Cinecast Episode 411 – We Wanna See The Business

Despite seeing nearly 100 films combined at TIFF 2015, Ryan from The Matinee and Kurt indulge Andrew by getting out to the multiplex to see the latest Johnny Depp performance, as James “Whitey” Bulger in Black Mass. We have a spoiler discussion on that, but needless to say, no one was overly pleased with Andrew for suggesting it. Kurt and Ryan attempt to wrassle TIFF to the ground after 11 days of shared screenings and food. They, in part, hash out the bests, the beasts and the worsts (or in the cast of Love 3D, the wurst) of some of the films on hand.

But wait, there is more.

Ryan and Andrew have a Watch List which includes re-evaluated Spielberg, various Afflecks and a new-ish film starring Matthew Broderick. Hunker down with your favorite blankie, take out your blue contact lenses, and settle in for the show!

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!

 

 
 

 

 
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Trailer: Demolition

Clever, sharp, funny, maybe mean spirited, this is Jake Gyllenhaal in his prime, and it appears that Jean-Marc Vallée sees fit to channel this energy into his latest film, Demolition. Frappé this together with music introspection and metaphor, and you have the film that is opening this years Toronto International Film Festival. Hopefully it is not too sentimental in the end.

Oh, and Chris Cooper, please work more. Thanks.

Trailer: The Company You Keep

Outside the Sundance Film Festival, Robert Redford is kind of a cottage industry for earnest political tinged thrillers. The Company You Keep is indeed one of these, focusing on the trials and tribulations (and family) of two Weather Underground members. It came and went without a peep at the 2012 edition of TIFF.

But.

What.

A.

Cast!

Robert Redford, Julie Christie, Nick Nolte, Chris Cooper, Susan Sarandon, Sam Elliott, Brendan Gleeson, Terrence Howard, Richard Jenkins, Shia LaBeouf, Anna Kendrick, Brit Marling, and Stanley Tucci.

Furthermore, it’s penned by Lem Dobbs (The Limey) and scored by Cliff Martinez (Solaris, Drive)

Cinecast Episode 236 – Ocular Coitus

While our friend Matt Gamble is still on the mend (not from a boating accident), Kurt and Andrew grew a bit tired of executing these shows together all alone and reached towards the heavens above for this episodes guest host: Aaron Hartung (aka the dude who lives upstairs). Aaron also happens to work for the best cinema chain in town, Landmark Theaters; not only does he seem to know his movie stuff, he’s got a voice for radio to boot.

We missed last week’s episode due to other obligations and illness, there is a LOT to get to this week. From Lars von Trier’s visually rich disaster/depression epic to the long awaited new Alexander Payne film (it has indeed been six years) we cover your auteur cinema-making-guys. But wait, there’s more: Fifties sex icons, furry-little-singing-nostalgia-engines(tm) and a whole lot of early cinema history enshrined in a Martin Scorsese ‘kids film.’ Enjoy this double-digest episode of the show: It’s time to start the music, it’s time to light the lights, it’s time to talk death, depression and the urgent need for knowing our history on the Cinecast tonight.

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!


 
 

 

To download the show directly, paste the following URL into your favorite downloader:
http://rowthree.com/audio/cinecast_11/episode_236.mp3

 
 
Full show notes are under the seats…
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Trailer: Amigo

 
 

John Sayles has been traveling under the radar for over a decade now, his politically active dramas seemed to get more blunt and less well received critically (vide Honeydripper, Silver City, Casa De Los Babys, Sunshine State) than his quality run in the 1990s (Limbo, The Secret of Roan Inish, Lone Star, Passion Fish) But he keeps working (occasionally subsidizing by a work-for-hire screenplay) and keeps challenging what America is with his films.

Amigo looks to push all kinds of hot buttons, focusing on events during the Philippine-American War at the turn of the century and a fair bit of ugly Americanism. It looks gorgeous, and seems to balance scope and intimacy, and has Chris Cooper playing a nasty bit of hard-ass as only Cooper can do – such a major turn from the start of Cooper’s career, with Sayles no-less, in Matewan.

