Archive for the ‘Other’ Category

  • Watch the 1993 masterpiece Super Mario Bros. in full!

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    supermariobros

    Once or twice a year, something reminds me of that this movie happened. Today, I was reminded of it when I saw an original NES for sale on Craigslist.

    I was only eight years old when I first saw the Super Mario Bros. movie. Imagine my excitement: not only were they making a movie about that awesome Mario game I spent so much time playing, the good guy from Roger Rabbit was playing Mario. As we first popped the movie into our VCR and the familiar NES music played over the opening credits, fading into whacky cartoon with talking dinosaurs narrated by Dan Castellaneta (aka Homer Simpson), I was immediately confused.

    And that confusion never ceased during the entire 100 minute runtime.

    I probably watched the film a dozen times as a kid. I never quite understood what it had to do with the video games that I loved so much, but I tolerated it – maybe even strangely enjoyed it. Now as an adult, I enjoy it for other reasons, mostly because I get a kick out of its campiness, how bizarre the entire script is, and the complete disaster that it turned out to be.

    A meteorite somehow splitting the earth into two parallel universes. Dennis Hopper as an OCD, greasy-haired King Koopa. Giant “de-evolved” goombas. Fisher Stevens. The silly backstory for why Mario and Luigi were two Italian plumbers saving a princess.

    Imagining the studio execs coming up with all of this as a means of capitalizing on Nintendo’s popularity is even more amusing.

    Even more interesting are the almosts of this movie. Roland Joffé (The Mission, The Killing Fields) was the first to propose the film in a studio meeting. Danny DeVito and Harold Ramis were in talks to direct at one point. Tom Hanks was once on board to play Mario with Hoskins being brought on due to being a “more profitable” actor. Oh, the what-ifs.

    As it would turn out, the film would bomb making less than $21 million back of its $45 million budget. Critics and gamers alike slammed it. And since then, Hoskins hasn’t spoke very kindly of it or its duo of directors. “The worst thing I ever did? Super Mario Brothers,” Hoskins said in a 2007 interview with Guardian. “It was a fuckin’ nightmare. The whole experience was a nightmare. It had a husband-and-wife team directing, whose arrogance had been mistaken for talent. After so many weeks their own agent told them to get off the set! Fuckin’ nightmare. Fuckin’ idiots.”

    You know what, though? The movie is right here for you to watch in its entirety. See if you can resist.

  • Happy 15th Birthday, BOOGIE NIGHTS

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    Hard to believe that P.T. Anderson’s Porn Industry opus Boogie Nights is celebrating the 15th Anniversary of its release today, in celebration, here we are running our Finite Focus post on one of the many classic scenes from the film.

    From one of my absolute favorite films of all time, comes one of the best extended sequences in the film: the drug deal gone wrong. There are so many things going on in this scene all at once that should have the viewer holding their breath with anxiety. Before the scene even starts there is a tension in the air so thick that we know something bad is about to happen. We have three stupid guys about to do something really fucking stupid and they’re coked out of their minds to boot.

    The two most glaring things that radiate in this scene are the aural cues. The overpowering, uncharacteristic soundtrack for a scene like this and the firecrackers exploding off screen. I love how the loud 80′s music is almost blasting out the dialogue and how the drug king (Alfred Molina) is totally oblivious to the obvious tension by the young visitors and meanwhile, in a David Lynchian sort of moment, he could care less about a Chinese kid, standing just out of frame lighting firecracker after firecracker, which is obviously getting nerves on edge (even more than they already are) of our young heroes.

    Throw in a Marcelius Wallace type with a big frakkin gun who is just over their shoulder checking the bogus coke out while Molina’s character plays Russian Roulette for fun and talks about mixed tapes (a drug dealer’s version of Cusack’s talk in High Fidelity). Still the firecrackers continue.

    Finally, Diggler (Wahlberg) just stares at the wall for what seem like forever while we listen to the mix tape, in full-blown, space-out mode before coming to his senses. Just as things look like we might get out of this little charade unscathed, Todd Parker does something really, REALLY stupid.

