In 1994, writer director Stephan Elliott hit the ground running with the release of the cult favourite The Adventures of Priscilla, Queen of the Desert. Though I saw it years after its release, it was my first introduction to two very talented actors: Hugo Weaving and Guy Pearce not to mention that it was a gorgeous and fun film.
Ellilot’s film career never skyrocketed but the director did make a few other films, none of which I’ve seen, but he jumped back on the radar when it was announced that he would be stepping behind the camera to direct Colin Firth and Kristin Scott Thomas in Easy Virtue. A period drama about an Englishman (The Chronicles of Narnia: Prince Caspian’s Ben Barnes) who marries a glamorous but scandalous American woman (Jessica Biel), the project instantly had my attention but I never realized it would be the riot the trailer suggests.
Though Firth and Thomas were and remain my main attraction to the project, this looks to be Biel’s opportunity to be more than just the pretty face and the trailer suggest she may have struck gold. It’s a familiar story (essentially a period romcom) but with this much talent behind and in front of the camera (not to mention that it looks beautiful), it’s one to keep an eye on.
Easy Virtue has been making the festival rounds since it premiered at TIFF last; it will open in limited release across the US and Canada on May 22nd.







Franco’s story unfolds with Sebastián and Helena, a brother and sister, looking after their dying mother, a former pop singer. When we join the duo, it’s clear that mom has been sick for some time and the two, though mostly Helena, have been caring for the woman who is slowly wasting away for some time. They live in a sprawling mansion which is slowly falling apart but even after their mother’s eventual death, the two find it difficult to move away.
To be honest, I’m not sure what I expected from Ferrara, a filmmaker whose work has always pushed buttons. I always felt a little sleazy watching Ferrara’s films and considering that the Chelsea straddles the divide between sleaze and celebrity, I’d hoped for great things. In its stead, we have a documentary that is neither groundbreaking nor particularly enjoyable to watch.










