Friday One Sheet: Blue Velvet @ 30

Arguably the best film if 1986, and one of the most interesting American films of the 1980s, David Lynch was stung pretty hard with his Studio experience with the big budget flop of Dune in 1984, so he made a very small, very probing art-film inquiry into the small town American experience. Blue Velvet turns 30 this year in September, and there is a planned theatrical re-release to celebrate this. Unlike the US marketing which favoured the established stars, Isabella Rossellini and Dennis Hopper in the promotional artwork (where white picket-fence imagery also abounds), the Italians decided to market the film like a Giallo, and this poster which looks more like a full blown horror-thriller (which it often is!) I do not recall any scene in the movie involving a pool table, but the internet tells me there was indeed a scene that was cut out of the film, but left in the European where this designer decided to make the image a wee bit exploitive for marketing purposes. The scene is now included in the delete scene collection on the 2012 release of the Blu Ray.

The re-release trailer is tucked under the fold.

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Cinecast Episode 430 – The Full Dumbo

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Sickness and technology wreaked havoc upon the third row these past couple of weeks in terms of getting a fresh Cinecast on the air. But through their tenacity and courage, Kurt and Andrew managed to pull some strings and finally have a meeting of the minds to discuss cinema’s latest output of horror and crime. We get into the ins and outs of Robert Eggers’ The VVitch and try to nail down all of the issues that the internet vultures seem to have (or not have) with the film. Up next, we had a good time with John Hillcoat and his star-studded cast in the refreshing, Triple 9. Of course, it was Oscar week and though Kurt sat out on the telecast, both of the boys have plenty to say on the presentation and some of the awards (not) given. This discussion includes some fun “what-ifs” of the Academy’s choices over the past 30 years; inspired by Kurt’s Oscar Article.

From there we move to The Watch List in which it’s just a buzz through of the millions of films Andrew sat through while bed-ridden over the course of the last week, but we do have a fair bit to say on Kurt’s binge watching of season 2 of Steven Soderbergh’s “The Knick.” Why no one is watching and talking about this thing defies belief.

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!

We’re now available on Google Play!

 

 
 

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After the Hype #130 – Doctor Who: Season 9

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The Doctor will see you now! We’re joined by returning guest Tom and special guests Michele Boyd and Mari Provencher to discuss SEASON 9 of DOCTOR WHO. Bask in the glory of Capaldi as he makes us fall in love with The Doctor all over again, but ignore the sonic shades.

MICHELE BOYDYOUTUBE | INSTAGRAM | TWITTER
MARI PROVENCHERWEBSITE | ETSY

 

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“The Prisoner” A microPodcast (vol. 5 – final)

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Kurt Halfyard & Nat Almirall swap their togas for khakis, jackets, the occasional blue turtleneck, and suave buttons to bring you another microcast, this time focusing on the celebrated, allegorical, and surreal 1967 series The Prisoner.

Conceived by the enigmatic Patrick McGoohan, “The Prisoner” follows a British ex-spy who ‘privately, personally, and by hand’ resigns his post only to be gassed and spirited to a bizarre Village, a place where all the other peculiar inhabitants are identified by numbers and overseen by an ominous, but ever revolving Number 2. As the spy, now renamed Number 6, seeks an escape, Number 2, ‘by hook or by crook,’ attempts to uncover the reason for Number 6’s resignation.

Join Numbers K & N as they break down each of the 17 episodes, unraveling the metaphors, tracking Number 6 on the Dickishness Behavior Scale, engaging in a bit of the ultra passive-aggressiveness, and lavishing praise on the monolithic Leo McKern.

What do the Cold War, Lewis Carroll, Gay Barry Goldwater, and Lava Lamps(tm) have in common? What is the best way to escape from being tied to a chair? How do you make a Village Iced Tea? And what is up with those umbrellas? Listen in, and then you will know everything…

ALL SEVENTEEN episodes are now available for streaming (see table of contents below) or in the RowThree podcast feed to send to whatever listening device you prefer:

 

Trailer: Ghostbusters 2016. Why Is This A Thing That’s Happening?

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The biggest question you’ve got to ask yourself is, “why?”

This looks seriously terrible. Which is too bad as I’m a pretty big Kristin Wiig fan and I’ve also really come to appreciate Kate McKinnon as well. Melissa McCarthy’s shtick has worn thin, however, and Paul Feig’s output, in my opinion, has always been pretty weak. The dialogue and chemistry in this trailer flat line for me, and almost insulting to the original film.

I have nothing further to say on the matter except that I will not be seeing this theatrically — unless by some miracle the reviews are absolutely stellar.

