Hot Docs 2016 Review: Brothers

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In Aslaug Holm’s gorgeously shot documentary on her own children – make no mistake, this is no home movie, but a rigorous 16mm film production by a veteran filmmaker – a recurring image is laundry hanging out on the line on the breezy Norwegian coast. In a sense Holm is airing her laundry figuratively as well, in Brothers, a decade long project capturing her two boys, Lukas and Markus, from ages 5 and 8 all the way into their teenage years.

The sparse images, photographs and film, Holm possesses of herself as a child, and even less media her own parents and extended family, led the urge preserve her offspring on film in a way that captures the hopes and dreams of children when their future remains completely ahead of them. The document she herself never had. She is not shy of bringing herself into the film, insofar as a reminder of the strings and mirrors of doing this sort of activity amongst the bustle of family life. As any good scientist knows, to observe an experiment is to affect the results in some capacity, and Holm and her camera factor into the frame honestly.

Markus loves soccer, and there are many shots of him practicing on a dirt pitch with his father and younger brother. Lukas has a more love-hate-love relationship with sports in general that is summed up with another recurring shot, that of the boys on the edge of a dock-house daring to jump into the water (as metaphors go, it’s powerfully obvious in that it is both obvious and powerful) at various ages.

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Cinecast Episode 382 – Warm and Foreign

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The one in which Kurt doesn’t realize he’s the winner of a (much controversial) bet. In exchange, buys Andrew a present for his sunken heart after The Oscar results. We dive headlong into The Academy Awards with all its ins and outs and what-have-yous with Neil Patrick Harris and the face touching and the boring music and the severe lack of montages and the… hey hey hey don’t hurt me. We do recognize Julianne Moore as a favorite however, and we praise her Oscar win with a heartfelt review of the quite good, Still Alice. The Watch List rattles on with pro wrestling, Cronenberg, submarine movies are always awesome and… Aeon Flux? Yeah.

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!

 

 

 
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Mamo #396: An Easy Lay

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Glom Gazingo, and welcome to Oscar night 2015! Jamie “The Dew Over” Dew joins us on the couch for our annual slate of mini-podcasts recorded throughout the telecast, as the Academy of Motion Picture Arts and Sciences hands out the golden trophy to the favourites among themselves. Plus, special guest stars Sasha and Max! Join us for this omnibus edition of our evening’s activities.
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After the Hype #84 – Best of 2014

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What do BOYHOOD, BIRDMAN, THE BABADOOK, and DANCE OF REALITY have in common? They’re all vying for top spot in our BEST OF THE YEAR episode! Bryan and Jon are joined by Graham and newcomer Kurtis to go over each of the four films and try to figure out which one reigns supreme in twenty-fourteen.

Let’s get to it, shall we?

 

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Cinecast Episode 376 – 2014 in Review: Ski Lifts & Psychological Rape

 
We needed a referee. Seriously. And unless it’s Jesse “The Body” Ventura, we might as well not even bother. The rampages on 2014-in-film are epic: Battles are fought, won, lost and lines are drawn in the sand (Cross this line, you DO NOT…) Also, Jim Laczkowski from The Director’s Club Podcast is here to help us figure out Inherent Vice. Is it “pure shit” or “something that needs to be seen 18 times to enjoy”? And where does Matt Gamble come down within the argument? Shortly after tackling the critical darling that seems to be Selma, we look at all of the trends and highs and lows of 2014: from lack of strong female performances to computer desktop horror to the importance of ski lifts and dog revenge. Everything culminated in our annual top ten list and figuring out the odds (or lack thereof) of best picture winner.

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!

 

 
 

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Cinecast Episode 362 – Primordial Dwarfism

 
Aafter nearly a three week hiatus, Weeeeee’re Baaaaa-aaack. In what is a true first on the Cinecast’s 8 year history, all three of Andrew, Kurt and Matt assembled in the same space to do a show with no telecommunications/web bridge. So, of course we pick a noisy bar and record over too many cocktails. With munchies and Montreal Smoked Meat, on the docket are three main reviews: Guardians of the Galaxy, Boyhood and Lucy which, oddly enough GotG gets the consensus favourite. Ever want to hear Kurt praise a Disney-Marvel production, now is your chance.

There is no 1984 project this week, but rest assured things will return to tomorrow with 2010: The Year We Make Contact next week, and Stop Making Sense after that.

Kurt does his annual 1+ hour recap of The Fantasia International Film Festival (which was also the source of the imported smoked meat) which is followed by a slew of titles from Matt (James Cameron Rape Sci-fi, Abortion Comedy, Punk Catharsis) and Andrew (Zach Braff, Heavy Metal, Alan Partridge and the last of Phillip Seymour Hoffman) with a little Terry Gilliam to round out the picture. LIVE FROM MINNEAPOLIS it is a lengthy, boozy, robust episode of the Cinecast, where bartenders, paramedics, rowdy billiard players, and the odd waitress all make for background character and salty language is tossed around in public spaces.

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!


 
 

 
 

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Cinecast Episode 350 – Nanobot Jesus

 
Do you want to have a long, loving conversation about the state of the art in comic strips? A lengthy tangent in this weeks show does that at more: Schulz, Watterson, and even Keane come into the mix along with Penny Arcade, The Oatmeal and XKCD as two recent documentaries on the subject are available VOD. But before that, Kurt and Andrew find very little to say about Dom Hemmingway that Jude Law hasn’t already shouted at you for 100 minutes. Matt Gamble joins midway through a lengthy recount of the recent episode of Game of Thrones (S04E03) in which Kurt continues to marvel at both the density of information in any given episode, as well as the lengths for which HBO is willing to go for gratuitous nudity (the former is astounding, the latter is getting tedious).

We go back to 1984 with the story of racism, the military and the awesome voice of Adolph Caeser in the Roshomon-esque A Soldier’s Story. In the Watchlist, Andrew gives us the lowdown on TV’s Fargo before continuing to working his way through the Minneapolis/St. Paul Film Festival. His favourite film of the year thus far, Richard Linklater’s Boyhood should be put on your radar. Andrew also pours some sugary-love on the rare Thomas Hayden Church starring film, Whitewash. Kurt does his own gushing with William Friedkin’s restored and glorious remake of Wages of Fear, the 1977 hidden gem, Sorcerer as well as his bafflement with 2013 Best/Worst type cinematic oddity, Fateful Findings. Matt digs deep into the first few episodes of Mike Judge’s Silicone Valley and then sweet, sweet comic strip love.

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!

 


 

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Full show notes are under the seats…
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