    God, I love this scene…

     

  • Neil Armstrong 1930 – 2012

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    From the Earth to the Moon… and now the great beyond. A childhood (and adulthood) hero has today passed from our presence. A daring and courageous guy who captured the world’s attention and hearts with just a single step. If anyone on this Earth is to be remembered for something truly amazing, noteworthy and awe-inspiring, it is surely Neil Armstrong.

    Go luck sir. And God speed.

  • What Makes a Cult Movie?

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    There’s something special about a good cult movie. Today, many of the films we may think of as having a cult following have in fact broken out of that distinction and become highly regarded, popular features. However, on first release these were the films that no one went to see in cinemas. They were overshadowed by other releases, overlooked because they were controversial, offbeat, or just downright strange. Yet over time people began to notice them, mainly when they were released onto home video. Small, niche groups began to adopt films like The Evil Dead, A Clockwork Orange, and The Rocky Horror Picture Show as representations of their culture. Over time this extended even further to a point where these films are now considered cult classics; disregarded at first, yet now known and loved, sometimes by a specific group of people and sometimes by film lovers worldwide.

    Various genres of film have been deemed cult movies, ranging from westerns to sci-fi to teen comedy. Something that makes a film particularly likely to receive cult status is if it contains memorable characters and lots of quotable dialogue; although not a film, Joss Whedon’s “Buffy the Vampire Slayer” series gained cult status largely due to the excellent and humorous script. Cult films often fly under the radar on first release because they may be made on a smaller budget and feature relatively unknown actors and actresses, or even helmed by a first time director. Quentin Tarantino, for example, has become a mainstream film favourite even though he started his career with a deep love of cult movies and chose to make his own films in a similar style. Films such as his Reservoir Dogs and Pulp Fiction performed well on release, but are still considered cult films by many because they appeal to a quite specific audience and were seen as controversial because of their violent content and portrayals of organized crime, drug use, and sexual abuse.

    Although some more obscure films may be difficult to find on DVD or Blu-Ray, you can always watch cult classics online through a service such as LOVEFiLM. Their LOVEFiLM Player allows members to watch movies online for free without downloading, and many cult favourites such as those by Quentin Tarantino are included in the site’s extensive catalogue at www.lovefilm.com.

    guest post brought to you by LOVEFiLM

  • Quote of the Day: Rosenbaum on what ‘Cult-Film’ means Today

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    “One of the problems inherent in using the term “cult” within a contemporary context relating to film, either as a noun or as an adjective, is that it refers to various social structures that no longer exist, at least not in the ways that they once did. When indiscriminate moviegoing (as opposed to going to see particular films) was a routine everyday activity, it was theoretically possible for cults to form around exceptional items — “sleepers,” as they were then called by film exhibitors — that were spontaneously adopted and anointed by audiences rather than generated by advertising. But once advertising started to anticipate and supersede such a selection process, the whole concept of the cult film became dubious at the same time it became more prominent, a marketing term rather than a self-generating social process.”

    This is an excerpt from Jonathan Rosenbaum’s sharp little piece on Joe Dante, here.

  • Laaaaaaaaaaaaaaaaaaaaame.

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    An oddly compelling reason to never buy a Honda, but also an interesting commentary on how our ‘hero’ has gone from a stolen 1961 Ferrari to a leased 2012 CRV. Superbowl, I hate you even more than usual. I’m off to palette cleanse on the real Ferris Too, Alexander Payne’s Election (The last time Matthew Broderick didn’t phone it in.)

  • Blast from the Past – Rounders Movie Review

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    Since 2004, numerous movies have come out regarding the world of poker, but none have seemed to live up to the realism of the cult classic Rounders. Matt Damon as Mike McDermott and Ed Norton as “Worm” take you into the world of underground poker and gave you a inside look at a world not seen by many. The movie is also one of the factors in the rise of popularity of Texas Holdem poker among younger players in the last decade.

    Mike McDermott is an up and coming rounder that thinks that he is good enough to take on the big boys of the underground poker world. He sits in a high roller game with KGB, played by John Malkovich, and winds up losing his entire bankroll on one hand of poker. Mike then jumps to the last resort on how to handle losing streaks in poker and decides to walk away from the game forever and focus on his law degree.

