The one in which Kurt doesn’t realize he’s the winner of a (much controversial) bet. In exchange, buys Andrew a present for his sunken heart after The Oscar results. We dive headlong into The Academy Awards with all its ins and outs and what-have-yous with Neil Patrick Harris and the face touching and the boring music and the severe lack of montages and the… hey hey hey don’t hurt me. We do recognize Julianne Moore as a favorite however, and we praise her Oscar win with a heartfelt review of the quite good, Still Alice. The Watch List rattles on with pro wrestling, Cronenberg, submarine movies are always awesome and… Aeon Flux? Yeah.
As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!
Will Andrew Niccol’s latest capture the imagination and box-office in a similar fashion to American Sniper? On the surface, both films share a number of commonalities, not the least of which are soldiers having to kill their enemies from afar, with a certain unquestioning detachment. Niccol has made a career out of questioning the emotional and psychological significance of where we are and where we are going in terms of technology and its applications; from the sci-fi genetics drama Gattaca (also starring Ethan Hawke) to synthetic actors in S1Mone, to his screenplay for Peter Weir’s The Truman Show. Here he gets to play in the theater of the current Middle East and drone warfare. I think Good Kill will be better than American Sniper, but likely ignored by the public at large due to a falsely perceived copy-cat-itis.
In an air-conditioned shipping container somewhere in the Nevada desert, a war is being waged. Behind a door that reads “YOU ARE NOW LEAVING THE USA,” five flight-suited US Air Force officers operate drones that hover above “zones of interest” in the Middle East. At the press of a button, tiny targets viewed on computer screens vanish in plumes of smoke, as in a videogame. Egan (Ethan Hawke) used to live to fly. Now, he spends eight hours each day fighting the War on Terror by remote control and the remaining time at his suburban home, where he feuds with his wife (Mad Men’s January Jones), and numbs his boredom, rage, and guilt with alcohol. When Egan and his crew are told to start taking orders directly from the CIA — which selects its targets based not on personal profiles but patterns of activity — the notion of a “good” kill becomes even more maddeningly abstract, and Egan’s ability to comply with his superiors’ directives reaches its breaking point.
Glom Gazingo, and welcome to Oscar night 2015! Jamie “The Dew Over” Dew joins us on the couch for our annual slate of mini-podcasts recorded throughout the telecast, as the Academy of Motion Picture Arts and Sciences hands out the golden trophy to the favourites among themselves. Plus, special guest stars Sasha and Max! Join us for this omnibus edition of our evening’s activities. Would you like to know more…?
Well that came out of nowhere! Mamo looks at American Sniper‘s perfectly-fired magic bullet, which hit the Academy, the audience, and about a billion think-piece writers in a single shot. Afterwards, we delve into Supergirl, #XFiles2015, and the equally magic, equally bullet-shaped Joaquin Phoenix.
Oscar Nomination Day is like Mamo Christmas! We get together at the pub for a quick discussion of the noms for 2014, while nomming the food that continuously arrives throughout the show. Plus, both Price and Brown announce their side projects because clearly this marriage has gotten old. It’s Mamo!