Blindspotting #11 – Barry Lyndon and Doctor Zhivago


Though I came up short by one post for the year – except for November, I’ve posted all my Blindspotting posts monthly at my own blog before pulling them to RowThree in batches – I’m happy with the 22 first time watches of classics I managed to squeeze in this year. I plan to keep up the two per monthly post strategy in 2013, if only because it enables some interesting comparisons between films. I hope to publish my proposed set (complete with pairings for each month) early in the new year.


If there’s one thing we likely all have in common when comparing lists of “major” films we haven’t seen, it’s that we have a couple of those Epics missing. You know the ones I mean: the 3+ hour epic love stories, epic period pieces and epic historical dramas that tend to be a bit foreboding. You’ll usually find one of them among our top movies of all time, but there’s a stack of others whose weighty nature and lengthy run times make viewing them seem like, well, “homework”. In many cases they turn out to be a joy to behold – quickly engaging, filled with characters of depth, chock full of interesting turns – and even feel much shorter than they really are. But when you hit one that doesn’t connect with you…Well, let’s just say that time crawls at around the same pace as it does when you’re in the dentist chair. And even though two great filmmakers were at the helm for this month’s choices, that was my concern with both films – two that have been sitting on my shelf for much, much longer than I’m comfortable admitting.


I will admit it’s an odd reaction for me to have to a Kubrick film since I’ve loved everything else he’s done (short of his first features before the great The Killing). But Barry Lyndon struck me as a different beast and one whose apparently slow meandering nature might wear thin over its 184 minutes. Aside from knowing it was the tale of a farm-raised young Irish man who finds his way into the aristocracy of 18th century Britain, I knew nothing of the story. So the changing fortunes of Barry (Part 1 of the film is entitled: By what means Redmond Barry acquired the style and title of Barry Lyndon) throughout were unexpected and kept me engaged. Even more surprising was that the film is really somewhat of a comedy. Not laugh out loud by any stretch, but the ups and downs of Barry’s life after he leaves his village (along with many of the narrator’s comments) brings an almost farcical tone to much of the film. Though Barry has a promising life ahead of him (born to a genteel family and bred to be a lawyer), his father is killed in a duel. While his mother stays a widow, Barry struggles to deal with his first love Nora – she tries to get him to be more assertive by hiding a ribbon on her person, but he seems too meek to search her for it. After she shows interest in a British army captain (who would relieve her family of its debt), Barry challenges him to a duel and is forced to leave town afterwards. He’s actually a bit of a selfish dim-witted putz when you get right down to it and as he begins his travels, there’s a moment where I wondered how long I could stay invested with that kind of character. Fortunately, as mentioned above, fate seems to have a push/pull battle with Barry as it keeps changing things up on him – he swears he’ll remain a gentleman, gets pulled down again, new opportunities are once again presented and the cycle repeats. He gets robbed, joins the army, deserts the army, is forced to rejoin when found, learns “bad behaviour” from other low-lifes in the army, saves the captain who forced him back into service, is sent to spy on an Irish nobleman, etc. He’s like a cipher at times, so it’s not surprising when he can suddenly be heroic, fight well or handle weapons masterfully. Ryan O’Neal doesn’t bring a whole lot to the character, but his blank slate performance actually fits Barry Lyndon perfectly.

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Blu-Ray Review: This Happy Breed

Director: David Lean
Screenplay: Anthony Havelock-Allan, David Lean & Ronald Neame
Based on a Play by: Noel Coward
Starring: Robert Newton, Celia Johnson, John Mills, Stanley Holloway
Producer: Noel Coward
Country: UK
Running Time: 110 min
Year: 1944
BBFC Certificate: U

David Lean is one of Britain’s most well respected directors, responsible for such undisputed classics as Lawrence of Arabia, The Bridge on the River Kwai and Great Expectations to name a few. Starting his career as an editor, he got into directing through working with the renowned playwright and actor (among other talents) Noel Coward on four films, In Which We Serve, Blithe Spirit, Brief Encounter and this, his first solo directorial credit, This Happy Breed (In Which We Serve came first, but was co-directed with Coward).

This 1944 film is being re-released at a perfect time with the Queen’s Jubilee fresh in our minds as it’s full of unabashed patriotism and is a film that openly celebrates ‘true Britishness’. Made at the height of the Second World War, This Happy Breed is a clear attempt to drum up a ‘stiff upper lip’ attitude on our green shores by telling the story of a supposedly average family, the Gibbons’. The film begins just after the end of the First World War and spans the trials and tribulations of a married couple (Robert Newton & Celia Johnson), their three children and their mother and spinster sister that live with them all the way up to the eve of the following war in 1939. The first half is all peaches and cream with friends being made, romances blossoming etc. but the second half puts many hardships onto the family which they battle through with poise and strength.

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DVD Releases – May 4, 2010

Andrew suggested that I cross post my DVD listings that I have been doing over at stuffical and I’m quite happy to do so. This week is a bit of a bad week for DVDs and it took some searching but I did find a few movies that I’m interested in and I hope you are too.

Each and every Tuesday (sorry about being one day late this week) I will be posting what I hope will be an eclectic list of DVDs that are available being released for the week. I had to actually do some digging to find some good suggestions to make for this week. Fortunately after a bit of work I was able to find a few Asian movies that we’re not listed on most lists. This week I’ve got a musical that I’ve heard looks beautiful but isn’t actually that good as a movie, a classic David Lean film, a movie about a tortured film maker, a dysfunctional family story that has an amazing ending and a double feature that really shouldn’t be a double feature.
Would you like to know more…?