Director: Danny Boyle (Steve Jobs, 127 Hours, 28 Days Later, The Beach, Trainspotting)
Novel: Irvine Welsh
Screenplay: John Hodge
Producers: Bernard Bellew, Danny Boyle, Christian Colson, Andrew Macdonald
Starring: Ewan McGregor, Robert Carlyle, Steven Robertson, Ewen Bremner, John Kazek, Shirley Henderson
MPAA Rating: R
Running time: 117 min.
The 90’s seem so very far away now. Talking to some people I know, it’s ancient history. Time makes fools of us all, and trying to explain dial up internet, Ibiza Uncovered and Gazza’s goal at Euro ’96 to younger generation millennials will no doubt leave some us feeling foolish. The same could almost be said for Trainspotting. When first released in 1996, the film was a cultural phenomenon. For us Brits, it was as iconic to the 90’s as Britpop and bleached blonde hair. If you didn’t know that Irvine Welsh’s series of vignettes was a novel, you certainly knew it was a movie. Shallow Grave (1994) introduced us to Ewan McGregor and Danny Boyle, but it was Trainspotting that truly broke them out. From the thumping drum of Iggy Pop’s Lust for Life which launches the film, it’s uniquely comic yet bleak portrayal of junk addiction, to the simple yet brash mugshot poster, everything about the film screamed iconic.
20 years after Boyle introduced us to “perfect day” overdoses on skag, we are reintroduced to Mark Renton and his so-called friends in a film which isn’t really aiming for the same never say die exuberance that infiltrated our hearts. Why would it? Danny Boyle, one Britain’s more idiosyncratic directorial exports, is quick to let us know that two decades have really slapped these guys in the face. So much so, that even the consideration of playing Lust of Life pains the listener. Of course, this is not about the loudness of the track, but more the memories it digs up. We re-encounter Renton hit with physical health problems, but, like all his mates, he is haunted by his moment of betrayal which in turn left his friends in the gutter.
Instead of revelling in golden-hued nostalgia, T2 works best when its characters are reminded that their past is rife with sin. Trainspotting was drenched in a youthful nihilism which motivated every character, T2 has Renton and co look deep within themselves with a deep sense of regret. The film’s poignancy lies within what the characters have thrown away in the last twenty years. There’s no doe eye back slapping at the heady days of their youth. These people hurt each other and it shows. We like to think that such deep old wounds will heal over fine. They don’t. There’s always scar tissue.
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