Cinecast Episode 497 – On Skis

Scheduling lately has been rough as summer winds down and school is starting and film festivals and then of course hurricanes. But we managed to pull something together with the help of our friend Darren Aronofsky and his mother! The aforementioned hurricanes actually help to facilitate a trip through TIFF that otherwise wasn’t going to happen; so there’re lots of titles there to get through from Bruckner to Zahler. Andrew has been playing catch-up on some bullshit titles of the last year or so as well as going back to earlier Fincher as refresher. Lastly, Twin Peaks Season 3 The Return has wrapped up and Kurt has a number of things to discuss about that little slice of mayhem. Lots to dig into this week folks, and we’re starting with the book of Genesis. So stick this in your ear and settle in.

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!

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TIFF 2016 Review: Free Fire

TIFF 2016 Review

One of the most wonderful things about Free Fire is its simplicity. Coming from a filmmaker who has more often than not leaned on the edge of cerebral, this proves as a magnificent departure. A straight shoot-em-up action film, Free Fire delivers on its premise, without overcomplicating things.

The film takes place in the Boston of 1978. Two IRA members are meeting with a couple of American arms dealers to broker a deal. Tensions are high at the offset, and everything goes south incredibly quickly. What results is a high-octane shootout in the vein of Hard Boiled (1992) and Assault on Precinct 13 (1976).

Free Fire Original Poster

The film features Brie Larson as, presumably, the token chick, Justine. The go-between for IRA members Frank (Wheatley regular Michael Smiley) and Chris (Cillian Murphy), and South African and American arms dealers Vernon (Sharlto Copley) and Martin (Babou Ceesay) respectively, Justine is the conductor of this soon-to-be-derailed train. But her tokenism (and, arguably, Martin’s) is quickly debunked. Both Justine and Martin are integral to the both the premise and execution of the film.

Larson’s turn as Justine is yet another reason to love her as an actress. She sheds the delicate or wounded skin of her previous characters from Short Term 12 (2013), The Spectacular Now (2013) and Room (2015). In its place is a suit of armor with matching heels. Equal parts feminine and ferocious, Larson is a refreshing joy.

With character actors like Ceesay, Smiley, and Noah Taylor alongside Copley, Murphy, Sam Riley, and a hilarious Armie Hammer, the whole ensemble works together brilliantly. Tossed in with excellent editing, wonderful sound and set design, a fantastic score, and some of the best writing we’ve seen yet from Wheatley and partner in crime and life Amy Jump, Free Fire is quite possibly the tightest, strongest film from Wheatley’s oeuvre.

Mamo 438: Oscars So What?

Mamo!

Mamo’s annual Oscar night party is here! As usual, we scatter a series of short minisodes across the evening, collected here in omnibus format – it’s like watching the show with us in real time, only without the 4 hour exhaustion factor, or any farting. Joined by a veritable galaxy of guest stars, it’s the one night of Mamo you don’t want to miss! Except that you did miss it, if you’re downloading this and listening to it after the fact. Well done genius.

Cinecast Episode 416 – List List

Last week we talked about all of the films coming in the next week that we’d have a tough time reviewing them all. As a consequence, we review none of them. Instead, we just glide from this to that, as Moses Znaimer would say, it is flow, not show. We look at our Top 5 Danny Boyle films, and as we are wont to do, talk at length about Sunshine. A medley of Mamet, Soderbergh, Bullock, Sorkin, Halloween horror and various other bon bons are extracted from the candy box. We call these: “shoot the shit” shows and we hope you find something worthwhile in the grab-bag. Note that the show is almost 100% spoiler free this week!

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!

 

 

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Mamo #350: Ebertfest 2014, Part I

Live from Champaign, Illinois! We arrive at the 16th annual Roger Ebert Film Festival and discuss Steve James’ documentary, Life Itself, along with our thoughts on the future of digital filmmaking in response to the morning’s panel. Guest starring Row Three’s Ariel Fisher!

To download this episode, use this URL: http://rowthree.com/audio/mamo/mamo350.mp3