Trailer: Blade Runner 2029 – The ACTION Picture


 

The latest advert for Denis Villeneuve’s sequel to cult classic science-fiction-noir Blade Runner, is made for television. With that in mind, I never expected the tradition and history of this film to result in a generic shoot-em-up action picture, but hey, that is how one gets butts in seats. Of course, the trailer also gives more glimpses of the wonder post-urban world that cinematographer Roger Deakins and producer Ridley Scott magnificently deliver.

The internet is ‘freaking out’ and telling people not to watch this, as they embed it in the very-same ‘warning article.’ I am less caring about Spoilers, and more curious as to if this film will indeed be an action picture, and not an atmospheric, thoughtful science fiction film. Knowing Villeneuve (who recently made the nearly-gun-and-explosion-free Arrival, which brimmed with thoughtful sci-fi concepts and sophisticated film grammar, I am expecting the latter in spite of this bit of marketing.

 

Second Trailer: Blade Runner 2


 

If you want action and chases and a lot more Jared Leto, well then, this recent trailer for the Blade Runner sequel is probably tailored to your liking. Sure it sells it like a more conventional action-blockbuster, which I am confident it will not be, but there is your marketing department for you.

Also getting a healthy amount of trailer time are Robin Wright and David Bautista, but the real star here is the production design by Dennis Gassner and the cinematography by Roger Deakins.

Trailer: Blade Runner 2


 

The full trailer for Denis Villeneuve’s epic-scaled Blade Runner sequel has arrived, and it is glorious. In terms of future hologram bespackled cities, Ghost in the Shell, in hindsight was simply an amuse-bouche to the feast that Roger Deakins has prepared for us. Cold grey-blues, Fury-Road oranges, infinite whites, and twinkling Atari lights.
Oh My.

In terms of new cast members Robin Wright and Jared Leto introduced here, as does Ana de Armas (blink at the right point, and you will miss Dave Bautista).

I hope the story is as beautiful as everything on display here. I expect nothing short than greatness, even as I believe that movie will explicitly, in no uncertain terms, finally INSIST that Deckard is a replicant, and likely all of the police force.

Blown away here at the moment, though. Enjoy.

Friday One Sheet: Blade Runner 2049

Unfortunately it looks like the rage that was minimalism isn’t quite dead yet. I say unfortunately because while minimalism has its time and place, I tend to prefer creativity and flashiness and color – when it’s done well. Minimalism tends to stifle creativity and encourages laziness. Case in point here. Not these aren’t handsome looking posters; on the contrary they are quite eye-catching and definitely set a mood. But at the same time, they’re kind of boring.

And if you ask me, they look like Mad Max: Fury Road and a Fast and Furious movie respectively. Which I’m hoping, Bladde Runner 2049 is nothing like; despite the fact that I do like those movies, I’m hoping Blade Runner: 2049 is a bit closer to something like Looper in tone; or at least in pacing.

At any rate, I remain cautiously optimistic about this film. One moment I’m excited, the next I’m apprehensive. This new poster set does really nothing to swing the proverbial pendulum either way for me. So here’s to more hoping and waiting.

Teaser: Blade Runner 2049

Eschewing the cyberpunk rain and clutter, the first teaser trailer for Denis Villeneuve’s Blade Runner sequel is all arid and spacious. It gets the job done however, showing Ryan Gosling as the title character leaving the cluttered metropolis, accompanied by a key line of dialogue from the original film, to a desert wasteland, where he encounters a piano, and an aged Harrison Ford; hopefully not a Replicant.

The first key dialogue, “Things were simpler then” — As if the first film was anything but simple. With Villeneuve, the superb above-the-line team including Ridley Scott, Roger Deakins, Hampton Fancher and Jóhann Jóhannsson and the budget of two major studios (Warners and Sony/Columbia), we have a potential FURY ROAD situation. This is a damn fine thing.

Super Ticket Episode 7 – The Death Gantry

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The dream has become a reality. We now live in a world in which the sequel to Return of the Jedi is actually in existence. New heroes, old Jedi. Wookies, story board decisions, gender politics. Poor casting, use of CGI vs practical, box offfice numbers. Prognostication, the generational differences, the marketing. And it’s cold outside, so put on your coat!

