This little slice of nastiness from John Hillcoat (The Proposition, The Road), a director who knows his way around balancing bleak and heart, looks to be pushing the envelope of Sicario and Training Day as far as it can go.
Triple 9 has elements of the militarization of police, the war of attrition with crime and violence (severed heads abound), and everyone thrown into the blender. Props to whoever came up with the kids ‘this little piggie’ to score this trailer, because it is damn effective with the imagery on display.
The cast is beyond stacked: Woody Harrelson, Chiwetel Ejiofor, Norman Reedus, Casey Affleck, Aaron Paul, Anthony Mackey, Gal Gadot, Clifton Collins Jr., and somewhere in there is Kate Winslet. All stuck in John Hillcoat’s murky grime. I cannot wait to wade into this urban warzone in February 2016.
With all the excitement for fast cars, flying super heroes, dinosaurs and international spies each summer, some of us who enjoy our slow burn stories from the 19th century have to consider ourselves lucky if we get one western picture (from a big studio) in a year. But saddle up pardner, this year we get/got several. And if the quality of Slow West, The Keeping Room and The Salvation (and some might consider Far From Men or The Homesman 2015 western releases) is any indication, the two we’ve got coming up from Quentin and Craig Zahler are going to be real treats.
Bone Tomahawk brings Kurt Russell back into the western genre and also stars Richard Jenkins, Patrick Wilson, Matthew Fox and holy shit it’s Sean Young!
Though this is a directorial debut from Zahler, this trailer has gotten me pretty excited to get my boots dusty with Bone Tomahawk in between all of the explosive mega-blockbusters coming in this last gasp of 2015.
The latest 007 adventure is going to land in theatres in about a month (a week or so earlier if you are on the other side of the pond), and the final trailer is here to emphasize action, action and more action. With a garnish of Christoph Waltz.
Bears, Hypothermia, Buried Alive and Tom Hardy, O My! Leonardo DiCaprio goes full on Grizzly Adams in Alejandro González Iñárritu’s long take snow-caked visceral revenge western. We were teased earlier this year with the bleak gorgeous images and ambitious shot-length strategy of the film earlier this year, but this new trailer offers a lot more Tom Hardy, who plays the villain of the piece, and a fair bit more of the plot of the film.
After being left for dead and buried alive after a bear attack, Hugh Glass (A Grizzly Adams bearded Leonardo DiCaprio) seeks out the sonuvabitch (Tom Hardy) who also had a hand in murdering his son. Vengeance and long-take action sequences ensue.
The whole thing looks to be gloriously next-level-big-canvas epic, as Alejandro González Iñárritu continues his mission (along with his Mexican cohort, Alfonso Cuaron) to re-evaluate film grammar and the long take the digital age of cinema.
Now this is how you cut a trailer. I know nothing about the black and white indie horror film Darling except, “something beyond comprehension is happening to a girl in this city, inside this house,” and that the film is produced by Larry Fessenden’s Glass Eye Pix label which consistently puts out quality indie films, from Ti West to Kelly Reichardt. I’m in.
Clever, sharp, funny, maybe mean spirited, this is Jake Gyllenhaal in his prime, and it appears that Jean-Marc Vallée sees fit to channel this energy into his latest film, Demolition. Frappé this together with music introspection and metaphor, and you have the film that is opening this years Toronto International Film Festival. Hopefully it is not too sentimental in the end.
Delightlfully unorthodox, and gorgeous to boot, Dogtooth director Yorgos Lanthimos’ english language debut, The Lobster, gets a new trailer in which Colin Farrell’s pants are too tight, he flirts with Rachel Weisz and he walks his brother around on a leash. All of this deadpan weirdness is perfectly in sync with the music.
Searing violin, critical exclamations (“Erotic”, “Perverse”, “Brilliant!”) and a beautiful rhythm all make the brief trailer for François Ozon’s one of the best I’ve seen in a while. Everything seems heightened in a way that Alfred Hitchcock probably would have loved.
A young woman’s closest friend, passes away leaving behind a husband, and a newborn baby. One day she drops by his house unexpectedly, and finds him dressed in his dead wife’s clothes and feeding their baby with a bottle. He explains that his dead wife was well aware of his predilection, and eventually, so relieved that he has someone to share his secret with he begins to identify more strongly as a female this leads to confusing and conflicting feelings.
The film premiered at TIFF almost a year ago, today, and it is getting a US theatrical release on September 18, 2015.
Paolo Sorrentino has been a darling on the festival circuit in the past few years with both 2008’s Il Divo and 2013’s The Great Beauty. The latter of which walked home with the Best Foreign Language Oscar of that year.
Here he has oldsters, played by Michael Caine and Harvey Keitel ,struggling with retirement (or rather, impending retirement) at a boutique hotel in the Alps. The trailer for his latest, Youth, angles it as both an emotional and a pedantic experience. That sounds about right. Rachel Weisz, Paul Dano and Jane Fonda also star.
The film certainly looks gorgeous, was well received at Cannes, is playing on this side of the pond at TIFF, and opens commercially in December.
Fred and Mick, two old friends, are on vacation in an elegant hotel at the foot of the Alps. Fred, a composer and conductor, is now retired. Mick, a film director, is still working. They look with curiosity and tenderness on their children’s confused lives, Mick’s enthusiastic young writers, and the other hotel guests. While Mick scrambles to finish the screenplay for what he imagines will be his last important film, Fred has no intention of resuming his musical career. But someone wants at all costs to hear him conduct again.