Posts Tagged ‘documentary’

  • José Padilha Has a New Documentary

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    Jose PadilhaSadly, I have yet to see Bus 174 and my copy of the fantastically well received Tropa de Elite has yet to arrive (it’s taking the entire 3 allotted weeks to get here) so I must take it on word of mouth for the first film and the trailer alone for the second, that director José Padilha is a man of many talents which will, in short time, be expanding a little wider.

    Though he may be heading up to Hollywood, Padilha has not given up on shedding light on the social inadequacies of his country and he has churned out another documentary focusing on the social problems affecting Brazil. Titled Garapa, the new film was shot in black & white with hand-held cameras and will be edited with no music. The title of the film refers to a popular South American drink made from sugar cane which is used in many low income communities as a milk replacement (a drink which sadly, is easily susceptible to health hazards).

    Considering I have yet to see any of Padilha’s films, I can’t really say much for this new project other than the fact that it sounds interesting and I’m certainly looking forward to seeing anything from a director who, by all accounts, is nothing short of genious.

    Garapa is scheduled to open in Brazil in September and considering Padilha’s profile, I expect we may see it pop up at a few festivals before it finally hits a region one friendly DVD.

  • Review: Encounters at the End of the World

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    Encounters at the End of the World One Sheet

    Director: Werner Herzog
    Producer: Henry Kaiser
    MPAA Rating: G
    Running time: 99 min


    By all accounts, director Werner Herzog was invited to Antarctica to shoot a documentary but imagine for a moment a pitch meeting with Herzog at one end of a long boardroom table and a row of men in black suits at the other. In his distinctive German accented English he says “For my next movie, I want to go to the end of the world. I want to go to Antarctica.” The suits think about it for a moment and then a light bulb goes on in one executive’s head and you can almost read his thoughts by the expression on his face: Eccentric film maker + gorgeous locale + weird “locals” = awesomeness.

    Encounters at the End of the World Movie StillNature documentaries are not typically my cup of tea. I am as fascinated as a 10 year old by the way ant colonies work or how anything survives in the middle of the desert but typically these types of, often made for TV or IMAX, specials leave me wanting for more. I’m curious about humanity’s role in all of this. Are we simply here to eventually destroy the planet? Will the impending doom scientists keep talking about ever be so close to home that we will, as a race, make a change? Then there is the question of exploration. For millennia humanity has explored this earth but with nearly every surface of the planet already charted, what is left to explore? With all of our concern with what’s “out there”, we seem to have overlooked the fact that part of this world, a world deep under water and soil, remains uncharted. While I am fascinated by the great mystery of what we don’t know, Herzog is attracted to the people who search for the answers to those mysteries.

    » Read the rest of the entry..

  • Lynch Documentary Comes to DVD

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    Lynch Documentary Movie StillThere are very few directors that manage to elicit nearly equal amounts of love and confusion but Lynch is certainly one of those directors. To some, myself included, the man is a genius while to others, Lynch and his films are nothing more than a footnote.

    Lynch’s most recent film INLAND EMPIRE, caused even more of a stir than usual because it managed to be a test on a number of levels. For Lynch, it was an experiment in working in the world of digital film making, for fans it was a dip into something new yet entirely comfortable at the same time and for a big chunk of viewers, it was a test of patience.

    Sometime early last year, I started following a blog called DAVIDLYNCHDOC which, though managed by some unnamed source, seemed to be legitimate, especially considering the sheer amount of insider information and photos that were occasionally posted. Sometime later, it turned out that the site was some sort of informational site for a behind-the-scenes documentary that was in the works and in June 2007, the film titled Lynch (One) premiered at the Munich Film Festival. It toured a few other festivals before finally opening in NY in late ’07 and then fading into obscurity.

    I’d pretty much lost track of it altogether until this morning when I was browsing the most recent offerings at TLA video and spotted a DVD release for Lynch (One). The DVD will be available on August 26th and can be pre-ordered from TLA for a whopping $19.99. According to the site, the DVD includes a photo gallery (Lodz photo montage), bonus footage (floor sander story; David does more work; blue green vignette; “What’s Myspace?” vignette) and four trailers.

    More information about the documentary, along with a brilliantly cut trailer, can be found on the official website.

  • The ‘New’ New World (Director’s Cut Coming in October)

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    Interesting news from our friend Joseph over at Cinexcellence. A new cut of Terrence Malick‘s sublime retelling of the Pocahontas story is due out on DVD this October. According to businesswire.com, the new version will:

    “…[feature] more than 30 minutes of never-before-seen footage, heightening the viewing experience with more battles, more intensity and more visual splendor. Also included is a comprehensive, ten-part documentary – Making the New World – which captures the unique creative challenges filmmakers faced.”