Yes, there’s so much to get into with the latest installment of the Star Wars saga from director J.J. Abrams so we cover as much as we can in 75 minutes. The majority of the Super Ticket cast was completely enamored and in true wonder with the spectacle; but there is a vocal minority in here and he will not be silenced. Come forth young Padawans and receive your lesson for the day from Mamo! and The Cinecast. This is The Super Ticket: Episode VII.

As always, please join the conversation by leaving your own thoughts in the comment section below and may the force be with you!

 

 
 

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Star Wars VII: A New Trailer

I was absolutely head over heels for the first trailer Disney released for Star Wars: The Force Awakens. It was simple, minimal and looked exactly like the original trilogy look – it even had the same feel. JJ Abrams was making something classic without his signature lens flares and hand held space action. It was like coming home.

Despite this trailer claiming to “be home,” the tone feels much more what I think the haters came to expect from this sequel of sequels: Glossier, busier and pandering. Am I still excited? Of course! Only with the caveat that this looks very much like an Abrams joint.

There is some great imagery of a fallen Empire in here.

 

 

Cinecast Episode 383 – Dogpocalypse

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Ever walk into a typical coffee shop, order a basic cup of joe and think to yourself, “well this is a much nicer brew of java than I would have expected!”? This is how we bookend this weeks review on the show. While we rarely dive into “the news” on The Cinecast, the passing of Leonard Nimoy, the magnificent Mr. Spock himself, is an important issue that both Andrew and Kurt feel needs addressing; as does Harrison Ford in another Blade Runner movie. Meanwhile, canines take over the city in White Dog God, which the boys discuss despite Andrew’s screener conking out at the halfway mark (Kurt managed to get it all in however).

In The Watch List, Andrew tackles two more films on the IMDb 250 Project after defending the choice of using such a list for viewing fodder, while Kurt caught up with a Wong Kar-Wai influenced piece of joy in Millenium Mambo as well. Kurt also gives a brief sneak review of Jay Cheel’s (FilmJunk.com) How to Build a Time Machine based on the current work-print (fair warning). Lastly, Liam Neeson goes smokes on airplanes and Anne Hathaway is cute then sexy. All in an evening’s work here in the third row.

Please join the conversation by leaving your own thoughts in the comment section below, and again, thanks for listening!

 

 

 

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Friday One Sheet: The Blade Runner is Still Running

In light of the strong rumour than Dennis Villeneuve is going to be the director of the long delayed sequel with a returning Harrison Ford, enjoy this handsome poster above. If we are going make another legitamite Blade Runner film (1998s Soldier doesn’t count), I cannot think of a better choice than the director of Enemy and Incendies to give it his best shot.

Here is hoping that he does NOT listen to Ridley’s whispers that Deckard is a Replicant.

Friday One Sheets: So Many Expendables

The ever expanding roster of soldiers of fortune in Sylvester Stallone’s Expendables franchise gets a handsome black and white photo shoot, and a trailer just in case you are not photo gallery’d to death. If there is ever a case of character-posters getting out of hand, I present it below, tucked under the seat. But I will give it this, the black and white, minimalist style here with the lighting equipment visible in the frame does impart the overkill-basics ethos of the series.

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Cinecast Episode 327 – Building Gazebos


You might be interested in Kurt’s rather epic, “Kermode-ian,” Ender’s Game rant which tackles one of the key issues with modern blockbuster storytelling. He uses Gavin Hood’s slipshod execution and shading as a kind of Case Study in lazy storytelling and not realizing how rich the material one has at hand. But before that, there is a more civilized and in depth conversation on Steve McQueen’s 12 Years A Slave which looks at what the likely future Best Picture winner does well, and where it perhaps mis-steps. Andrew grades the homework assignments, and hands out a new one, regarding World War I films. And a lengthy watchlist segment sees a couple of underrated Wes Anderson titles under discussion (well, full out praise is more like it), the laundry list of V/H/S 2 failures, a little love of body horror-comedy in James Gunn’s Slither, some talk on Kubrick’s The Shining and A Clockwork Orange, Tarantino’s Kill Bill as it quickly approaches being a decade old, and the ‘it’s not for us’ aspects of Steven Spielberg’s Warhorse.

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!


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Full show notes are under the seats…
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