Cinecast Episode 184 – Death Lottery

The 4 hour barrier is broken as The Documentary Blog’s Jay Cheel joins Kurt and Andrew on the longest Cinecast ever – you know it is even longer than the previous epic length TIFF show. What do we talk about? For starters, Kurt & Jay examine the Let The Right One In remake, Let Me In (*SPOILERS*), in painstaking detail, and how not to process American remakes of foreign language films. Next we move along for a solid hour on Never Let Me Go (*SPOILERS*) which keeps going on the vibe of comparing source material to eventual film adaptation and why you probably should not do that. More Carey Mulligan talk as Andrew skims and sums up Wall Street 2 with out spoilers. Then, a spoiler-free discussion on Catfish follows, although only Jay caught it, so it is more of a discussion on fake/faux-Documentaries, and ‘narrative-ethics’ which leads to more more talk on I’m Still Here, with a little Last Exorcism and The Blair Witch Project to round things out. Next we move along to the avant garde and barely-narrative Cannes Palme D’Or winner, Uncle Boonmee Who Can Recall His Past Lives, and a lot of other films we watched: An overview of the “Middletown” documentary series, a bit of Daybreakers-Redux, a bit of Season 6 of “LOST” (you guessed it, with *SPOILERS*), and more avant garde cinema with Last Year At Marienbad. We also debate the finer points of Steve Buscemi and the cast and crew of HBO’s “Boardwalk Empire.” Finally (finally!) at around the 4 hour mark, our DVD picks round out a show that carried us well into the wee hours of the night recording. We hope you enjoy listening as much as we enjoyed chatting. It may be long, but it is a solid and whip-smart show this time around, although we are biased on that front.

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!


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TIFF 09 Review: Perrier’s Bounty

Director: Ian Fitzgibbon (Spin the Bottle)
Writer: Mark O’Rowe
Producers: Elizabeth Karlsen, Alan Moloney, Stephen Woolley
Starring: Cillian Murphy, Jim Broadbent, Brendan Gleason, Jodie Whittaker
MPAA Rating: 14A
Running time: 88 min.

Google “Irish Snatch” and I doubt Perrier’s Bounty will be anywhere on your list of hits. Yet, that’s exactly what this little caper film strives to be. Unfortunately without the quality humor, twisted plot or clever script writing. That isn’t to say Perrier’s Bounty is a bad film. It isn’t. But it’s clearly shooting for Guy Ritchie territory and doesn’t quite make it.

The picture opens with Cillian Murphy’s character opening his eyes, after a rough night doing himself in, to a couple of thugs demanding their money for the local mob head (Brendan Gleason) – much like the opening to The Big Lebowski. In this case though, Cillian actually does owe the money; unfortunately for him however, he doesn’t have it. Visiting the local pool hall, he’s hooked up with a couple of rather unsavory characters who bring him in on a planned heist. Shortly before the heist is scheduled to take place, Cillian’s father shows up and informs him that he’s dying of cancer. Of course things go astray during the heist and along with the heartbroken girl from downstairs tagging along for the night as she refuses to be left alone, Cillian and father embark on an adventure of sorts in an effort to get the money, get the bad guy, avoid the cops and somehow manage to stay alive.
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