    Forever did not last long as he soon reconnects with childhood friend Worm who was recently released from prison. Worm convinces Mike to go back to playing poker and
    Mike is immediately successful. His success cuts into his law studies and even costs him
    his girlfriend.

    However, his friendship with Worm wins up costing him as Worm puts Mike several
    thousand dollars in debt. Mike then finds out that Worm is in for $15,000 and mistakenly
    vouches for Worm. The two then have to come up with the money in 5 days or it may
    cost them their lives.

    Mike almost makes the money in time, but Worm gets caught cheating at cards in a poker
    game with a bunch of cops and they get beaten and robbed of their money. Mike then
    discovers that Worm owes the $15,000 to KGB. Realizing that Worm has all but signed
    his death warrant, Mike cuts his ties with Worm and seeks financial help.

    Mike receives that help from his college professor who loans him $10,000. Mike then
    takes that game and gambled in a heads-up match with KGB and wins. He could have
    walked away with his debt paid and $5,000 richer, but KGB goads him into risking that
    money to win back his bankroll.

    At the climax of the movie, Mike picks up on KGB’s tell and stops himself from blowing
    his stack to him. KGB goes “on tilt”, a term for getting mad at the tables, and winds up
    blowing his stack to Mike.

    Mike pays off his debt, his professor, his debt run up by Worm, and still has $30,000. He
    then takes off for Vegas to play in the Texas Holdem poker championship at the World
    Series of Poker.

    Rounders is a almost a case study in the ups and downs of life in the poker world. For
    true poker fans, the movie will ring true and may even remind them of their own lifestyle.
    For other, this movie will give you a look into the world of poker that you will not see on ESPN or other poker shows.

  • Villain!

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    It shall be Tom Cruise vs. Werner Herzog in Christopher McQuarrie’s (The Usual Suspects, Way of the Gun) new film, One Shot.

    The book series by Lee Child follows Jack Reacher, a former military policeman turned drifter. In “One Shot,” Reacher investigates the case of a sniper accused of murdering five people before being captured. Herzog will play The Zec, an ex-prisoner of war who arranges and stages the killing and is the head of the conspiracy.

  • So That’s Your Friend in the Wood Chipper?

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    The oddest of marketing hooks for a brewery, but a pretty awesome pet-name for a hang-over. I hope it is not a red style ale (actually, it is an India Pale Ale), but I wouldn’t put it past this North Dakota micro-brew who are launching a product that references the famous conclusion to the Coen Brother’s absurdo-noir classic, Fargo. The first beer launched by the craft brewer, The Fargo Beer Company, is called, The Wood Chipper. If you order nicely, Peter Stormare will come over to your table and pop the top for you (you may have to take him to the iHOP later though…)

    Pass me a Wood Chipper? You Betcha!

    Via Twincities.

  • Survey: Bobcat Goldthwait

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    Although I should have brought this up on the Netflix segment for recent episode of the Cinecast, alas, I did not notice it until late last night: Bobcat Goldthwait‘s 1991 directorial debut, Shakes the Clown, popped up on the Canadian version of the streaming site this week. Goldthwait, as an onscreen performer peaked somewhere in the mid 1980s – most people probably know him as the weird, dirty (literally, not figuratively) Cop from the Police Academy sequels, but the cool kids probably fondly remember One Crazy Summer. he more or less disappeared after Shakes failed to take off beyond a weird cult curio. For about a decade he was MIA before returning as a director in the early 2000s for cable TV programs (Crank Yankers, Chapelle’s Show, The Man Show and Jimmy Kimmel Live) and eventually moving into smart, subversive indie features. With the quite fun, and rather timely, debut of the writer/director/comedian’s latest film, God Bless America (Kurt’s Review) and the fondness for his rather auteur-ish three-word-title laden C.V. (Windy City Heat, Sleeping Dogs Lie, World’s Greatest Dad, God Bless America.) Regular listeners of the Cinecast, know that Matt Gamble raves about World’s Greatest Dad often, and at length.

