Archive for the ‘Posters’ Category

  • Friday One Sheet: Heaven’s Gate

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    Michael Cimino’s famous film that broke United Artists with his out of control spending and ultra-perfectionism. That he did this by spending $40M kind of puts things in perspective, when today a blockbuster can spend $100M on just marketing alone. But I digress. The film became a bit of a pile-on, and given enough time (and Z-Channel’s airing of the director’s cut in the 1990s), has found its way back from being a pariah of 1970s auteur filmmaking. With the tagline, “What one loves about life are the things that fade” and it’s gorgeous photographic motif of nature and reflection, this quad style poster is a winner, and a rather different way to sell the picture, which in the past, has typically employed American flags and bullet holes. Now I’m kind of itching to revisit Heaven’s Gate on Blu-Ray, or better yet, a restored 35mm print in the cinema.

  • Friday One Sheet: No Apologies Required

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    The key art for Nicholas Winding Refn’s pulpy bit of the old ultra-violence Only God Forgives continues to be excellent. Since very few posters these days use the neon shades of pink and cyan, these posters are destined to stand out at the art-house or multiplex when on display. It certainly advertises the lurid, seedy nature of the film with this colour scheme, and this one also advertises a very intense Kristin Scott Thomas. Clearly, she is absolutely owning whatever nightclub she happens to be lounging in.

  • Friday One Sheet: Kings of Poster

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    One of the best posters I’ve seen all year, this hand-drawn one-sheet for indie dramedy Kings of Summer works perspective, design elements and geography all into one beautiful package. I love the road turning into path turning into snake, I love the three lead characters ‘on top of the world’ having the time of their lives. It’s all wonderful stuff, and the film opens today in select markets.

  • Friday One Sheet: Adjustments

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    No controversy here, just a bit of mild amusement as the re-think engine on Brad Pitt’s Zombie Blockbuster, World War Z continues to chug along. The designers have taken Pitt off a cargo plane (left), moved him to a rooftop (right), tilted the city, altered the time of day (judging by the lens flares from the sun), and accessorized him with a heavy calibre fire arm. Photoshop fixits are nothing new in the world of key art, they’re par for the course, when you look at the minor tweaks often done across countries for any given studio tentpole, but this might be the first time that changes are metaphoric for the production history of the film.

  • Friday One Sheet: Mondo P.T.

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    Mondo Tee’s highly varied series of posters on P.T. Anderson are certainly worth a look. Above is the design for Hard Eight, aka Sydney, which flirts with the connections at play in the film, from the iconic opening shot of Phillip Baker Hall walking to the road-side diner. Mondo Tees has made quite the cottage industry out of issuing boutique posters to collectors and fans, and they give an eclectic assortment of designs all of them already sold out, at their online shop.

  • Friday One Sheet: Type.

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    Both in their films and in their marketing, the Coen Brothers seem to always have a love and respect for good old fashioned typesetting. From the art deco of The Hudsucker Proxy to the wanted poster stylings of their True Grit remake. For their latest film, this simple, but boldly styled teaser poster continues that tradition with a playbill kind of vibe. The eye in the guitar is the only graphic element, and it evokes the kitty cat that Oscar Isaac is carrying around with him in the trailer. It’s subtle but there. In the day and age of photoshop clutter and generic blue tinted hero collages, I tend to gravitate towards the simple and elegant.

  • Friday One Sheet: Blood in the Water

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    While I like the typographical simplicity of Lars Von Trier’s Nymphomaniac teaser poster, this weeks highlighted poster goes to the Sam Mendes produced triller, Blood. Desaturated color and a bright red, very clean, typographic integration to the design, a healthy respect for the rule of thirds, a late 1970s model car on the horizon and a corpse buried beneath the mud — Can you say gritty paranoid thriller? The chilly open space (which takes full advantage of the UK Quad format) is also reminiscent of the ending of the Mike Hodges/Michael Caine Get Carter, which is a good thing to allude to in your marketing materials if you are going for bleak Britain-set drama. I know it is keeping with the time period to use those little picture boxes featuring the top billed cast, but that really is my only complaint with the otherwise clear design. Judging from the poster design and the synopsis (below) I expect this to be in the vein of the handsome and engaging Red Riding Trilogy from a few years ago.

    Thriller charting the moral collapse of a police family. Two cop brothers, smothered by the shadow of their former police chief father, must investigate a crime they themselves have committed.

    Directed by Nick Murphy and featuring a great character-actor cast including Paul Bettaney, Brian Cox and Mark Strong, Blood had a brief run on the festival circuit in the UK and is making its to wider release at the end of the May.

  • Friday One Sheet: Not Criminally Responsible

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    With Canada’s Hot Docs festival underway, I feel it is worth highlight good poster design for documentaries. Playing this years festival is one called NCR. It is aa film about a woman who was stabbed by a man who wasn’t in his right mind at the time. The defense in court used to be called criminal insanity, but is now called, ‘Not Criminally Responsible’. The poster for the image, emphasizes us looking down on a person in a padded cell. A real flair for typography, not only with words providing the wall paper (these cases where someone avoids prison for hospital care are always talked about) and the letter C in the title is encircling the head of the person like a broken halo. A great design overall.

  • Friday One Sheet: Time to Meet the Neon [Only God Forgives]

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    I love the simplicity of the design here in yet another teaser poster for Only God Forgives. Scratched glass and pale neon, and the tagline in the maw of the dragon. Everything marketing-wise has been excellent in Nicholas Winding Refn’s follow-up to Drive. Will the film be all style and no substance? I’m not particularly worried, because man, this is stylish as hell.

  • Friday One Sheet: Don’t Snort Your Ladder! (FILTH)

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    Irvine Welsh gets another big-screen adaptation of this satirical outlook on junkies and low-lives. Here it is a cop played by James McAvoy who is in therapy for his less-than-acceptable predilections while on or of duty. The poster, however, cheekily depicts lines of cocaine acting as a ladder for McAvoy’s malfeasant bobby to climb (not out of his drug and hooker problem, but to career success!) and amusingly, he’s snorting his own ‘life-line’ as it were. While the colour scheme or cartoony is not the most aesthetically, the idea behind this poster is a winner, and really, you don’t want ‘pretty’ in an Irvine Welsh adaptation.

  • Friday One Sheet: World War Z

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    While this is a very eye catching one-sheet, it compares Zombie’s to bugs, and while the idea is quite scary, the CGI execution in the film leaves a bit to be desired. Prediction: This poster will be the best thing about the film.

    To further underscore my point: This.

  • Friday One Sheet: Newman!

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    It’s already that time of year again to be thinking forward to the most prestigious celebration of cinema (and often, celebrity, wealth and glamour) on the planet, The Cannes Film Festival. The festival has a history of putting out classy, minimal one-sheets which highlight a major film star or director. This year, they have chosen the husband-wife duo of Paul Newman and Joanne Woodward whose marriage defies the cliche logic of showbiz, even as the two actors worked together on films spanning their breadth of their union. The source image is from Melville Shavelson’s 1963 comedy, A New Kind Of Love and the couple also starred together in 1990s Merchant/Ivory award winner Mr. & Mrs. Bridge.

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