Archive for the ‘Short films’ Category

  • Shorts Program: Can We Kiss?

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    Maybe this would be better saved for Valentine’s day, but as someone recently pointed it out to me, I feel compelled to offer this to you. One of Jandy’s first Finite Focus posts involved Ms. Naomi Watts auditioning for a soapy-TV role within the nightmare that is Mulholland Dr. That scene is pretty special because it is so multi-layered in terms of acting chops. First Watts has to play the bubbly Betty Elms and then she has to play Betty acting how she feels would be best to get the role. In the same spirit, but with markedly less time for character development than a feature film, Pierre-Olivier Mornas’ 16mm short film from 11 years ago, On S’Embrasse? (Can We Kiss?) does this in a similar way. One that, as David Mamet would say, is both inevitable and surprising. It has the romance of a random encounter in a French café, and yet has a particularly acerbic irony to the whole affair. Damn, they should have shoehorned this into Paris Je T’aime despite it preceding that anthology by about a decade.

    Have a look.

  • Shorts Program: Address is Approximate

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    A lonely desk toy longs for escape from the dark confines of the office, so he takes a cross country road trip to the Pacific Coast in the only way he can – using a toy car and Google Maps Street View. Pay attention to the “effect” happening outside of the computer screen. I particularly enjoy the drive through the lighted tunnel. Nothing groundbreaking or absolutely mesmerizing here, but it looks great and the creativity is a joy.

     

     
    Address is Approximate was produced, animated, filmed, lit, edited & graded by Tom Jenkins (theoryfilms.co.uk / facebook.com/theoryfilms). The film was shot using Canon 5d MkII, Dragonframe Stop Motion software and customised slider.

    Music by the wonderfull Cinematic Orchestra.

     

  • Check out Wiederspahn’s 51-hour short: ‘Unwound.’

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    I have been a fan of Aaron J. Wiederspahn’s since his 2006 feature length debut, The Sensation of Sight. Since then, he has refused to take the California or New York route to filmmaking fame and has been hard at work making movies in his native New Hampshire – in particular, working on another narrative titled Someplace Like America, which is about the “decline of American industry over the past three decades and the resulting struggle of the disenfranchised working man.”

    I was both surprised and pleased to see a short film from Wiederspahn pop up on my Facebook newsfeed today. Titled Unwound and starring the unlikely Kevin Richardson of Backstreet Boys fame, the film examines a single Halloween night of a young couple’s who seem well beyond burnt out with their relationship. It was created as a part of a 51-hour short film contest.

    Check it out and leave your thoughts in the comments.

  • Shorts Program: Connecting

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    This is a slightly older short film but it just popped into my head again recently and I wanted to highlight for anyone who may not have seen it (which I presume is most of you). Made in 2005 by Dan Turner (who also made a couple of other shorts called 4:37 and Second Guest), Connecting won Best Film at Total Film Magazine’s Short Movie Awards and came runner-up as the “Best Film From the North” at the Kino Film Festival.

    It’s one of those shorts you’re best knowing as little about before watching but to clue you in just a tad it features a man on a bus who is annoyed by all the phone-related sounds he is hearing around him and eventually gets extra annoyed (nae angry) when he hears a cell phone continue to ring without anyone answering it and stopping the noise.

    I’ll say no more than that, watch the short below:

  • Saturday Morning Cartoons: Deputy Droopy (1955)

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    There’s not much I like as much as classic Looney Tunes – unless it’s a solid Tex Avery-directed MGM cartoon. I particularly like this Droopy cartoon because it’s such a great example of taking basically a single gag and creatively milking it for all its worth over six and a half minutes. Very few animation directors were as visually inventive as Avery, even in this golden age of animated shorts, and he thinks of ways to skew this concept that I don’t think anyone else ever would.

  • Shorts Program: Celluloid Screams

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    The short films shown before each feature at Celluloid Screams were particularly strong this year so rather than cram reviews for them at the end of my article like I did last time I thought I’d dedicate a separate post to the 16 mini-movies we were treated to. I’ve tracked a few of them down on YouTube and Vimeo too for your enjoyment.