Enjoy being 60% bored, 10% confused and 30% insulted for the next two and a half minutes…

List: ‘Best Picture’ Oscar versus ‘Significant Cultural Value’

After skipping this years Academy Awards last weekend, but nonetheless reading a lot about them online the next day, I started thinking about how much I enjoyed Spotlight (it’s fantastic), but also how much we will be talking about the film in 5 years or so. The Oscars have the reputation amongst, well, everyone, that in the past decade (or three) of getting the Best Picture so utterly wrong. Now this argument may be extended all the way to the inception of Best Picture in the 1920s, and the primary question about the futility of ranking of art is: By what criteria makes any one movie the best one of the year? Not so easy, but films that resonate, have been lifted into significance over time, and otherwise tickle the popular culture in interesting ways.

Will all due respect to The Dew Over podcast, which had guests (including myself) on a panel re-assess each year (one per episode) of the past several deacades, typically -but not always- in the context of the 5 or so Academy nominations for Best Picture, I took some time to consider the innovation value, cultural imprint, the overall ‘force of contribution’ to the medium of film for any film released in that year, from any country. (This is, obviously, as I see it, of course, not by any ‘scientific or consensus metric.)

I took a look at 1980 up until 2011. These dates were chosen because they constitute my main personal time consuming movies, as well as me living during their release. I was 6 in 1980, and my parents started taking me to movies often (weekly) at about that time, especially to films that were inappropriate for my age, but I digress. I have omitted the last few years due to the need for a little time and space for things to percolate in the culture. Feel free to discuss in the comments section (Obvious Disclaimer: Clearly this is more a fun exercise than a definitive one — because that ultimately is a futile effort, there is so MUCH content in this art-form we call film to really pin anything down, but us humans like our reach to exceed our grasp.)

The format is simple. I list the film awarded by the Academy for Best Picture, then I list what I believe is the ‘best representative’ of that year (yes it is slanted towards American cinema, sue me) and I list a ‘dark horse’ choice to keep things interesting.

1980
The Best Picture Oscar – Ordinary People
More Significant Film of Lasting Cultural Value – THE SHINING
Dark Horse Pick – The Empire Strikes Back (Also: Raging Bull)

1981
The Best Picture Oscar – Chariots of Fire
More Significant Film of Lasting Cultural Value – RAIDERS OF THE LOST ARK
Dark Horse Pick – Excalibur

1982
The Best Picture Oscar – Gandhi
More Significant Film of Lasting Cultural Value – BLADE RUNNER
Dark Horse Pick – Fitzcarraldo

1983
The Best Picture Oscar – Terms of Endearment
More Significant Film of Lasting Cultural Value – RETURN OF THE JEDI (Star Wars)
Dark Horse Pick – Tender Mercies (Also: The Right Stuff)

1984
The Best Picture Oscar – Amadeus
More Significant Film of Lasting Cultural Value – AMADEUS
Dark Horse Pick – Paris, Texas

1985
The Best Picture Oscar – Out of Africa
More Significant Film of Lasting Cultural Value – BRAZIL
Dark Horse Pick – Back To The Future

1986
The Best Picture Oscar – Platoon
More Significant Film of Lasting Cultural Value – BLUE VELVET
Dark Horse Pick – The Mosquito Coast

1987
The Best Picture Oscar – The Last Emperor
More Significant Film of Lasting Cultural Value – FULL METAL JACKET
Dark Horse Pick – Broadcast News

1988
The Best Picture Oscar – Rain Man
More Significant Film of Lasting Cultural Value – THE LAST TEMPTATION OF CHRIST
Dark Horse Pick – Grave of The Fireflies

1989
The Best Picture Oscar – Driving Miss Daisy
More Significant Film of Lasting Cultural Value – DO THE RIGHT THING
Dark Horse Pick – The Killer

1990
The Best Picture Oscar – Dances With Wolves
More Significant Film of Lasting Cultural Value – GOODFELLAS
Dark Horse Pick – The Sheltering Sky

1991
The Best Picture Oscar – The Silence of the Lambs
More Significant Film of Lasting Cultural Value – THELMA AND LOUISE
Dark Horse Pick – Barton Fink

1992
The Best Picture Oscar – Unforgiven
More Significant Film of Lasting Cultural Value – UNFORGIVEN
Dark Horse Pick – Raise The Red Lantern

1993
The Best Picture Oscar – Schindler’s List
More Significant Film of Lasting Cultural Value – NAKED
Dark Horse Pick – The Piano

1994
The Best Picture Oscar – Forrest Gump
More Significant Film of Lasting Cultural Value – PULP FICTION
Dark Horse Pick – Chungking Express

1995
The Best Picture Oscar – Brave Heart
More Significant Film of Lasting Cultural Value – SAFE
Dark Horse Pick – 12 Monkeys

1996
The Best Picture Oscar – The English Patient
More Significant Film of Lasting Cultural Value – FARGO
Dark Horse Pick – Trainspotting (Also: Crash)

1997
The Best Picture Oscar – Titanic
More Significant Film of Lasting Cultural Value – THE ICE STORM
Dark Horse Pick – Princess Mononoke

