Occultober – Day 19 – The Sentinel

The Sentinel
Clearly designed as a studio knock-off with the intent of ‘raising-the-bar’ on the horror of both The Exorcist and Rosemary’s Baby, with Death Wish helmer Micheal Winner bringing a puerile trash-factor to the proceedings, The Sentinel is not lacking in crazy moments. From being over-cast to the point of ludicrousness (characters played by Jeff Goldblum, Christopher Walken, Jose Ferrer, Eli Wallach, and Jerry Orbach add very little to the story considering their star power), to dress-up parties for cats, to graphic onscreen masturbation, to using bonafide disfigured people to represent the minions of satan. The film has it all if you are looking for an exploitive bit of insensitivity to just about, well, everyone.

Allison Parker (Cristina Raines), a young fashion model looking for her own apartment in New York City, stumbles across the best deal in town, an spacious, fully furnished brownstone in Brooklyn with a wicked view. A gracefully aging Ava Gardner is her realtor in a small role.

In short order, Allison discovers the place has some of the craziest inhabitants in the city, including a ghoulish priest that does nothing but stare out the window, some crazy ballerinas and a chatty old fellow (Burgess Meredith, fantastic) who is never seen without a bird on his shoulder, and a pussy cat in his arms. These downsides she discovers over the course of a punishing several weeks culminate in an increasing series of feinting spells, flashbacks to her suicidal teenage years, and hallucinations of naked old men wandering into her bedroom. As they pile up, her lawyer boyfriend (Chris Sarandon) not only seems useless at helping her cope, but might even be in league with all of the crazy people. Everyone in her current state of reality seems hell-bent (literally) on terrorizing her, except a younger priest (John Carradine) who looks over the elderly priest in the attic, and has some longterm plans for Alison.

The Sentinel culminates in a whopper of a climax, that is as nutty as anything ever put on film in the 1970s, and that is saying something. In other words, the film is never boring.
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Cinecast Episode 184 – Death Lottery

 
The 4 hour barrier is broken as The Documentary Blog’s Jay Cheel joins Kurt and Andrew on the longest Cinecast ever – you know it is even longer than the previous epic length TIFF show. What do we talk about? For starters, Kurt & Jay examine the Let The Right One In remake, Let Me In (*SPOILERS*), in painstaking detail, and how not to process American remakes of foreign language films. Next we move along for a solid hour on Never Let Me Go (*SPOILERS*) which keeps going on the vibe of comparing source material to eventual film adaptation and why you probably should not do that. More Carey Mulligan talk as Andrew skims and sums up Wall Street 2 with out spoilers. Then, a spoiler-free discussion on Catfish follows, although only Jay caught it, so it is more of a discussion on fake/faux-Documentaries, and ‘narrative-ethics’ which leads to more more talk on I’m Still Here, with a little Last Exorcism and The Blair Witch Project to round things out. Next we move along to the avant garde and barely-narrative Cannes Palme D’Or winner, Uncle Boonmee Who Can Recall His Past Lives, and a lot of other films we watched: An overview of the “Middletown” documentary series, a bit of Daybreakers-Redux, a bit of Season 6 of “LOST” (you guessed it, with *SPOILERS*), and more avant garde cinema with Last Year At Marienbad. We also debate the finer points of Steve Buscemi and the cast and crew of HBO’s “Boardwalk Empire.” Finally (finally!) at around the 4 hour mark, our DVD picks round out a show that carried us well into the wee hours of the night recording. We hope you enjoy listening as much as we enjoyed chatting. It may be long, but it is a solid and whip-smart show this time around, although we are biased on that front.

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!

 
 

To download the show directly, paste the following URL into your favorite downloader:
http://rowthree.com/audio/cinecast_10/episode_184.mp3

ALTERNATIVE (no music track):
http://rowthree.com/audio/cinecast_10/episode_184-alt.mp3


 
Full show notes are under the seats…
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Roman Polanski’s The Ghost Writer trailer

“You Cheeky Fuck!” Is spat out by Pierce Bronson in Roman Polanski’s latest film, The Ghost Writer, which is rumbling forward in post production to meet its Berlinale premiere despite Polanski’s recent arrest and detainment in Switzerland. From the look (and sound) of things, The Ghost Writer may have the over-the-top bombast of one of Polanski’s recent underrated gems, The Ninth Gate. Either that or the trailer folks have not the slightest clue what they are doing. A varied cast joining the foul-mouth former 007 includes Kim Cattrall, Ewan McGregor, Tom Wilkinson, Olivia Williams, Timothy Hutton and Eli Wallach. The Ghost Writer may or may not benefit from the recent (if that is the right word) controversy surrounding Polanski but the trailer (tucked under the seat) is not one that is going to win too many awards.

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