The Big Lebowski was finally released on Blu-ray yesterday. The balance of forces between good and evil are finally tipped in the direction of the former. It really ties the room together. And so begins the celebration:


*UPDATE* Well I’ll be damned. You can watch the entire reunion on The Big Lebowski Facebook page:

Trailer: Red State


This trailer gives a fair bit of the feel for Kevin Smith’s Religious ‘thriller’ Red State and the variety of tonal changes in the film by outlining the gist of about 3 of the 5 ‘acts’ in the narrative. But the devil surely is in the details and you get a wonderful flavour of Michael Parks, Melissa Leo and John Goodman here. As I watched this trailer, loaded with Kevin Smith zingers, I suddenly realized that I liked the film more than my review (here) may indicate. Would I pay $60 for that film an a Q&A? Doubtful, as I have seen several of the the directors Q&A videos, but I would happily pay the usual $10 for a regular screening.

The full trailer is tucked under the seat. *Warning, it is loaded with F-Bombs.
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