Archive for the ‘Shorts Program’ Category

  • Shorts Program: Can We Kiss?

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    Maybe this would be better saved for Valentine’s day, but as someone recently pointed it out to me, I feel compelled to offer this to you. One of Jandy’s first Finite Focus posts involved Ms. Naomi Watts auditioning for a soapy-TV role within the nightmare that is Mulholland Dr. That scene is pretty special because it is so multi-layered in terms of acting chops. First Watts has to play the bubbly Betty Elms and then she has to play Betty acting how she feels would be best to get the role. In the same spirit, but with markedly less time for character development than a feature film, Pierre-Olivier Mornas’ 16mm short film from 11 years ago, On S’Embrasse? (Can We Kiss?) does this in a similar way. One that, as David Mamet would say, is both inevitable and surprising. It has the romance of a random encounter in a French café, and yet has a particularly acerbic irony to the whole affair. Damn, they should have shoehorned this into Paris Je T’aime despite it preceding that anthology by about a decade.

    Have a look.

  • Shorts Program: Blind Spot

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    Chirstmas is coming, and I’m feeling a bit post-apocalyptic. This reminded me of one of the best short films screened at this years edition of Toronto After Dark. Matthew Nayman’s Blindspot combines urban destruction and bad customer service to quite hilarious results. The magic of this short is the way in which things are slowly revealed within the frame. It’s a winner.

  • Shorts Program: Dr. Breakfast

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    I thought about holding this over for tomorrow’s Saturday Morning Cartoon, especially since it kind of mimics old-school cartoons to some degree, but I’m too excited that it’s online to wait even one more day. Dr. Breakfast was the last film in the animated shorts program at AFI Fest this year, and one of my favorite shorts of the whole fest (I saw three shorts programs this year). I’d just been wanting to check it out again and happened across director Stephen McNeary’s blog and discovered he’d put the whole thing online. Thanks, Stephen! It’s absurd and ridiculous, but awesome. Basically, the guy cooks a ginormous breakfast but doesn’t have anyone to share it with, then his soul breaks out through his eye (like I said, absurd) and gobbles up everything, then roams all over the earth and beyond in search of more breakfast. Meanwhile, a pair of deer care for the man’s catatonic body. It’s like 1960s cereal commercials got mixed up with A Town Called Panic and then just a little bit of Bill Plympton was sprinkled on top.

    “Don’t be difficult, man.”

  • Errol Morris’ take on the JFK Assassination, “Umbrella Man” is A Cautionary Tale of Non-Conspiracy.

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    I am a big fan of Errol Morris‘ New York Times Opinionator Blog where the documentary filmmaker can burn through 15000 words on the placement of some cannon balls on a road in Crimea in the 19th century, or about the absurdity of a man trying to make himself invisible to bank security cameras by putting lemon juice on his face. Thus, his step up to making short films for the NYT is too good to wait for Friday’s “Shorts Programme” regular feature.

    Morris’ visual essay, or rather his interotronning of an academic who wrote the wrote the definitive book on the Zapruder film, Josiah “Tink” Thompson, focuses on one one of the strange facts in the JFK assassination – a man holding an open umbrella on a beautiful sunny day, mere meters from where the President was shot. It is riveting stuff (OK, if you use Arvo Pärt’s Spiegel im Spiegel on the soundtrack and every this riveting by default, but still…) I adore Tink’s simple thesis on this man with the umbrella as a greater look at evidence, truth, and reality of history which might just be the most succinct summation of Errol Morris’ entire documentary career: “If you put any event under a microscope, you will find a whole dimension of completely weird, incredible things going on. It is as if there is the macro level of historical research where things sort of obey the natural laws and the usual things happen and unusual things don’t happen, and then there is this other level where everything is just really weird.”

    The Umbrella Man is a cautionary tale of non-conspiracy.

    The 6.5 minute short is tucked under the seat.

    » Read the rest of the entry..

  • Shorts Program: Celluloid Screams

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    The short films shown before each feature at Celluloid Screams were particularly strong this year so rather than cram reviews for them at the end of my article like I did last time I thought I’d dedicate a separate post to the 16 mini-movies we were treated to. I’ve tracked a few of them down on YouTube and Vimeo too for your enjoyment.

