Director: Gilles Paquet-Brenner (Sarah’s Key, Walled In, UV)
Novel: Gillian Flynn
Producers: Azim Bolkiah, A.J. Dix, Matt Jackson, Beth Kono, Stéphane Marsil, Matthew Rhodes, Cathy Schulman, Charlize Theron
Starring: Charlize Theron, Sterling Jerins, Nicholas Hoult, Christina Hendricks, Corey Stoll, Tye Sheridan, Chloë Grace Moretz
MPAA Rating: R
Running time: 113 min.
For an alternate take, Kurt’s festival review of the film can be found here.
After Gillian Flynn’s third novel, Gone Girl, and its subsequent David Fincher film adaptation, took the world by storm, it was only a matter of time before her two previous works were adapted to the screen in one form or another. While her debut work, Sharp Objects, is still in the process of being turned into a television series, the film adaptation of middle child Dark Places has finally been released after having been shot almost two years ago, and the results are less than impressive. Often times writers aren’t usually the best option when it comes to translating their work from the page to the screen, but with Gone Girl Flynn demonstrated a ruthless pragmatism in terms of what needed to be altered and excised for the new medium. Her hands are sorely missed in Dark Places, as director Gilles Paquet-Brenner (Sarah’s Key) takes on adapting duties as well, and misses the mark by a thousand miles.
Dark Places tells the exceptionally bleak story of Libby Day (Charlize Theron), the survivor of the brutal massacre of her family decades earlier, for which her brother Ben (Corey Stoll) was convicted, largely based on her testimony. Libby has coasted through her life of squalor on the donations of people who felt sorry for the poor young girl ever since, as well as payment from a hokey tell-all that she’s never read, let alone had actually written. As her finances begin to dry up, she realizes that the only people left who even care about this old tragedy are those belonging to a seedy underground society called The Kill Club. Led by Lyle Wirth (Nicholas Hoult), this group of makeshift detectives is obsessed with grisly true crimes, with Lyle in particular leading a faction to try and discover what truly happened that night at Libby’s Kansas farm so many years ago. Desperate for cash, Libby agrees to help Lyle investigate the truth and see if they can help free the brother who she helped put away. If he’s truly innocent, that is.
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