1998
The Best Picture Oscar – Shakespeare In Love
More Significant Film of Lasting Cultural Value – OUT OF SIGHT
Dark Horse Pick – The Big Lebowski

1999
The Best Picture Oscar – American Beauty
More Significant Film of Lasting Cultural Value – FIGHT CLUB
Dark Horse Pick – Eyes Wide Shut

2000
The Best Picture Oscar – Gladiator
More Significant Film of Lasting Cultural Value – IN THE MOOD FOR LOVE
Dark Horse Pick – Memento

2001
The Best Picture Oscar – A Beautiful Mind
More Significant Film of Lasting Cultural Value – FELLOWSHIP OF THE RING (LORD OF THE RINGS)
Dark Horse Pick – Mulholland Drive

2002
The Best Picture Oscar – Chicago
More Significant Film of Lasting Cultural Value – CATCH ME IF YOU CAN
Dark Horse Pick – City of God

2003
The Best Picture Oscar – Return of the King (Lord of the Rings)
More Significant Film of Lasting Cultural Value – MASTER & COMMANDER
Dark Horse Pick – Lost In Translation

2004
The Best Picture Oscar – Million Dollar Baby
More Significant Film of Lasting Cultural Value – ETERNAL SUNSHINE OF THE SPOTLESS MIND
Dark Horse Pick – Birth

2005
The Best Picture Oscar – Crash
More Significant Film of Lasting Cultural Value – BROKEBACK MOUNTAIN
Dark Horse Pick – Cache

2006
The Best Picture Oscar – The Departed
More Significant Film of Lasting Cultural Value – THE PRESTIGE
Dark Horse Pick – Children of Men

2007
The Best Picture Oscar – No Country For Old Men
More Significant Film of Lasting Cultural Value – ZODIAC
Dark Horse Pick – There Will Be Blood

2008
The Best Picture Oscar – Slumdog Millionaire
More Significant Film of Lasting Cultural Value – MAN ON WIRE
Dark Horse Pick – Synecdoche, New York

2009
The Best Picture Oscar – The Hurt Locker
More Significant Film of Lasting Cultural Value – INGLOURIOUS BASTERDS
Dark Horse Pick – Enter The Void (Also: A Serious Man)

2010
The Best Picture Oscar – The King’s Speech
More Significant Film of Lasting Cultural Value – THE SOCIAL NETWORK
Dark Horse Pick – Scott Pilgrim Vs. The World (Also: Melancholia)

2011
The Best Picture Oscar – The Artist
More Significant Film of Lasting Cultural Value – TREE OF LIFE
Dark Horse Pick – We Need To Talk About Kevin

Please chime in with something obvious wrong, or a key title(s) I missed for each year.

Say true: Behold, Roland Deschain of Gilead. And I say thankee-sai.

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And, as rumored, Matthew McConaughey is signed on as the mysterious Man in Black. Entertainment Weekly as well as King, Elba, and McConaughey all confirm the news.

Filming on the first of what will hopefully be many The Dark Tower films begins in South Africa in seven weeks and Sony Pictures is aiming for a Jan. 13, 2017 release date.

If you’re unfamiliar with the seven novels by Stephen King, you’re weird. But I’ll be helpful and republish EW’s description:

For those who haven’t turned the pages of The Dark Tower books, they tell the story of the fallen land of Mid-World through the eyes of Roland Deschain, a sort of frontiersman knight whose primary weapon is not a sword but a pair of revolvers. He’s on a quest to save his decaying world by reaching the tower that stands at the nexus point in time and space.

The man in black – a devil who goes by many names, but mostly Walter Padick or Walter O’Dim – is an ageless deceiver and sorcerer who also seeks to reach the tower and rule over its seemingly infinite kingdoms.

To complete his journey, Roland must call on help from our world, drawing a junkie named Eddie, an amputee named Susannah, and a young boy named Jake into his realm to be part of his ka-tet – the term for a group brought together by destiny. Their yellow brick road is one of the six invisible beams that hold Roland’s world together – and lead directly to the tower itself.

Other details are still under wraps, but the article suggests the films will not necessarily follow the order of the books (likely for cinematic as well as budgetary reasons). Furthermore, rumors are already swirling as to the companion television series following the flashback storyline of book four’s Wizard and Glass–but the series’s future development will likely depend on the success of the first film.

Whatever. It’s Idris Elba, man. IDRIS ELBA!

Mamo 438: Oscars So What?

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Mamo’s annual Oscar night party is here! As usual, we scatter a series of short minisodes across the evening, collected here in omnibus format – it’s like watching the show with us in real time, only without the 4 hour exhaustion factor, or any farting. Joined by a veritable galaxy of guest stars, it’s the one night of Mamo you don’t want to miss! Except that you did miss it, if you’re downloading this and listening to it after the fact. Well done genius.