    Spider

    Director: Nash Edgerton, Australia, 2007, 9 min
    A simple one-gag comedy-short that works surprisingly well due to some accomplished naturalistic direction and performances. A nice touch at the end, although unnecessary, went down well with the audience too.
    (4/5)


    Brutal Relax

    Directors: Adrián Cardona & Rafa Dengrá, Spain, 2011, 15 min
    A ‘recovered’ mentally ill patient is told to rest and enjoy his summer holidays, but some unusual creatures that come from the ocean have other plans. This is silly, extremely gory fun that is a blast to begin with, but started to outstay it’s welcome. Gorehounds will love it though.
    (3/5)

    » Read the rest of the entry..

  • Shorts Program: Une nuit sur le Mont Chauve (1933)

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    Cinefamily played this animated short last week before their feature silent presentation, and I loved it. It’s a bit on the experimental side, one of the earliest films (1933) from animation pioneers Alexandre Alexeïeff and Claire Parker using their pinscreen animation technique. I don’t really understand how the pinscreen thing works – apparently there’s a screen with thousands of pins, and you make the picture by pushing some in and others out, creating shadows of different lengths when lit from the side – but this is some of the most interesting, evocative animation I’ve ever seen. I’ve always found the Fantasia version of Mussorgsky’s “Night on Bald Mountain” pretty scary, but this one is incredibly disturbing and hauntingly beautiful.

    Watch the short after the jump. I do apologize for the obnoxious logo soundbyte at the beginning.

    » Read the rest of the entry..

  • Shorts Program: Buster Keaton vs. proto-IKEA

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    Buster Keaton started off in a series of shorts with Roscoe “Fatty” Arbuckle in 1917, but soon branched out to write, direct, and star in his own short comedies. One Week is the first film he did sans Arbuckle, and you can already tell this guy is destined for greatness. It follows the first week after a pair of newlyweds tie the knot (hence the title), and deals mostly with their attempts to build their house-in-a-box, but with plenty of time for other gags as well. Take putting together IKEA furniture and multiply it by a thousand, and that’s what Keaton is dealing with here.

    Part two is under the seats.

    » Read the rest of the entry..

  • Shorts Program: Origins

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    Hey Pixar! Hire this guy, pronto.

     
     

    A creature made of scrap parts wanders though the woods until he comes across a sign that will help him discover where he belongs.

    2 minute Short Film is tucked under the seat.

    » Read the rest of the entry..

  • Shorts Program: “Bad Crowd”

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    What could be better on a Monday morning than escaping your dreaded day job for a few minutes and watching a movie? Not much. That’s why our good buddy Drew Nugent, regular reader and Cinecast listener, has uploaded his latest short film to YouTube so we can all take a look. It isn’t quite finished yet with some sound issues and what not, but the dialogue is fun and works pretty well, what with all the pop culture references and a great “hangin’ out” feel to the whole thing. Stop typing or making phone calls or building whatever you’re building and just check in a minutes with the Bad Crowd.

    Nice job Drew!

     

  • “Damn Your Eyes” [Shorts Program]

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    I reckon we’s always in the mood for a good western round these parts. Even a short one. Damn Your Eyes clearly draws inspiration from Leone’s “Man with no name” series; but I found even more of a comparison can be drawn from Robert Rodriguez’ Desperado. And as a huge fan of the latter, this little short ended up being right up my alley.

    It’s got some neat, classic cinematography along with the archetypal characters that simply never get old; especially with all of the gun play and cool set design. A lot of the time in these low-budget short films you’ll find some pretty hack acting. Not here. In fact some of the guys could hold their own pretty easily in a Hollywood production should they ever be given the chance – particularly some of the villains.

    This short is from the mind of writer/director David Guglielmo and shot on a very modest budget of only $5k along the east coast; including NY, Connecticut and New Jersey. It seems to be gaining some decent traction in shorts programs around the country in various festival settings.

    Have a look at the short below and leave your thought in the comment section or feel free to leave your thought s for the director himself over at the official Vimeo page.

     

     
     

  • Shorts Program: Modern Times

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    For any believer that the pleasures of cinema will be timeless for our species – and the possibilities of science are wonderful – this is a real treat. Have a gander at this video that was produced by a handful of talented film technicians using borrowed equipment on borrowed time.

    It has been floating around the web for a few days, but I spotted it over at Twitch late last night and my heart was quite full after watching it.

  • Shorts Program (Halloween Edition): Dawn of the Ted

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    Remember kids: Zombie fighting Teddy Bears pick Jack Daniels as their whiskey of choice. (And while I do dig the punny title, judging by the camera work and eye-colour, this should have been called The Evil Ted (Or Evil Ted II: Ted By Dawn)) Yes, I’m a horror aesthetics dork.

    Happy Halloween. Enjoy Misery Bear courtesy of the BBC.

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