Rowthree Staff Summary of TIFF 2017

Our traditional round-up of impressions and reactions to the massive slate of the 2017 Toronto International Film Festival has arrived in its tenth (!) edition, here in the third row. Happy Decade to us! As always, several of the Row Three staff and contributors, along with a few a regular reader or two, provide a tiny capsule – a postcard if you will – of all the films that they saw at the festival. These are accompanied by an identifier-tag: [BEST], [LOVED], [LIKED], [DISLIKED], [DISAPPOINTED], [FELL ASLEEP], [WALKED OUT], [HATED] and [WORST].

Collectively we – Kurt Halfyard, Bob Turnbull, Courtney Small, Mike Rot, and Sean Kelly – saw a sizable chunk of the films shown at the massive public festival. Hopefully this post can act as a ‘rough guide’ for films that will be finding distribution on some platform, whether on the big screen, small screen, or streaming service, in the next 18 months.
 
 

THE SHORT VERSION:

Personal BEST: FACES PLACES [Bob], mother! [Kurt], CALL ME BY YOUR NAME [Courtney], LADY BIRD [Mike], and I, TONYA [Sean].

Personal WORST: The personal low-lights were THE RITUAL [Kurt], THE CONFORMIST [Bob], VERONICA, [MIKE], and FIRST REFORMED [Sean].
 
 
Other Consensus Picks: THREE BILLBOARDS OUTSIDE EBBING, MISSOURI, THE CRESCENT, THE KILLING OF A SACRED DEER, THE DISASTER ARTIST, LOVELESS, THE SHAPE OF WATER and THE FLORIDA PROJECT.
 
 
The ‘MASSIVE’ version is below. All our thoughts and impressions from offerings of the 2017 Toronto International Film Festival.

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Cinecast Episode 497 – On Skis

Scheduling lately has been rough as summer winds down and school is starting and film festivals and then of course hurricanes. But we managed to pull something together with the help of our friend Darren Aronofsky and his mother! The aforementioned hurricanes actually help to facilitate a trip through TIFF that otherwise wasn’t going to happen; so there’re lots of titles there to get through from Bruckner to Zahler. Andrew has been playing catch-up on some bullshit titles of the last year or so as well as going back to earlier Fincher as refresher. Lastly, Twin Peaks Season 3 The Return has wrapped up and Kurt has a number of things to discuss about that little slice of mayhem. Lots to dig into this week folks, and we’re starting with the book of Genesis. So stick this in your ear and settle in.

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!

We’re now available on Google Play!

 

 
 

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Review: The Company Men

Director: John Wells (“E.R.”)
Writer: John Wells
Producers: Claire Rudnick Polstein, Paula Weinstein, John Wells
Starring: Ben Affleck, Tommy Lee Jones, Craig T. Nelson, Chris Cooper, Maria Bello, Kevin Costner, Rosemarie DeWitt
MPAA Rating: R
Running time: 104 min.


There really isn’t any way of describing how terrible this film is without getting into specific spoiler territory so I’ll try to brush over some of the overall problems with the movie without getting too detailed. Suffice it to say that this film is trying so darn hard to be relevant and informative that it instantly becomes irrelevant, a product of its own past and something that has already aged terribly. Up in the Air, this is not. It’s full of corny, overwrought clichés that are so heavy handed that I couldn’t help but bust into laughter as I verbally recalled the story to my girlfriend two hours after leaving the theater.

The story is essentially about a bunch of corporate execs that lose their job due to downsizing and are having a hard time coping with their 12 weeks of full pay and benefits at a $120,000+ a year. They have a hard time finding employment in this downtrodden economy (yeah, the $60,000/year job just isn’t good enough) and several of them end up either sitting around all day feeling sorry for themselves, learning the value of an “honest” day’s work or just giving up entirely. Or in Chris Cooper’s case, getting drunk and throwing rocks at the office building while screaming obscenities in the middle of the night. It’s pretty dramatic stuff – it’s just like Jenny in Forrest Gump.
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