Blu-Ray Review: Blood Feast & Scum of the Earth

Herschell Gordon Lewis, who died last year, was a genre film legend. Although he worked in most realms of exploitation films, from ‘nudie-cuties’ to juvenile delinquent films and even children’s films, he is best known for creating the ‘splatter’ sub-genre of horror movies. The first title of his that bludgeoned open the horror mould, was Blood Feast, which Arrow Video have released on Blu-Ray alongside another of Lewis’ 1963 features, Scum of the Earth.

Blood Feast

Director: Herschell Gordon Lewis
Screenplay: Allison Louise Downe
Starring: William Kerwin, Mal Arnold, Connie Mason
Country: USA
Running Time: 67min
Year: 1963
BBFC Certificate: 18


Blood Feast sees an Egyptian caterer, Fuad Ramses (Mal Arnold), butcher up attractive young women in order to extract the ingredients required to put on an authentic Egyptian feast as had been previously ‘enjoyed’ 5000 years ago. The feast is an offering for the Egyptian goddess Ishtar, who Ramses worships. The mother of Suzette Fremont (Connie Mason) foolishly thinks the feast sounds like a great way to put on a party for her daughter, so Ramses busies himself in preparation, hacking up a handful of women in the lead up to the ‘big day’. Meanwhile, two inept cops, including Suzette’s boyfriend Pete (William Kerwin), try to figure out who’s responsible for the spate of murders around town.

Despite his reputation and my love of genre movies, I’d never actually seen a Herschell Gordon Lewis movie before now. He certainly lived up to his reputation as the “Godfather of Gore”, but his limitations as a filmmaker are also evident. Luckily I was prepared for this and I actually had a lot of fun with Blood Feast, even if I’d never call it a great film. It’s generally a case of ‘so bad it’s good’, where I enjoyed laughing at some of the daft dialogue and frequently shoddy deliveries. Writer Allison Louise Downe and Lewis know their limitations though, so never take things too seriously, with some lines knowingly ridiculous. “I was thinking about those murders. They just take the joy out of everything” was a standout for me.

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DVD/Blu-Ray Review: Wolf Guy

Director: Kazuhiko Yamaguchi
Screenplay: Fumio Kônami
Based on a Manga Series by: Kazumasa Hirai
Starring: Shin’ichi (Sonny) Chiba, Kyôsuke Machida, Saburô Date
Country: Japan
Running Time: 86 min
Year: 1975
BBFC Certificate: 15


Wolf Guy is a Japanese action movie based on a manga series of the same name. Starring Shin’ichi “Sonny” Chiba at the height of his fame, it’s a low budget B-movie attempt to fuse western mythologies with Japanese genre sensibilities. Being a lover of trashy action and all things Japanese, this description sounded good to me, so I thought I’d check out Arrow Video’s new release of the film, which has never previously been available outside of Japan.

Chiba plays Akira Inugami, the last survivor of a clan of werewolves, now living in the big city using his lycanthropic skills to solve crimes. One night he witnesses the brutal murder of a seemingly crazed man at the hands of what appears to be a tiger demon, only semi-visable to Akira. When he looks further into what happened, he finds that the man was one of a group of thugs who were ordered by gang boss Manabe to rape a young woman called Miki. He finds both of them and tries to help Miki and stir up trouble with Manabe. This unravels further into a wacky plot where the bad guys try to get Akira’s blood to make their own werewolf and use Miki’s anger to assassinate people using the tiger demon acting out her vengeful thoughts!

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Blu-Ray Review: Lone Wolf and Cub – Criterion Collection

Directors: Kenji Misumi, Buichi Saitô (Baby Cart in Peril), Yoshiyuki Kuroda (White Heaven in Hell)
Screenplays: Kazuo Koike, Tsutomu Nakamura (Baby Cart in the Land of Demons and White Heaven in Hell)
Based on a Manga Series by: Kazuo Koike, Goseki Kojima
Starring: Tomisaburo Wakayama, Akihiro Tomikawa, Minoru Ôki, Tatsuo Endô, Tokio Oki, Keiko Fujita
Country: Japan
Running Time: 83, 81, 89, 81, 89, 83 min
Years: 1972-74
BBFC Certificate: 18


Being a lover of Japanese cinema, particularly period samurai movies, as well as being a lover of genre films in general, the Lone Wolf and Cub series is one I’m very familiar with. Saying that, I’d previously only seen the first two instalments before now. So there was never any doubt in my mind about taking the Criterion Collection up on their offer of a set of screeners to review their lavish set of all 6 films. These are as follows; Sword Of Vengeance, Baby Cart At The River Styx, Baby Cart To Hades, Baby Cart In Peril, Baby Cart In The Land Of Demons and White Heaven In Hell. Also included is Shogun Assassin, a 1980 film made up of all the sex and violence from the first two films with dodgy dubbing and a voiceover to tie them together into something suitable for the midnight movie crowd.

