Easy Riders, Raging Bulls: Short Takes Vol. 1

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Clearly I’m getting behind on the New Hollywood marathon; I’ve actually been watching a good bit, but not finding the right things to say to write about them. So I’m just going to lump together some short thoughts on the films that didn’t inspire me to write a whole post about, or films that others reviewed or are planning to review.

The Graduate

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This is one of the few films on this marathon’s master list that I’ve seen before, but I wanted to rewatch it because I was pretty sure I had missed something the first time around. That first time, I was just barely eighteen and was sure that college would sort out any remaining lack of certainty I had about my future career and life. Four years later, it hadn’t, and I found myself, like Benjamin Braddock, unsure what to do after graduation and drifting a bit, trying to find something to latch onto. I think when I first saw it, I had difficulty understanding Benjamin’s indecision and willingness to just float along after graduating, basically falling into an affair with Mrs. Robinson (the wife of his father’s business partner) because he didn’t have much else better to do. This time, it all worked and fit together much better for me.

The inclusion of Simon and Garfunkel songs was perfect, and made me think about how influential The Graduate, with its detached main character, soundtrack, and mood, has been on films since – especially Indiewood quirky coming-of-age stories. Half of R3 will strangle me for saying this, but there seems a strong connection to Garden State (though even I would agree that The Graduate is a stronger film). My only beef is that the Berkeley sequence, when Benjamin goes to try to win Elaine, loses some interest and waffles a bit too much. On the other hand, the very last shot that’s often berated (by some) is exactly right.

M*A*S*H and McCabe and Mrs. Miller after the jump.

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