Posts Tagged ‘Guillermo Del Toro’

  • Cinecast Episode 315 – From Shakespeare to Prada to Zombies

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    Three theatrical reviews from three wildly different films. Top 5 List of 2013 so far. The advertising differences of Pacific Rim and The Counselor. A fair bit of Watchlist chat, specifically on the Coen’s Man Who Wasn’t There, and Sundance Original series, Rectify. This ain’t a short one, folks.

    As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!


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    Here is the Music Player. You need to installl flash player to show this cool thing!


    DOWNLOAD mp3 | 102 MB
    if player is not working, try alternate player at bottom of this post

     

     
     
    Full show notes are under the seats…
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  • Cinecast Episode 253 – It’s not Trash. It’s Garbage.

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    Many of you know him as “Goon”, but illustrator/web designer/movie nerd, Corey Pierce of the Critical Mass Cast has parachuted into the Cinecast floating ever so gently down on the buoyancy of his love for Mirror Mirror and making the show one of epic length, even by Cinecast standards; we do not quite break the Cinecast record but we do come dangerously close. After a signature tangent on whether or not it is appropriate to applaud or boo after (or during) a film and comparing The Raid to both porn and “The Family Guy,” we tackle the glossy and relentless Indonesian action film in the context of how a movie can set its own terms, and either fail, succeed on those terms, or transcend them. Where does The Raid fall? You’ll have to listen.

    We then move on to listener submitted home work and the glory (or lack thereof) of trash cinema. Going through the various assigned work reveals both enlightening and pandering to the ‘teachers,’ which underscores that our listeners do indeed take these homework assignments seriously. Bravo to you folks. The Watchlist rounds out the show and features a lengthy discussion of the Bully documentary, Eddie Murphy and racial/sexual epithets, JFK Conspiracy Books, American Presidents – right back to the founding fathers – fosters a wacky and over-simplified discussion of politics (Is there any other kind??!!) on both sides of the Canada/USA divide, studio Ghibli, giant gorillas and one-armed drummers. Yeah, the thing is over four hours. Enjoy…or endure! (Bend like a sapling in the wind, lest one break!)

    As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!


     
     

     

    To download the show directly, paste the following URL into your favorite downloader:
    http://rowthree.com/audio/cinecast_12/episode_253.mp3

     
     
    Full show notes are under the seats…
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  • Movies We Watched

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    Sometimes we watch stuff that we want to talk just a little bit about, not a full review worth. These are those films. If any of the films reviewed are available on Netflix Instant Watch (US or Canada) or HuluPlus (US only), we’ll note that by putting a direct link below the capsule.


    Manic

    (4.5/5)

    2001 US. Director: Jordan Melamed. Starring: Joseph Gordon-Levitt, Zooey Deschanel, Don Cheadle.

    Shot in a pseudo-cinéma vérité style, Manic, at its most basic level, details the experiences of young adults in a mental health facility. It does not preach an agenda, at least not obnoxiously so, instead relying on an intimate connection between the viewer and its very talented group of actors. A very raw film, both in style and substance, this was the film that first showcased Joseph Gordon-Levitt’s considerable talents. His subtle facial tics and expressive body language are both endearing and heartbreaking throughout, and his character is far more nuanced than one would suspect for such an underseen (and underappreciated) film. I would also argue that, despite the fine performances of Zooey Deschanel (who hasn’t quite returned to the heights reached in this film) and always impressive Don Cheadle, Gordon-Levitt also demonstrated his ability to carry a film, stealing most every scene with relative ease. With his popularity skyrocketing due to (500) Days of Summer, Inception, and 50/50, I found it quite worthwhile to revisit what may still be his most impressive turn.
    -DOMENIC

    Netflix Instant (US)

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  • Trailer: Julia’s Eyes

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    I managed to catch this Guillermo Del Toro produced Spanish ghost story in Toronto (even briefly running into the big man himself, which was pretty cool.) Directed by Guillem Morales, Julia’s Eyes went on to be the opening night film for the 2010 edition of Sitges, where leading lady Belén Rueda (The Orphanage) turned quite a few heads in a red dress. But enough about these little festival details. The film is being released commercially in the UK by Optimum (May 20th, 2011) releasing and they have issued the first English friendly trailer for the film (no word on this side of the pond yet.) High on atmosphere and virtuoso camera work, maybe a bit low on originality, it is a workman film that yields a good time at the movies considering what often passes for horror or scares out of Hollywoodland. Jandy liked it a bit more than I did.