The trailer is tucked under the seat.

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Review: The Company Men

Director: John Wells (“E.R.”)
Writer: John Wells
Producers: Claire Rudnick Polstein, Paula Weinstein, John Wells
Starring: Ben Affleck, Tommy Lee Jones, Craig T. Nelson, Chris Cooper, Maria Bello, Kevin Costner, Rosemarie DeWitt
MPAA Rating: R
Running time: 104 min.


There really isn’t any way of describing how terrible this film is without getting into specific spoiler territory so I’ll try to brush over some of the overall problems with the movie without getting too detailed. Suffice it to say that this film is trying so darn hard to be relevant and informative that it instantly becomes irrelevant, a product of its own past and something that has already aged terribly. Up in the Air, this is not. It’s full of corny, overwrought clichés that are so heavy handed that I couldn’t help but bust into laughter as I verbally recalled the story to my girlfriend two hours after leaving the theater.

The story is essentially about a bunch of corporate execs that lose their job due to downsizing and are having a hard time coping with their 12 weeks of full pay and benefits at a $120,000+ a year. They have a hard time finding employment in this downtrodden economy (yeah, the $60,000/year job just isn’t good enough) and several of them end up either sitting around all day feeling sorry for themselves, learning the value of an “honest” day’s work or just giving up entirely. Or in Chris Cooper’s case, getting drunk and throwing rocks at the office building while screaming obscenities in the middle of the night. It’s pretty dramatic stuff – it’s just like Jenny in Forrest Gump.
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Review: The Tempest

 

I supposed my reaction to Julie Taymor’s photographically bold, yet cinematicly flat rendition of William Shakespeare’s play could be summed up by comparing the performance of Alan Cumming from her previous film Titus to the one he yields here. In Titus, he is a campy-over-the-top force of nature, a pure delight of showmanship. In The Tempest, he is yawning his way through the inevitable march across the Hawaiian voclanic badlands with an equally subdued Chris Cooper and David Strathairn. Maybe the gory Grand Guignol of Titus was a more suitable fit than the more introspective, meta-ish nature of The Tempest for her particular sort-of-a-stage-production-sort-of-a-film style. Outside of the farcical comedic elements, Alfred Molina is at his bawdy best here, with Russell Brand providing somewhat consistent support, which seem to capture the best elements of Shakespeare’s ability to play to the back of the room, The Tempest merely makes me want to go back and revisit Peter Greenaway’s take on the Bard with Prospero’s Books, or for that matter, just re-watch Tarsem’s The Fall.
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Clips and Images for Taymor’s “The Tempest”

 
Which is really all I need to know I’m seeing this asap. Kind of a lover her or hate her director it seems, I personally love the visual flair and flavor of Taymor’s style. The only other director that is comparable in the original and fantastical look of their films is probably Tarsem.

I personally can’t wait for this adaptation. Taymor seems to like her Shakespeare and with Mirren, Whishaw, Cumming, Molina, Cooper and Strathairn, how can anyone not? Definitely in my most anticipated list of movies for December.

Collider was kind enough to let me steal all of their images and mash all of the clips into one long streaming experience of rad.

clip and more stills below the seats…
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First Trailer for Pattinson Romance Remember Me

RememberMeMovieStillSome credit needs to be given to the folks at Summit fore releasing this at the peak of Robsession. As the New Moon crew runs through the promotional ringer and RPattz and KStew are everywhere, they release the first full length trailer for Robert Pattinson’s newest film Remember Me.

Directed by TV regular and first time feature film director Allen Coulter, the film stars Pattinson and Emilie de Ravin (of Brink and “Lost” fame) as a young couple trying to keep their budding relationship strong amidst various family problems. The film also stars Chris Cooper (as Ravin’s over protective cop father) and Pierce Brosnan (as Pattinson’s uncaring father).

