Let the Oscar-bait commence! Actually, that is probably not fair to apply that in a derogatory way to Pablo Larraín’s bio-pic of Jacqueline Kennedy Onassis and the near-mythic ‘Camelot’ period of the United States of America (a term Onassis herself coined). The Chilean director’s previous Tony Manero and The Club are far from the usual trophy middle-brow. Indeed, in the trailer below, there is a Malick-esque kind of cinematography going on, and a far more challenging approach to the subject matter than one might expect. I now regret not using my TIFF ticket to see this. Either way, the film is getting a release this December.
A searing and intimate portrait of one of the most important and tragic moments in American history, seen through the eyes of the iconic First Lady, and placing us in her world during the days immediately following her husband’s assassination. Known for her extraordinary dignity and poise, here we see a psychological portrait of the First Lady as she struggles to maintain her husband’s legacy and the world of “Camelot” that they created and loved so well.