Now, when reviewing box sets I tend to review each title separately, but here I’ve decided to do one long write-up for the whole collection. Maybe I’m just being lazy, but I feel the films are so consistent in terms of cast and crew, as well as quality, there isn’t a great need to separate each film from one another. I also think I’d find it hard to differentiate all of the films after chain watching all six over a couple of weeks. Without wanting to kick off my review with a criticism when I love the set so much, the stories do get a little ‘samey’.

Speaking of stories, the first film, Sword Of Vengeance, sets everything up for the rest of the series through a series of flashbacks. Itto Ogami (Tomisaburo Wakayama) is the Shogun Executioner during turbulent times in Japan. He is ordered to execute countless lords for the sake of the Shogunate. In the opening scene we even see him decapitating a young child lord. Despite his disturbing profession, Itto is a good, honest man though, with a wife, Azami (Keiko Fujita), and child, Daigoro (Akihiro Tomikawa). One night, after Azami confesses that she worries Itto’s work has cursed him and their family, she is murdered by members of the Yagyu clan, led by Retsudo, who also tries to frame Itto for treason as he is hell bent on the Yagyu taking the role of Shogun Executioner. Itto manages to escape death, but is forced to exile, roaming Japan as an assassin for hire, on the “demon road to hell” on a path of vengeance. He is not alone though. Before he leaves, he gives his toddler son a choice. He lays out a sword and a ball for him to crawl towards. The sword symbolises joining him on this journey to a life of murder and vengeance and the ball represents a journey to heaven to be with his mother. Of course, Daigoro chooses the sword and the two set off to wander the lands.

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Weekend of Trash XX

After a year-long hiatus, Weekend of Trash is back for its monumental 20th (recorded) instalment (previous write-ups can be found in the category archive). With a new addition to my family early in 2016, I’ve struggled to find the time to meet up for our usual orgy of sleaze and gore, but I had an opportunity last weekend whilst the girls were away so I took advantage of it.

So as before, here are the reviews of everything we watched over a weekend of gratuitous nudity, violence and downright nonsense. The reviews are only brief and ratings are largely based on entertainment value over quality, so take them with a pinch of salt. I’ve included clips and trailers when possible too.

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Blu-Ray Review: Beyond the Valley of the Dolls

Director: Russ Meyer
Screenplay: Roger Ebert
Based on a Story by: Roger Ebert, Russ Meyer
Starring: Dolly Read, Cynthia Myers, Marcia McBroom, John Lazar, Michael Blodgett
Country: USA
Running Time: 109 min
Year: 1970
BBFC Certificate: 18


Russ Meyer is an unusual character in the history of American cinema. His first feature film as a director (after working as a combat cameraman in WWII) was The Immoral Mr. Teas (1959). Widely acknowledged as the first commercially viable American ‘skin flick’ (or softcore porn as the films are more commonly known these days), it grossed more than $1,500,000 in the US at the time of its release from a budget of a mere $24,000. This success spurred Meyer on to make a name for himself as the ‘king of the skin flicks’, producing dozens of successful exploitation films that always featured incredibly buxom female stars, even when his films started to mix in other genres and become wild action-packed romps.

What’s interesting and unusual about Meyer is that, despite his reputation for making what were pretty much porn films, he actually became respected as a filmmaker in many circles. One of the key reasons for this was that he showed all the traits of being a true auteur. He worked as director, producer, screenwriter, cinematographer and film editor on many of his films, giving him a huge amount of control over the end product. His films had a recognisable style because of this. As well as the large-breasted stars, his films had a punchy editing style and bold, well composed cinematography. He made exploitation movies that actually looked good and were well put together, unlike many of the ‘skin flicks’ that would follow in his wake.

Beyond the Valley of the Dolls represents an unusual point in Meyers career though. After Easy Rider, which was cheaply produced by a bunch of young ‘hippies’, became a huge unexpected success for Columbia Pictures, the other studios wanted in on the action. A number of the companies believed that giving money to young directors, fresh out of film school, would produce exciting counter-culture movies that the nation’s youth would flock to see (which is what kick-started the 70’s New Hollywood movement). 20th Century Fox’s plan though was to give a large budget to an already successful indie director with a reputation for making commercially successful genre films for very little money. The director they chose was Russ Meyer and the film he made was Beyond the Valley of the Dolls.

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Weekend of Trash XVIII

I hosted the latest Weekend of Trash this time for a change, marking the 18th (recorded) get together (previous write-ups can be found in the category archive). The guys didn’t make it down until mid-day on Saturday so it was a bit shorter than usual and my wife was working so we had an extra addition to the ‘team’ in the day time, but we persevered and still had a great time (albeit with an unusual choice of opening film).

So as usual, here are the reviews of everything we watched over a weekend of sleaze, violence and downright nonsense. The reviews are only brief (I’m not about to start writing notes whilst watching movies featuring kung-fu fighting cowboys) and ratings are largely based on entertainment value rather than quality, so take them with a pinch of salt. I’ve included clips and trailers when possible too.