I haven’t been tracking the production that closely but am impressed that the studio managed to pump out a trailer so soon (the film isn’t scheduled to open until March 12, 2010) but what’s most impressive is that it actually looks promising. I’m not sure how well I guy Pattinson’s accent (I had a slight problem with it in the past) but the trailer suggests a promising drama. And no, not just because of the fangirls.

Trailer tucked under the seat.

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Review: New York, I Love You

Directors: Natalie Portman, Jiang Wen, Mira Nair, Shunji Iwai, Yvan Attal, Brett Ratner, Allen Hughes, Sheekhar KapurFatih Akin, Joshua Marston, Randy Balsmeyer
Writers: Emmanuel Benbihy, Tristan Carné, Hall Powell, Israel Horovitz, James C. Strouse, Shunji Iwai, Israel Horovitz, Hu Hong, Yao Meng, Israel Horovitz, Scarlett Johansson, Joshua Marston, Alexandra Cassavetes, Stephen Winter, Jeff Nathanson,
Anthony Minghella, Natalie Portman
Producers: Marina Grasic, Emmanuel Benbihy
Starring: Shia LaBeouf, Natalie Portman, Orlando Bloom, Rachel Bilson, Bradley Cooper, Maggie Q, Hayden Christensen, Christina Ricci, Andy Garcia, Ethan Hawke, Blake Lively, Anton Yelchin, Shu Qi, Carlos Acosta, James Cann, Justin Bartha, Eli Wallach, Cloris Leachm
MPAA Rating: R
Running time: 103 min.


Three years ago one of my favorite films of the year, Paris Je’ Taime was released to theaters and I was actually taken aback at how much I liked the piece. It was a series of vignettes, each directed by a famous director (from Gus Van Sant to the Coen Brothers to Wes Craven) with a whole slew of great, character actors and A-list stars. Each vignette was a cute little story examining a relationship somewhere within the great culture of Paris. Not necessarily lovers either. There were fathers and daughters, sisters, elderly couples and even a vampire tale amongst many others. Within months it was announced that a follow-up to the film would be coming soon that would take place in New York. So I’ve been waiting the better part of three years to see the sequel of sorts to one of my favorite films of 2007 with another set of great stories told by world class film makers and actors. And finally it is here in America showing to a fairly wide audience.

There had been some grumbling that New York, I Love You wasn’t quite the film its predecessor had been. Quite honestly I can’t fathom that notion as this film is at least the former’s equal; if not superior to the “original.” If you liked Paris Je’ Taime (or loved it as much as I did), there’s no reason to steer clear of this reimagining. It’s got the same amount of heart and inspiration and should capture your heart just as quickly and steadfast as the stories did threeyears ago.
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New York, I Love You Trailer

New York, I Love YouI knew that at some point we’d posted a trailer for the anthology film New York, I Love You what I didn’t realize was that that trailer was posted a year ago.

The film premiered at TIFF last year and Kurt foresaw the film would open early in 2009 but for some reason, reviews perhaps?, it was shelved and forgotten until today when a sexy discombobulated new trailer appeared. With acting and directing contributions from a long list of talented folk (Park Chan-Wook, The Hughes Brothers, Faith Akin, Mira Nair, Yvan Attal, Shunji Iwai, Wen Jiang, Joshua Marston, Andrei Zvyanginstev, Brett Ratner, Shia LeBeouf, Blake Lively, Natalie Portman, Hayden Christensen, Anton Yelchin, Orlando Bloom, Christina Ricci, Chris Cooper, Kevin Bacon, Robin Wright Penn, Maggie Q, Ethan Hawke, John Hurt, Scarlett Johansson, Natalie Portman and Olivia Thirlby) this is bound to have a little something for everyone.

The trailer is not exactly eye popping but it certainly looks nice and I have love for much of the talent involved so I’m game. I still haven’t seen Paris, je t’aime but I may have to check it out before being sucked into this one.

New York, I Love You is scheduled for limited release on October 16th.

Now, who’s working on a Vancouver, I Love You?

Trailer is tucked under the seat!

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