Cinecast Episode 345 – One Persian Cat. Deceased.

We boys mourn the loss of True Detective, and anticipate the upcoming Game of Thrones, but in this small gap between prestige TV projects from HBO, it was a pretty damn good weekend at the multiplex. A spirited if brief discussion on the pros and cons of Wes Anderson’s The Grand Budapest Hotel, including Ralph Fiennes’s gift for comedy, Jeff Goldblum’s facial hair, Harvey Keitel’s pectorals, F. Murray Abraham being frozen in time, and underwritten supporting roles for Tilda Swinton and Saorise Ronan. We then discus sexual assault by cunnilingus with Matt Gamble’s wife, Angela, along with other assorted Me-Decade insensitivites in the ongoing 1984 Project feature: Revenge of the Nerds.

Kurt weighs in on the strange Canadian psycho-thriller Enemy which features Toronto as a sickly concrete hellscape and two Jakes (Gyllenhaal’s that is.) He thinks it is the best thing released theatrically in 2014 so far. Our Watch List as diverse as old-timey Miramax product, Chocolat, Teller’s documentary on art and craft and forgery, Tim’s Vermeer and an early 1990s bit of hipster TV, Fishing with John. Have at it.

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!

 


 

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Cinecast Episode 253 – It’s not Trash. It’s Garbage.

Many of you know him as “Goon”, but illustrator/web designer/movie nerd, Corey Pierce of the Critical Mass Cast has parachuted into the Cinecast floating ever so gently down on the buoyancy of his love for Mirror Mirror and making the show one of epic length, even by Cinecast standards; we do not quite break the Cinecast record but we do come dangerously close. After a signature tangent on whether or not it is appropriate to applaud or boo after (or during) a film and comparing The Raid to both porn and “The Family Guy,” we tackle the glossy and relentless Indonesian action film in the context of how a movie can set its own terms, and either fail, succeed on those terms, or transcend them. Where does The Raid fall? You’ll have to listen.

We then move on to listener submitted home work and the glory (or lack thereof) of trash cinema. Going through the various assigned work reveals both enlightening and pandering to the ‘teachers,’ which underscores that our listeners do indeed take these homework assignments seriously. Bravo to you folks. The Watchlist rounds out the show and features a lengthy discussion of the Bully documentary, Eddie Murphy and racial/sexual epithets, JFK Conspiracy Books, American Presidents – right back to the founding fathers – fosters a wacky and over-simplified discussion of politics (Is there any other kind??!!) on both sides of the Canada/USA divide, studio Ghibli, giant gorillas and one-armed drummers. Yeah, the thing is over four hours. Enjoy…or endure! (Bend like a sapling in the wind, lest one break!)

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!


 
 

 

To download the show directly, paste the following URL into your favorite downloader:
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Full show notes are under the seats…
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Cinecast Episode 202 – Obviously You’re Not a Golfer

 

It is a cornucopia, a smörgåsbord, a veritable potpourri of cinema, as the Cinecast regulars get together with nothing on the agenda other than to talk about what they have watched, in the cinema, on the DVD and streamed from the internet or (in an exciting technology development, from the Computer Hard Drive.) Andrew continues to dig into the Foreign Language Nominees with Alejandro González Iñárritu’s Biutiful. Kurt comes at Oscar a different way with the new documentary on the man with the midas touch when it comes to little gold men, Harvey Weinstein. And Gamble talks best animated film of 2011 with a preview of the flat out awesome Gore Verbinski/Nickelodeon/Industrial-Light-And-Magic Johnny Depp western, Rango. From there, we go from the occult, to Penelope Cruz DTV failures, to two vastly different takes time travel from the 1980s to Chinese shopping malls. Then it is onto Romans wandering about Scotland, Aussie crime dynasties and suburban teenage prostitution rings! It is all a part of your complete breakfast.

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!


 
 

 

To download the show directly, paste the following URL into your favorite downloader:
http://rowthree.com/audio/cinecast_11/episode_202.mp3

ALTERNATIVE (no music track):
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Review: Unauthorized: The Harvey Weinstein Project

I remember when I was attending university in Waterloo, Ontario back in 1993 and going to the Princess repertory cinema for a screening of The Advocate. This was a strange little film about a lawyer defending a pig (on murder charges) a court of law in 15th Century rural France. The lawyer was played by none other than Colin Firth, and he is admirably supported by Ian Holm, Donald Pleasence, Nicol Williamson and the leading lady from both Krull and Without A Clue (that would by Lysette Anthony). Coming out of the cinema, I vividly remember overhearing someone remark, “Yes, that was a Miramax film.” I had been vaguely aware of the label, if only because I was a big fan of Reservoir Dogs and was thoroughly bemused by Sex Lies and Videotape and The Cook, The Thief, His Wife and Her Lover, both of those lengthily titled films along with the rising star of Quentin Tarantino bore the label for the film-company which would break out into the big-time in only a few short months with the $100 million hit, Pulp Fiction; a first for the indie filmmaking world. Even then, people, at least the folks who attended art-house cinemas, were aware of the prolific release of ‘adult art pictures sold in large part on sexual titillation’ by the Weinstein Brothers, Harvey and Bob.

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