Trailer #2: Ghostbusters

Ghostbusters

Less Kate McKinnon (sad-face), more ghosts (happy face). The new trailer continues the aspect of the marketers addressing the online imbroglio about gender (and concert stage diving in the 21st century). If you have not had the pleasure, it seems that conversation on the internet about this forthcoming Ghostbusters reboot quickly veers into mass hysteria; please keep it civil in the comments section, folks.

Trailer: Hell or High Water

I love a good modern western, be it No Country For Old Men or A History of Violence, films that take a lot of the themes of the genre and yet are set in modern times, with a contemporary look. Here we have Chris Pine and Ben Foster playing brothers with some financial problems they feel can be solved by robbing banks. Jeff Bridges plays the aging sheriff looking to get to the bottom of the mystery. It’s all soaked with honeyed cinematography, masculinity (facial hair, and crude language abound) and a fair amount of desperation. Nothing particularly original here, but the pleasure of this kind of movie is in the details.

Hell or High Water is written by Taylor Sheridan, fresh off Sicario, scored by Nick Cave and Warren Ellis, and has a lot of pedigree for a simple story. Just the way I like it.

A story about the collision of the Old and New West, two brothers—Toby, a straight-living, divorced father trying to make a better life for his son; and Tanner, a short-tempered ex-con with a loose trigger finger—come together to rob branch after branch of the bank that is foreclosing on their family land. The hold-ups are part of a last-ditch scheme to take back a future that powerful forces beyond their control have stolen from under their feet. Vengeance seems to be theirs until they find themselves in the cross-hairs of a relentless, foul-mouthed Texas Ranger looking for one last triumph on the eve of his retirement. As the brothers plot a final bank heist to complete their plan, a showdown looms.

Trailer: Studio Ghibli’s The Red Turtle

The Red Turtle

It seems now that Japan’s Studio Ghibli is awaiting auteurs to step up on native soil, they have turned to some international co-productions to keep the lights on. If Dutch director Michaël Dudok de Wit is any indication of this new collaboration arrangement, I am happy to see the direction things go. The Red Turtle looks gorgeous, has a hand animated aesthetic, with a flair for visual and emotional storytelling. The film premiers at Cannes this week. The trailer is below.

Trailer: Hell or High Water

I love a good modern western, be it No Country For Old Men or A History of Violence, films that take a lot of the themes of the genre and yet are set in modern times, with a contemporary look. Here we have Chris Pine and Ben Foster playing brothers with some financial problems they feel can be solved by robbing banks. Jeff Bridges plays the aging sheriff looking to get to the bottom of the mystery. It’s all soaked with honeyed cinematography, masculinity (facial hair, and crude language abound) and a fair amount of desperation. Nothing particularly original here, but the pleasure of this kind of movie is in the details.

Hell or High Water is written by Taylor Sheridan, fresh off Sicario, scored by Nick Cave and Warren Ellis, and has a lot of pedigree for a simple story. Just the way I like it.

A story about the collision of the Old and New West, two brothers—Toby, a straight-living, divorced father trying to make a better life for his son; and Tanner, a short-tempered ex-con with a loose trigger finger—come together to rob branch after branch of the bank that is foreclosing on their family land. The hold-ups are part of a last-ditch scheme to take back a future that powerful forces beyond their control have stolen from under their feet. Vengeance seems to be theirs until they find themselves in the cross-hairs of a relentless, foul-mouthed Texas Ranger looking for one last triumph on the eve of his retirement. As the brothers plot a final bank heist to complete their plan, a showdown looms.

Trailer: Tickled

We have talked about Dylan Reeves and David Farrier’s investigative documentary Tickled several times on this site. I caught it at Hot Docs and loved it. Magnolia have cut a very minor spoiler-ish trailer for the film that gets you to the mouth of the ‘tickling rabbit hole’ that the film takes you down. It’s not the best trailer in the world, but the film presents unique challenges in how to cut a trailer to get bums in seats without spoiling all the surprises. Watch at your own risk.

Tickled will be in theaters June 17, 2016.

Trailer: Weiner

anthonyweiner

He was supposed to be the hero the Democratic Party needed. Charming. Funny. Brash. A progressive white knight in a sea of political darkness. He was the party’s future. You could see his path to the White House.

Then, he had to go and tweet that dick pic.

The joke wrote themselves. A resignation from Congress and two years later, he then decided to run for Mayor of New York… and people have forgiven him. He was even topping the polls. People trusted Weiner again.

Enter Carlos Danger.

Look, if this is all a little confusing to you… that’s fine. It’d probably be better to see his fall, his subsequent rise, and then his mind-boggling second fall with fresh eyes.

If you’re only even mildly interested in politics, this looks to be an instant classic. The trailer looks dynamite.

Weiner will be in theaters May 20, 2016 and Video on Demand on May 26.

Trailer: Cash Only

CashOnly

I fell pretty hard for Malik Bader’s Detroit set, ethnic Albanian crime drama Cash Only when I caught it at last years edition of Fantasia. It is gritty, high energy, and bleakly funny in a way that recalls Nicolas Winding Refn’s Pusher Trilogy (particularly the 1990s-shot first film).

Elvis Martini is in deep shit. His dilapidated Detroit apartment building is about to be foreclosed on by the bank, most of his tenants are behind on rent, and he’s in big debt to bookies in the dangerous Albanian underworld. The only light in his dark world is his nine-year-old daughter, Lena; he’s in debt to her school, too. Elvis finds some ill-gotten cash in an evicted tenant’s apartment and is able to briefly keeps the wolves at bay, but he soon learns that the money belonged to an even bigger wolf – one that wants his stolen money back. When Lena is kidnapped by the mysterious menace he’s accidentally messed with, Elvis has 24 hours to come up with $25,000 to save his daughter’s life: cash only.

Small distributor FilmBuff is giving the film a well deserved cinema and VOD release on May 13. The trailer is below.

Trailer: The Girl on the Train

girl-train-blunt

Paula Hawkins novel, “The Girl on the Train”, kept a helluva lot of pages turning last year. So many pages that the studios couldn’t wait to cash in on an adaptation. And here we are; only 18 months from publication and we’ve got a film with a great cast and what looks like a fairly decent budget.

Myself, I read about half the book and found the characterization (mostly of the main character) too annoying and distracting to bother continuing on with. But I wasn’t quite as reluctant to put the book tablet down once I found out a movie was coming out and starring one of my current favorite actresses in the titular role, Emily Blunt. She can pull almost anything into something watchable. Besides her, there’s Luke Evans, Allison Janney, Lisa Kudrow, Rebecca Ferguson (maybe the best part of MI:V) and Carlos rounding out an impressive cast.

The director I’m still on the fence about. He’s had a couple of critical successes and a couple of fairly unknown duds. The Help was a very well put-together, if Oscar-baity, film however and is really the only decent Jessica Chastain performance (that I’ve seen) – yeah I just said that. It will be interesting to see how the director moves away from light-hearted dramas into a full-blown, Fincher-esque thriller.

All of this to say that I guess I’m not overly excited about this. Make no mistake, they’ve got my money. I wanna see how this is pulled off; I just have my doubts is all. At any rate, the trailer is below; have a gander. The film opens wide on later this fall on October 7th.