Trailer #2: Ghostbusters

Ghostbusters

Less Kate McKinnon (sad-face), more ghosts (happy face). The new trailer continues the aspect of the marketers addressing the online imbroglio about gender (and concert stage diving in the 21st century). If you have not had the pleasure, it seems that conversation on the internet about this forthcoming Ghostbusters reboot quickly veers into mass hysteria; please keep it civil in the comments section, folks.

Trailer: Hell or High Water

I love a good modern western, be it No Country For Old Men or A History of Violence, films that take a lot of the themes of the genre and yet are set in modern times, with a contemporary look. Here we have Chris Pine and Ben Foster playing brothers with some financial problems they feel can be solved by robbing banks. Jeff Bridges plays the aging sheriff looking to get to the bottom of the mystery. It’s all soaked with honeyed cinematography, masculinity (facial hair, and crude language abound) and a fair amount of desperation. Nothing particularly original here, but the pleasure of this kind of movie is in the details.

Hell or High Water is written by Taylor Sheridan, fresh off Sicario, scored by Nick Cave and Warren Ellis, and has a lot of pedigree for a simple story. Just the way I like it.

A story about the collision of the Old and New West, two brothers—Toby, a straight-living, divorced father trying to make a better life for his son; and Tanner, a short-tempered ex-con with a loose trigger finger—come together to rob branch after branch of the bank that is foreclosing on their family land. The hold-ups are part of a last-ditch scheme to take back a future that powerful forces beyond their control have stolen from under their feet. Vengeance seems to be theirs until they find themselves in the cross-hairs of a relentless, foul-mouthed Texas Ranger looking for one last triumph on the eve of his retirement. As the brothers plot a final bank heist to complete their plan, a showdown looms.

Trailer: Studio Ghibli’s The Red Turtle

The Red Turtle

It seems now that Japan’s Studio Ghibli is awaiting auteurs to step up on native soil, they have turned to some international co-productions to keep the lights on. If Dutch director Michaël Dudok de Wit is any indication of this new collaboration arrangement, I am happy to see the direction things go. The Red Turtle looks gorgeous, has a hand animated aesthetic, with a flair for visual and emotional storytelling. The film premiers at Cannes this week. The trailer is below.

Trailer: Hell or High Water

I love a good modern western, be it No Country For Old Men or A History of Violence, films that take a lot of the themes of the genre and yet are set in modern times, with a contemporary look. Here we have Chris Pine and Ben Foster playing brothers with some financial problems they feel can be solved by robbing banks. Jeff Bridges plays the aging sheriff looking to get to the bottom of the mystery. It’s all soaked with honeyed cinematography, masculinity (facial hair, and crude language abound) and a fair amount of desperation. Nothing particularly original here, but the pleasure of this kind of movie is in the details.

Hell or High Water is written by Taylor Sheridan, fresh off Sicario, scored by Nick Cave and Warren Ellis, and has a lot of pedigree for a simple story. Just the way I like it.

A story about the collision of the Old and New West, two brothers—Toby, a straight-living, divorced father trying to make a better life for his son; and Tanner, a short-tempered ex-con with a loose trigger finger—come together to rob branch after branch of the bank that is foreclosing on their family land. The hold-ups are part of a last-ditch scheme to take back a future that powerful forces beyond their control have stolen from under their feet. Vengeance seems to be theirs until they find themselves in the cross-hairs of a relentless, foul-mouthed Texas Ranger looking for one last triumph on the eve of his retirement. As the brothers plot a final bank heist to complete their plan, a showdown looms.

Trailer: Tickled

We have talked about Dylan Reeves and David Farrier’s investigative documentary Tickled several times on this site. I caught it at Hot Docs and loved it. Magnolia have cut a very minor spoiler-ish trailer for the film that gets you to the mouth of the ‘tickling rabbit hole’ that the film takes you down. It’s not the best trailer in the world, but the film presents unique challenges in how to cut a trailer to get bums in seats without spoiling all the surprises. Watch at your own risk.

Tickled will be in theaters June 17, 2016.

Blood Meridian negotiations announced… and collapsed.

bloodmeridian

In what might be one of the stranger things I’ve seen recently, The Hollywood Reporter published an article detailing a deal with James Franco to direct an adaptation of Cormac McCarthy’s Blood Meridian with Russell Crowe, Tye Sheridan, and Vincent D’Onofrio all in talks to join the cast.

