Director: Ava DuVernay (Middle of Nowhere, The Door)
Writer: Paul Webb
Producers: Cassandra Kulukundis, Todd J. Labarowski, Emanuel Michael
Starring: David Oyelowo, Carmen Ejogo, Wendell Pierce, Lorraine Toussaint, Tom Wilkinson, Giovanni Ribisi
MPAA Rating: PG-13
Running time: 127 min.
Sometimes there’s a sense that a movie is succeeding because of its timeliness and little more. It’s why there are instances of multiple biopics vying to be first out the door after a subject’s death but sometimes, it’s a little more abstract than that. That certainly appears to be the case with Ava DuVernay’s Selma which was in production long before the events of Ferguson ever happened but in the wake of that national disaster, Selma is likely to become a rallying cry for change and it’s a damned fine one at that.
Written by newcomer Paul Webb, Selma picks up in early 1965. LBJ is in office and he has a pretty good relationship with Martin Luther King Jr.. In one particular meeting, King pushes for change, namely in the ability of African Americans to vote. Johnson argues there are more important issues to deal with; he has a different agenda. King pushes ahead with the argument and along with the leaders of the Southern Christian Leadership Conference, the group take action and their next fight to Selma, Alabama. A ripe territory for a showdown.
Du Vernay’s film isn’t simply a retelling of the events leading up to what happened in Selma. It’s also a portrait of a man who has been fighting for a long time. A man who is tired; a man who feels defeated; a man who leads but does not go on alone. Webb’s portrait of King gives the good with the bad. The film shows King to have been a great preacher, a man who could mobilise masses, but it also doesn’t shy away from King’s troubles; his infidelities, his indecision, his feeling of defeat and fighting an unwinnable fight. Mostly it creates the picture of a man who led a movement but who was only human. A man who relied on the supported by the people around him to succeed.