    Spider

    Director: Nash Edgerton, Australia, 2007, 9 min
    A simple one-gag comedy-short that works surprisingly well due to some accomplished naturalistic direction and performances. A nice touch at the end, although unnecessary, went down well with the audience too.
    (4/5)


    Brutal Relax

    Directors: Adrián Cardona & Rafa Dengrá, Spain, 2011, 15 min
    A ‘recovered’ mentally ill patient is told to rest and enjoy his summer holidays, but some unusual creatures that come from the ocean have other plans. This is silly, extremely gory fun that is a blast to begin with, but started to outstay it’s welcome. Gorehounds will love it though.
    (3/5)

    » Read the rest of the entry..

  • Saturday Morning Cartoons: Hair-Raising Hare (1946)

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    What better way to celebrate Halloween weekend than with a little classic Chuck Jones animation? This is one of my absolutely favorite Bugs Bunny cartoons, with some of Jones’ best fourth-wall-breaking gags. Plus a Peter Lorre caricature, a robot paramour, a creepy Expressionist castle, and Gossamer’s best appearance. You don’t get better than that. The cartoon is really well-known, but it’s always worth watching again.

  • Shorts Program: THE SANDMAN

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    One of my all time favourite spooky short films was made in 1991 by a young protege of Henry Selick (The Nightmare Before Christmas, James and the Giant Peach) named Paul Berry. He snagged an Oscar nom for best animated short film (which is saying something, because it is creepy as hell – not your typical Oscar-fare even for short animated films) but shortly thereafter was stricken with brain cancer and passed on before any feature film career was realized. This is a shame, but he left us with The Sandman, a very dark take on the myth of a creature that puts children to sleep. Here the bird-like creature extracts a rather unique toll on its young targets. I saw this at an animation festival at a rep cinema in 1992, and not only was it the stand-out of that festival, this thing has haunted me in one form or another since; especially so after I had children of my own.

    Enjoy.

  • Welcome to October: T is for Thread

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    Friend of Row Three and horror blogger Jay Clarke (The Horror Section) puts forth a lesson to you all out there: If you are looking for plastic surgery, he is NOT the man you want to have doing the stitching on your face. Check out this black (and red) comedy short directed by Chris Nash and produced by Clarke. I cannot think of a more perfect or gruesome way to kick off October month. T for Thread has aspirations of getting into Drafthouse Films ABCs of Death short film anthology. I believe it has a good shot, if only because it has an entirely new spin on the banana-peel gag.

    Full short is tucked under the seat. (Warning, don’t watch this while eating…)

    » Read the rest of the entry..

  • Shorts Program: Origins

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    Hey Pixar! Hire this guy, pronto.

     
     

    A creature made of scrap parts wanders though the woods until he comes across a sign that will help him discover where he belongs.

    2 minute Short Film is tucked under the seat.

    » Read the rest of the entry..

  • Animated Kubrick Retrospective

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    Thanks to our friends over at Ropes of Silicon, here’s a nice few minutes for any Kubrick fans to really swagger behind. It’s an animated retrospective of all of his film from 1952′s Killer’s Kiss all the way up to his final film in 1999, Eyes Wide Shut.

    Not really a moving animation or any sort of recreation, but more like a great usage of motion stills spliced together, each with a unique variance of display, to give a nice feel for each of the films. The animation and editing was designed by Martin Woutisseth and the music is by Romain Trouillet.

    If you’re a kubrick fan, you gotta check this out…

     

  • “Damn Your Eyes” [Shorts Program]

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    I reckon we’s always in the mood for a good western round these parts. Even a short one. Damn Your Eyes clearly draws inspiration from Leone’s “Man with no name” series; but I found even more of a comparison can be drawn from Robert Rodriguez’ Desperado. And as a huge fan of the latter, this little short ended up being right up my alley.

    It’s got some neat, classic cinematography along with the archetypal characters that simply never get old; especially with all of the gun play and cool set design. A lot of the time in these low-budget short films you’ll find some pretty hack acting. Not here. In fact some of the guys could hold their own pretty easily in a Hollywood production should they ever be given the chance – particularly some of the villains.

    This short is from the mind of writer/director David Guglielmo and shot on a very modest budget of only $5k along the east coast; including NY, Connecticut and New Jersey. It seems to be gaining some decent traction in shorts programs around the country in various festival settings.

    Have a look at the short below and leave your thought in the comment section or feel free to leave your thought s for the director himself over at the official Vimeo page.

     

     
     

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