    Want an overview? Lots video clippings are tucked under the seat.
    » Read the rest of the entry..

  • The Good Dr. Bordwell on the Nature of the SPOILER and our historic quasi-acceptance of it.

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    Everyone seems to have a different idea of what constitutes a *SPOILER* in terms of a book or o movie. There is a lot of nuance in what is enticing to watch a film, and what spoils the fun. Many people say, “I enjoyed that movie so much because I walked in totally blind to what it was!” On the flip side of things, the films of Wes Anderson, The Coen Brothers, Federico Fellini, Michael Haneke, and many more become more enjoyable after multiple viewings.

    Impasse!

    David Bordwell (with Kristen Thompson) discusses Spoilers in Film and the old form of distribution makes this an even more complicated argument in light of cinema history. Well worth a read!

    Who doesn’t come to Casablanca knowing about “Here’s looking at you, kid,” or “Play it, Sam,” or “Round up the usual suspects”? You likely saw the ending of King Kong in compilation films before you saw the whole movie, yet you probably still watch it with enjoyment. I saw Potemkin’s Odessa Steps sequence many times, on an 8mm reel I bought as a kid, before I saw the whole movie. I still enjoy Potemkin, possibly more than many who see it for the first time. Yet people complain about trailers that tell too much, and critics who give plot twists away. Accordingly, it’s been a convention of fan and Net writing that if you’re going to give away major story information, you alert readers with the word “spoiler.”

    Surely people want to know something about a film’s story. Viewers clamored for the most basic information about Super 8. And evidently many moviegoers would feel less disgruntled about The Tree of Life if they had known in advance a little bit more about what they would encounter. It seems we want to know about the story’s basic situation, but not too much about how things develop. Say: bits from the first half-hour or so, up to the beginning of the Second Act (or what Kristin calls the Complicating Action). Beyond that, we want things kept quiet. Above all: Don’t tell the how things turn out in the end.

    Also, see Jim Emerson on the subject (linked within the above article and here as well)

  • Read exerpts from Roger Ebert’s Memoir: Life Itself

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    Any time Roger Ebert puts up his own person reveries on the past, it is the best reading over at his Sun-Times Journal. Even tough I more or less agree with his politics, I find his personal processing and musing of his past to be 1000x more compelling. Today he put up the opening pages of his Memoir there, and it is well worth your time.

    When I returned to 410 East Washington with my wife, Chaz, in 1990, I saw that the hallway was only a few yards long. I got the feeling I sometimes have when reality realigns itself. It’s a tingling sensation moving like a wave through my body. I know the feeling precisely. I doubt I’ve experienced it ten times in my life. I felt it at Smith Drugs when I was seven or eight and opened a nudist magazine and discovered that all women had breasts. I felt it when my father told me he had cancer. I felt it when I proposed marriage. Yes, and I felt it in the old Palais des Festivals at Cannes, when the Ride of the Valkyries played during the helicopter attack in Apocalypse Now.

    I was an only child. I heard that over and over again. “Roger is an only boy.” My best friends, Hal and Gary, were only children, too. We were born at the beginning of World War II, four or five years earlier than the baby boomers, which would be an advantage all of our lives. The war was the great mystery of those years. I knew we were at war against Germany and Japan. I knew Uncle Bill had gone away to fight. I was told, your father is too old so they won’t take him. He put bicycle clips on his work pants and cycled to work every morning. There was rationing. If Harry Rusk the grocer had a chicken, we had chicken on Sunday. Many nights we had oatmeal. There was no butter. Oleo came in a plastic bag, and you squeezed the orange dye and kneaded it to make it look like butter. “It’s against the law to sell it already looking like butter,” my parents explained. Daddy and Uncle Johnny ordered cartons of cigarettes through the mail from Kentucky. Everybody smoked. My mother, my father, my uncles and aunts, the neighbors, everybody. When we gathered at my grandmother’s for a big dinner, that meant nine or ten people sitting around the table smoking. They did it over and over, hour after hour, as if it were an assignment.

    Read the rest here.

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