Director: Michael Dudok de Wit
Screenplay: Michael Dudok de Wit, Pascale Ferran
Starring: Emmanuel Garijo, Tom Hudson, Baptiste Goy
Country: France, Belgium, Japan
Running Time: 80 min
BBFC Certificate: 12
I‘m an absolute sucker for animated films, so watch and enjoy a great deal of them. My favourite director has long been Hayao Miyazaki and the work he does, as well as that of Studio Ghibli, the production company he co-founded, is always classed as ‘must see’ in my household as I consider their output some of the best of the format. Michael Dudok de Wit’s The Red Turtle is only partly produced by Studio Ghibli, but its strong reviews have kept it firmly at the top of my ‘to watch’ list ever since I became aware of it. I frustratingly missed a couple of opportunities to see it on the big screen, but finally my chance came to watch the film when I was offered a screener to review, so I cranked up my projector and settled down, trying but failing to dampen my expectations in case of disappointment.
The Red Turtle opens with a nameless man struggling to keep hold of a capsized boat during a terrible storm, before later waking up on a desert island, the shattered remnants of his boat largely washed away. He survives as best he can and soon attempts to leave the island, stringing bamboo trunks together to form a small raft. This gets smashed by an unknown force under the water, so he swims back to shore and later tries again. His second raft gets destroyed again by a similar unseen underwater attacker. Then, on his third attempt, he catches his assailant in the act. It’s a large red turtle, who follows the man back to the island. In his anger and frustration, the man takes a large piece of wood and beats the turtle, then flips it on its back to die in the baking sunlight. After a while, the man realises what he’s done though and tries to nurse the animal back to life. Instead what happens takes the film in a fantastical direction, as the turtle turns into a woman. She can’t speak and still has some turtle-like characteristics, but the man falls in love with her and the pair decide to stay put, prompting the film to shift forward in time a couple of years to reveal they now have a young son. We then follow their lives as a family and watch the development of the boy into a man, who sets his sights beyond the island.