A few years ago I had a chance to see Ji-woon Kim’s fantastic A Tale of Two Sisters on the big screen. It was (surprise!) during VIFF, in a packed house at the Vogue. I walked out of that film sore from holding the seat so bloody hard. I saw it again a few years later and the movie didn’t have the same creep factor as the first time I saw it but it was still wholly enjoyable.
Sometime back it was announced that work was underway on an American remake. I was under the impression that the remake shared a title with the original but it looks like that’s not the case. The Uninvited is being directed by English brothers Charles and Thomas Guard and stars a surprisingly good cast including Elizabeth Banks and the fantastic David Strathairn. It’s not clear how much of the story is retained from the original film but it looks like the basic idea is the same: a girl returns home after a stint in a mental hospital.
I doubt that the Guard Brothers can build the tension and mood that made Jee-Woon Kim’s film so successfully creepy but it does look like they’ve gone ahead and taken entire sequences from the original film; sequences that they’ll never get just right.
The trailer looks like your run of the mill horror remake aimed at the teen market, but I have to admit I’m curious. I actually want to see Banks and Strathairn together, plus I’d like to see if any part of this film manages to be creepy (the fact that the film was shot locally also holds some mild appeal).
The Uninvited opens on January 30th.
I’ve tucked both the trailer for the original film and the upcoming remake, under the seat. Watch them both and then go out and rent the original. I doubt the remake will be anywhere near as good (though I’m always up for being surprised).



To be honest, I’m not sure what I expected from Ferrara, a filmmaker whose work has always pushed buttons. I always felt a little sleazy watching Ferrara’s films and considering that the Chelsea straddles the divide between sleaze and celebrity, I’d hoped for great things. In its stead, we have a documentary that is neither groundbreaking nor particularly enjoyable to watch.




Shot on location in Toronto on what is likely a stringent Canadian budget,










