The Western is alive and kicking. Having been adapted to Southern Europe in the 1960s with a flood gate of Italian and Spanish ‘Spaghetti’ entries, and more recently to northern Europe with 2005’s Belgian Vincent Cassel vehicle, Blueberry, and also this year, Let The Corpses Tan. Australia and New Zealand (The Proposition, Red Hill and Slow West) have gotten into the mix in the 21st century, as has Asia (South Korea’s Kimchi-Western The Good The Bad And The Weird, and the recent Japanese remake of Oscar winner, Unforgiven). Now it is time for the classic American genre to drop its saddle bags in Africa.
Near the colonial town of Marseilles in the rugged Eastern Cape of South Africa, a group of rebellious friends dubbed the Five Fingers use well-placed eggs and slingshots to drive off the oppressive police force. But when the cops seize quick-tempered Tau’s childhood love, Lerato, he goes from throwing eggs to shooting bullets. Scared of capture or worse, Tau flees, returning 20 years later to a town, and friends, transformed by the violence caused that day. With the crooked cops now replaced by a caustic gang, Tau must marshal what remains of the Fingers to once again defend their home.
South Africa’s Five Fingers for Marseilles is burning up with style and intensity. If I were attending TIFF this year (sadly, I am not) it would be high on my list of things to see. The trailer is below.