
Director: Michael Brandt
Screenplay: Michael Brandt & Derek Haas
Producers: Patrick Aiello, Ashok Amritraj, Andrew Deane, Derek Haas
Starring: Richard Gere, Topher Grace, Stephen Moyer, Martin Sheen
MPAA Rating: PG-13
Running time: 92 min.




(2/5)It doesn’t happen often but sometimes you can just tell that something’s been in the works for a while. That’s the case with The Double. The directorial debut of writer Michael Brandt who often works with Derek Haas, the film is based on a script that the duo had originally sold to MGM and which they re-acquired when the studio went under. The script had sat on some MGM shelf for 10 years before the duo rescued the rights and set off to make their film.
Set in the world of espionage and double agents, Richard Gere stars as Paul Shepherdson, a retired CIA operative brought back into the fold when Cassius, a Soviet assassin he chased around the world, re-appears after years of being inactive. As per usual with this sort of fare, Gere is partnered up with a book smart FBI agent who literally wrote the book on Cassius. Ben Geary (Topher Grace) is smart and determined and when he gets a little too close to revealing the truth, that Shepherdson is actually Cassius, he’s pushed off course and even threatened.
“OMG! You just revealed a key plot point!” It may look like this is the key element to the story but it’s revealed early on in the film not to mention the little fact that it’s in the trailer. This leads to The Double’s major problem. Once they give you that tidbit of information, what’s left to reveal? The information comes so early that it’s obvious that there is some other key point that they’re holding back and when it too is revealed, too late in the story to be of any importance, it’s dropped as passing nugget that doesn’t play into anything that’s come before; it’s a failed “Gotcha!” moment and a missed opportunity because the implications of what’s revealed would have made a much better premise for a movie.







Directed by the duo who brought us the travesty that is 

That’s why I skipped it and even the addition of bad boy alternate personality Francois Dillinger wasn’t enough to catch my attention during its theatrical run but on DVD, I was going to give it a shot because who knows, maybe Francois is different but now that I’ve seen it, I wish I’d stuck by my initial reading and stayed well away.