By the time I made it home from work though, the story had changed significantly. According to Deadline:

The mooted Russell Crowe-James Franco collaboration on Cormac McCarthy’s Blood Meridien has been shelved mere moments after details of it first became public after it emerged that the filmmakers had not yet secured the rights to the novel. … [I]n a situation that highlights the precariousness of conducting film business in a instantaneous online media climate, the breaking news reports about the project appear to have derailed the fragile discussions taking place with the rights owners and the cast. This is a deeply regrettable situation. No one ever wants a story to get in the way of deals being done.

Literature buffs are either letting out a collective groan… or a sigh of relief. Some call Blood Meridian simply unfilmable and considering Franco’s lack of success on two other adaptations of “unfilmable” novels–William Faulkner’s As I Lay Dying and McCarthy’s Child of God–his name being attached likely didn’t inspire much confidence from fans of McCarthy’s work, even if the idea of D’Onofrio as the Judge would be pretty damn exciting.

As for Blood Meridian, it’s had an interesting history. As far back as 2008, we wrote about the film being adapted by Ridley Scott and then later Todd Fields (and interestingly, I speculated in another article that Scott might try to bring on board Crowe). And another director bites the dust.

What say you, internet?

See also: Mike Rot’s 2008 Cormac McCarthy Mix-Tape and my review of 2011’s McCarthy adaptation The Sunset Limited.

Trailer: Weiner

anthonyweiner

He was supposed to be the hero the Democratic Party needed. Charming. Funny. Brash. A progressive white knight in a sea of political darkness. He was the party’s future. You could see his path to the White House.

Then, he had to go and tweet that dick pic.

The joke wrote themselves. A resignation from Congress and two years later, he then decided to run for Mayor of New York… and people have forgiven him. He was even topping the polls. People trusted Weiner again.

Enter Carlos Danger.

Look, if this is all a little confusing to you… that’s fine. It’d probably be better to see his fall, his subsequent rise, and then his mind-boggling second fall with fresh eyes.

If you’re only even mildly interested in politics, this looks to be an instant classic. The trailer looks dynamite.

Weiner will be in theaters May 20, 2016 and Video on Demand on May 26.

Trailer: Cash Only

CashOnly

I fell pretty hard for Malik Bader’s Detroit set, ethnic Albanian crime drama Cash Only when I caught it at last years edition of Fantasia. It is gritty, high energy, and bleakly funny in a way that recalls Nicolas Winding Refn’s Pusher Trilogy (particularly the 1990s-shot first film).

Elvis Martini is in deep shit. His dilapidated Detroit apartment building is about to be foreclosed on by the bank, most of his tenants are behind on rent, and he’s in big debt to bookies in the dangerous Albanian underworld. The only light in his dark world is his nine-year-old daughter, Lena; he’s in debt to her school, too. Elvis finds some ill-gotten cash in an evicted tenant’s apartment and is able to briefly keeps the wolves at bay, but he soon learns that the money belonged to an even bigger wolf – one that wants his stolen money back. When Lena is kidnapped by the mysterious menace he’s accidentally messed with, Elvis has 24 hours to come up with $25,000 to save his daughter’s life: cash only.

Small distributor FilmBuff is giving the film a well deserved cinema and VOD release on May 13. The trailer is below.

Trailer: The Magnificent Seven

Oooh, MGM Logo!

Hit and miss action-director Antoine Fuqua (Training Day, King Arthur, Olympus Has Fallen) has gone and remade The Magnificent Seven.

The 1960 version was itself, of course, a remake of Kurosawa’s bonafide cinema classic Seven Samurai.

Sony Pictures has assembled a superb cast consisting of Denzel Washington (in full Yul Brenner black attire), Chris Pratt (doing his thing), Ethan Hawke (with a mighty beard), Vincent D’Onofrio (Onofrissance!), Byung-Hun Lee (no stranger to western remakes, with his villainous turn in Kim Ji-Woon’s The Good The Bad and The Weird), and Peter Sarsgaard (always welcome in anything, particularly as a bad guy) combined with a sizable budget have yielded a frothy, high octane unabashedly modern version of the story looking to capitalize on the star power and production values that this property, in all its incarnations, has always had. I could do without the crap cover of House of the Rising Sun, in the below trailer, but that is just personal taste, this looks like a solid popcorn western. Maybe this will be the one to break the curse of westerns at the box-office.

You know the story: A small frontier town of desperate townspeople employ the protection from seven outlaws, bounty hunters, gamblers and hired guns who for a violent showdown that they know is coming.