    Julia, a woman suffering from degenerative sight disease, finds her twin sister Sara, who has already gone blind as a result of the same disease, hanged in the basement of her house. In spite of the fact that everything points to suicide, Julia decides to investigate what she intuitively feels is a murder case, entering a dark world that seems to hide a mysterious presence.

    The trailer (thanks QE!) is tucked under the seat.

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  • Christopher Nolan’s Memento gets Micro Re-Release in Select Theatres, Feb. 17

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    Ten years after its theatrical debut, Christopher Nolan’s neo-noir thriller told in reverse, Memento is getting a celebratory ONE NIGHT ONLY re-release on February 17th, 2011. Screening in select digital cinemas across North America, these screenings will feature an exclusive Q&A with writer/director Christopher Nolan speaking with acclaimed filmmaker Guillermo Del Toro. Did you miss Memento when it debuted to an almost instant cult following upon its limited release? Here is your chance to check out a crisp HD version in the cinemas.

    Confirmed CITIES/THEATRES include:

    New York, NY City Cinemas
    Atlanta, GA Studio Movie Grill
    Boston, MA Nat’l Amusements
    Dallas, TX Studio Movie Grill
    Houston, TX Studio Movie Grill
    Los Angeles, CA Rave The Bridge
    San Diego, CA UltraStar Mission
    Washington DC Rave Fairfax Corner
    Toronto, ON Cineplex Varsity
    Vancouver, BC Cineplex Scotiabank Theatere

    More may be added, so you can check here if you are curious if your city has a screening.

  • AFI Fest 2010: Julia’s Eyes

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    (4.5/5)

    When introducing this entry in his producing career, Guillermo Del Toro mentioned a sequence that he had told first-time director Guillem Morales during the scripting process that he simply couldn’t, or shouldn’t, do on film – a twenty-minute sequence where the camera never shows anyone’s face. But Morales held firm and Del Toro trusted him to make it work, and make it work he did. Julia’s Eyes is a conscious throwback to early Italian giallos, the work of early Bava or Argento that walk the line between suspense and horror.

    Julia suffers from a genetic disorder that causes blindness, exacerbated by stress, which can accelerate the loss of sight exponentially. Her sister had the same disorder, and her death opens the film – a death that was quickly ruled suicide by the authorities, but which Julia suspects but cannot prove was murder. As Julia investigates on her own, her sight deteriorates quickly, soon putting her in the same situations that led to her sister’s death, situations that spiral into ever-more disturbing physical and psychological places.

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  • Cronos Coming to Criterion [Blu-ray]

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    I have yet to check out Del Toro’s earlier work, Cronos, though it’s been sitting in the “unavailable” section of my Netflix queue since forever. Looks like I won’t have to wait much longer to finally see it. And see it in what is sure to be a high quality, beautiful transfer from the blessed folks over at Criterion.

    From Blu-ray.com:

    Yesterday, director Guillermo del Toro attended the 36th Annual Saturn Awards and gave a 20-minute impromptu interview backstage. After the interview finished, Del Toro revealed off-camera to Collider’s Steve Weintraub that the Criterion Collection is going to release a Blu-ray of his feature debut, Cronos.

    No edition details are available at this time, But Del Toro said that the BD will include a 15-minute documentary on his now-famous Man Cave.

    The whole interview is highly recommended for any fans of this filmmaker, or of fantasy and horror cinema in general.

    Excitement ensues. Check out the interview below…

     

  • Guillermo Del Toro quits The Hobbit

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    This news makes me happy. All those far more interesting GdT projects that could be better served with the mans time and attention over a needless ‘prequel’ (in two, possibly 3D films, no less) to the complete-on-its-own Lord of The Rings. Nobody wants to see a fine fantasy auteur waste his time on a cash cow. I am probably wrong on that last bit, but ah well. Hopefully some good and interesting cinema ahead from the big Mexican.