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Weekend of Trash XVII

I got together with the guys once again this weekend just gone for the 17th (recorded) Weekend of Trash (previous write-ups can be found in the category archive). I was too lazy this time around to do haiku reviews on top of my standard ones, but I still put together reviews of everything we watched over a weekend of sleaze, violence and downright nonsense. The reviews are only brief (I’m not about to start writing notes whilst watching action movies with my mates) and ratings are largely based on entertainment value rather than quality, so take them with a pinch of salt. I’ve included clips and trailers when possible too.

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Weekend of Trash XV

We tried to squeeze one more video weekend into 2014, but ill health and busy schedules prevented it happening. So instead we kicked off 2015 with the 15th (recorded) Weekend of Trash (previous write-ups can be found in the category archive).

So as usual, here are the reviews of everything we watched over a weekend of sleaze, violence and downright nonsense. The reviews are only brief (I’m not about to start writing notes whilst watching movies featuring time travelling dinosaurs) and ratings are largely based on entertainment value rather than quality, so take them with a pinch of salt. I’ve included clips and trailers when possible too.

* Apologies for the crap image above – my phone camera didn’t like the lighting in the room so it came out a funny colour.

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Weekend of Trash XIII

Well, with my baby daughter being born towards the end of last year I wasn’t sure when I’d next get a chance to get together with my friends for another weekend of watching the best and worst the annals of genre movie making has in store. However, my wife was kind enough to let me out of the house for a couple of days and my parents stepped in to help with the babysitting, so finally the Weekend of Trash is back for its 13th incarnation (backstory and previous write-ups can be found here – I, II, III & IV, V & VI, VII, VIII, IX, X, XI & XII).

The reviews are only brief (I’m not about to start writing notes and getting analytical whilst chain-watching women in prison and kung-fu movies) and ratings are largely based on entertainment value rather than quality, so take them with a pinch of salt. I’ve included clips and trailers when possible too.

Enjoy!

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DVD Review: Sweetwater

Other than a musical performance of The Blue Danube by some townfolks at one point, there is little sugar in the western town they call Sweetwater. There is, however, unfettered corruption in all positions of authority. The bank, bears the ironic moniker of Hugh’s Integrity and Trust, but Hugh (the always excellent Stephen Root) takes great delight in the act of all but robbing his customers. The current sheriff is a lazy and incompetent blowhard and the local brothel madame (Amy Madigan)sold her own daughter into the prostitute trade without a second thought about it. The general store’s proprietor has a Porky’s style peephole for watching the few ladies in town strip down to their underwear when trying on the fancy dresses he retails. All are under the iron fist of Josiah, the preacher and literal shepherd who runs the biggest Ranch in the valley, called Holy Land (a western counterpart to Django Unchained’s Candi Land.) Josiah is tightly wound, spiritually crazy and exudes 24 karat hypocrisy through every pore of his alabaster skin. Jason Isaacs, here plays one of those great mustache twirling madmen who at one point crucifies someone on an upside down cross. Sweetwater is that kind of movie.

Saddling up a near A-list cast of character actors heaping on gobs of production-value, in the parlance of our times, Sweetwater is a western trashterpiece. The film might be an acquired taste, but for those who might detect its tannins and notes of ironic humour and wordplay in the story, there are many, many delights. In rapid succession we are introduced to a bearded Mormon-Prophet Josiah and his particular brand of apocalyptic preaching, the playfully competent prancing hired lawman, Jackson (Ed Harris – whose manner and wardrobe seem to be channeling Doctor Who), and the straight-backed frontierswoman, Sarah (January Jones) frolicking with her Mexican husband, Miguel (Eduardo Noriega) on their dusty ranch property in the dusky evening. We will watch all of these actors chew scenery in their own fashion over the course of the next 100 minutes. They will make elaborate speeches, offer flinty glares, and dwell a bit in their idiosyncrasies before the obligatory climax in which everyone will shoot at each other. But O Brother! What scenery will be chewed before we get there.

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Weekend of Trash XII

This weekend, the guys and I got together for our 12th (written up) Weekend of Trash (backstory and previous write-ups can be found here – I, II, III & IV, V & VI, VII, VIII, IX, X & XI). With my wife expecting a baby in just over two months, this was likely to be my last movie weekend for a long time, so we tried to make sure we did things properly. I brought the projector with me and we managed to squeeze 7 films into Saturday, equalling our record and spent the Sunday shopping for more bargain movies as usual. We picked some good ones too, with only one real stinker and a nice mix of titles, spanning the exploitation gamut (we could have done with some proper Chinese martial arts though).

The reviews are only brief as usual (written on my phone as the weekend went on) and ratings are largely based on entertainment value rather than quality, so take them with a pinch of salt. I’ve included clips and trailers when possible too.

Enjoy!

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