    Personally, I think that the current version is nigh on perfect. Yet I am still curious to get lost in a 25% longer version of the film. Wouldn’t it be nice if a limited theatrical run (certainly the best place to watch this film) resulted from this new cut. Heck, while I’m in fantasy land, considering that Malick used a high-res filmstock when shooting this film, a blow-up to IMAX would be pretty swell.

    For a taste of what might be in this new cut, a fabulous deleted scene of Captain John Smith and Pocahontas ‘exploring each other’ is under the seat.

    » Read the rest of the entry..

  • Review: Global Metal

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    Global Metal One Sheet

    Directors: Sam Dunn, Scot McFadyen (Metal: A Headbanger’s Journey)
    Producers: Scot McFadyen, Sam Dunn
    MPAA Rating: NR
    Running time: 93 min


    A few years ago music’s black sheep, heavy metal, made a big splash in the film world when filmmakers Sam Dunn and Scot McFadyen released their documentary Metal: A Headbanger’s Journey. It’s safe to say that no one expected this little documentary to make the splashes that it did but here we are, two years later, taking in the filmmaker’s second adventure though the dark tunnels of metal. The first film traced the history of metal from its humble beginnings in the working class suburbs of the UK and the US but it was very apparent from the interviews with heavy metal greats and footage from various big events, including the Wacken Open Air, that metal was a global phenomenon.

    Global Metal Movie StillAfter receiving correspondence from metal fans in the most unlikely of places, Dunn and McFadyen decided that their look at metal wasn’t finished just yet and the pair set off to discover the metal offerings from places as varied as India, Japan and Israel. The result, Global Metal, is a unique anthropological research project that is much more interesting to study than anything I’ve seen in a textbook.

    Beginning in Brazil and making their way to such distant and exotic locales as Indonesia, Dunn and McFadyen speak to both fans and musicians who love their metal and what we find is that as suspected, metal speaks to many. The most interesting bit of information discovered thought their travels is that the sound of metal varies from country to country and culture to culture. Though many of the fans and musicians associate their beginnings with listening to the Scorpions, Deep Purple, Sepultura, Iron Maiden and a long line of notable predecessors, they have taken the sound and made it their own, infusing the music with their personal struggles, beliefs and politics. The result, is a varied landscape of sounds with a common ancestor.

    » Read the rest of the entry..

  • Polanski Doc Finally Gets at the Truth

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    Roman Polanski, 75Roman Polanski is a fabulous director, but also a notorious one. In 1978, Polanski pleaded guilty to the statutory rape of a then 13, Samantha Geimer. Polanski fled to Paris, where he remains today, to avoid being sentenced.

    I personally knew nothing of this story until a few years ago when The Pianist was up for best picture and the tabloids were a buzz with predictions of whether or not Polanski would show up at the ceremony or not; risking being arrested.

    But now, film maker Marina Zenovich has put together a documentary that takes a serious look at the case and hopefully will provide some answers to the slight mystery of what actually transpired between Polanski and Geimer. The film, entitled Roman Polanski: Wanted and Desired, apparently made a bit of a splash at Sundance a few months back and has now been picked up for television and theatrical rights by THiNKfilm.

    So I hadn’t heard about the film until today, but I must say I’m intrigued as the word around the campfire is that it’s pretty well made and gets to the meat of some hidden issues. Director Zenovich had this to say about working on the film:

    In 2003, talk of [Polanski] winning an Oscar and whether he’d risk coming to accept it started me thinking about this case because nobody knew exactly what happened. Fearing sensationalism, nobody would talk to me. It took five years. Eventually those involved realized I had good intentions and just wanted to tell the story. I met [Geimer's] lawyer and then Samantha, the girl herself. Why she consented, I don’t know. Even her mother talked to me. Now blonde, clear-eyed, 45, with three kids, Samantha lives in Hawaii and she basically has forgiven him.

    If, like most of us, you’re not able to make this doc’s international debut at Cannes in just a couple weeks, HBO will air it on June 9th, with THINKFilm’s theatrical engagements beginning with a New York opening on July 11th. I for one will do what I can to catch this when it airs in June.

    Here’s an interview with Zenovich and Polanski regarding the film from Sundance:

    sources:
    Starpulse.com
    Movie City Indie

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