    You want all the details, TheOneRing.net has ‘em.

  • George Miller Making Cars for “Mad Max 4″

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    More bad assery is on the way from George Miller. The new Mad Max picture is definitely in the works and the proof of that lies in the video below in which Mr. Miller shows us some of the vehicles that are in production for the feature.

    Towards the end of the video Miller talks a little bit about the future of film in New Zealand and how he views cinema in general; name dropping some favorite directors of ours around here. Prepare for another high octane romp from Mad Max and Miller. The apocalypse is coming!

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  • Remembering a Decade…2006

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    (prologue) As we can begin to hear the death rattle of the oughts, we in the third row decided to start on this continuing series throughout 2009 that will look back at our favorite films of each of the past ten years (2000-2009). This will ultimately culminate in a “ten best/favorites of the oughts” piece sometime in early 2010.

    We’re changing the format a little bit for this installment of the series. This is not exactly a top five list or even the five films we deem most worthy of a 2006, “best of” list. Instead, it’s more like a primer on the films of 2006. A remembrance if you will. Here are five films that were mentioned by most of the writers here that most define 2006 or in some way stuck in our collective consciousness for one reason or another. Another reason for this change is simply because of how awesome 2006 was in film. Second probably only to 2007. So go back in time with RowThree in remembering 2006…

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  • Pearce Isn’t Afraid of the Dark

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    Guy PearceI’m having a hard time disassociating the upcoming Don’t Be Afraid of the Dark with YTV’s similarly titled kids show “Are You Afraid of the Dark?”. At some point, maybe when a trailer is released, I may be able to separate the two but as it stands now, I can’t think of one without the other.

    Directed by Guillermo del Toro protégé and director of the great looking short film Latchkey’s Lament (see the trailer) Troy Nixey, the film is a remake of a 1970s TV movie about a girl who moves in with her father and his girlfriend only to discover that they are sharing their home with demonic creatures. I’ve never seen the original (and that description doesn’t really encourage me to) but I’m definitely curious about this new adaptation; especially after the most recent casting announcement.

    The film had already cast up and coming young talent Bailee Madison as the little girl and Katie Holmes as the girlfriend and according to THR, Guy Pearce is in “final negotiations” to star in the film as the father.

    Being unfamiliar with the story, I’m not sure how large of a role the parents play in the story though I have a feeling they’ll be secondary to the little girl, but I have great love for Pearce and I’ll watch him in anything (including the problem riddled and forgettable Death Defying Acts). If the addition of Pearce doesn’t trump the casting of Holmes, maybe the fact that the script is written by del Toro and regular collaborator Matthew Robbins will.

    Production is scheduled to begin in July and I expect we may start seeing material from the film as early as Christmas (though it’s not scheduled for release until 2011).

  • del Toro on Vampires, The Hobbit and the Man Cave?

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    Guillermo del ToroOh Guillermo. How I love you and your lush, gorgeous and twisted vision though admittedly, not enough to shell out $35 dollars for that new book of yours, “The Strain”, that’s burning up the best sellers list. It’s not that I don’t want to read it but these hardcovers are a rip unless they’re bought on discount and frankly, I’ve got enough to read until the price comes down but that doesn’t mean that I’m not curious about the project – or anything else you may be working on.

    Guillermo del Toro was recently interviewed on CBC’s “Q” with Jian Ghomeshi and in the interview, which is approximately 15 minutes long, del Toro talks about the new book, his passion for horror, his “man cave” (which sounds awesome by the way) and the currently in production The Hobbit, touching a little on the decision to adapt the story in two films.

    It’s a great little interview and you don’t have to go far to hear it, I’ve enclosed it below for your listening pleasure. And worry not, the show may be 50 minutes long but del Toro’s interview is the first on the docket (though the discussion of the current “Harlequin Cover Art Exhibition” in NY is pretty interesting too).


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