Director: Andrei Tarkovsky
Screenplay by: Aleksandr Misharin, Andrei Tarkovsky, Arseniy Tarkovskiy (poems – uncredited)
Starring: Margarita Terekhova, Filipp Yankovskiy, Ignat Daniltsev
Country: Soviet Union
Running Time: 105 min
BBFC Certificate: U
My planned journey through the work of the great Russian director Andrei Tarkovsky continues with his fourth feature, Mirror (a.k.a. The Mirror or Zerkalo). I skipped Andrei Rublev because I’d already seen it and with its epic length I figured I had enough on my plate with the other six of his films Artificial Eye are re-releasing on DVD and Blu-Ray in the UK. I should hopefully be covering Solaris soon – it was made after Mirror, but I’m reviewing these in the order in which they’re being re-released.
Mirror unfolds as a series of memories, as a dying man, Aleksei (voiced by Innokentiy Smoktunovskiy), recalls his childhood, particularly time with his mother, as well as his relationship with his wife/partner and son, and other moments in his life which stood out. It’s supposedly quite a personal work for the director, touching on some aspects of his own life. His father provides the poetry read out over various scenes too. The history of Russia during the time of his life is supposedly examined, but my knowledge of this is minimal so this aspect was lost on me.
So, as the description probably alludes, the film reminded me a lot of Tree of Life. Like Terrence Malick’s film, this eschews an obvious narrative for a collection of fragments of life in all its forms – love, fear, sadness, joy, albeit without the dinosaurs and big bang sequences. In particular, Mirror examines how those around us (largely our parents) help make us what we are, possibly more than we do ourselves, and how our actions affect our children’s lives and personalities. These themes are particularly prevalent due to the fact that the focus of most of the scenes seem to be on Aleksei’s mother, wife and occasionally son, more than on the man himself.