Archive for the ‘News’ Category

  • Gordon-Levitt to direct his first feature film.

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    hesher

    If you follow Joseph Gordon-Levitt’s career at all, you probably are not surprised by the news that he is set to direct and star in his first feature length film. In running the online collaborative production company HitRECord, he has been experimenting with short films for quite a few years at this point, many of them going on to be featured in film festivals around the country.

    Now, according to Deadline, JGL is finally moving forward on directing and starring in an untitled comedy from a screenplay that he wrote about “a modern-day Don Juan, and his quest to become less of a “selfish dick.’” It will co-star Scarlett Johansson.

    “I spent a year working with Chris Nolan, Rian Johnson, Steven Spielberg, and I did my best to pay attention,” JGL told Deadline. “I’ve also been making short films for a long time now, I’ve directed a ton of them, and that is a huge part of why I feel comfortable and confident in this. … This is the first time I finished a feature film I thought was good enough to make into a movie … I wrote myself a helluva role, one that people wouldn’t necessarily thought of me for.”

    He said that he now may have to step down from his cameo in Tarantino’s Django Unchained, but said that the director was “so cool and encouraging” about the potential schedule conflict, saying that JFL struck him as “the kind of guy who would want to direct.”

    Either way, it will be interesting to see if he can pull off having written, directed, and starred in a feature film. I am saying with a resounding yes that he will.

  • The Amazing Spider-Man trailer debuts.

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    The Amazing Spider-Man trailer has hit the web today and people are swinging all around the web to talk about it today. So, stick around for our discussion here, which will surely include the usual compliments and complaints about superhero origin films. For some viewers, they will throw this right in the I-don’t-care pile with The Avengers and Man of Steel. For others, we have been weighing the idea of what a reboot of this series would mean. Here are my thoughts after watching the trailer:

    Reasons why you should be looking forward to this:
    1) It has a pretty stellar cast that includes Andrew Garfield, Emma Stone, Rhys Ifans, Martin Sheen, Sally Field, Denis Leary, and Embeth Davidtz.
    2) It’s directed by Marc Webb who had a pretty stellar (or for some, obnoxious) debut with (500) Days of Summer.
    3) James Vanderbilt was the screenwriter for Zodiac.
    4) Gwen Stacy > Mary Jane Watson. End of discussion.
    5) The Lizard is the best Spider-Man villain. Duh. The last trilogy never gave him his deserved screen time.
    6) It’s nice to see Spider-Man smack-talking behind his mask without any Peter Parker awkwardness.
    7) Stan Lee will be making his token cameo.
    8 ) The web-shooters are back!

    Reasons why you should not be looking forward to this:
    1) It’s covering an origin story that was covered in a film a decade ago in a genre with too many origin stories.
    2) In fact, it’s another superhero movie – this might be enough of a turn off for some.
    3) James Vanderbilt was the screenwriter for Darkness Falls.
    4) But seriously, do we need another Spider-Man movie?
    5) No Bruce Campbell.
    6) CGI-villains can be pretty lame.
    7) The question remains: do we need another Spider-Man movie?

    Is the world ready for a slightly more gritty, slightly less cartoonish Spider-Man? He was my favorite superhero growing up, I loved and collected the comics, I loved the old 90s cartoon show – so all that I can do is say: I hope so. The trailer is what one would expect from a big budget blockbuster. I can’t help but root for it.

    The Amazing Spider-Man opens up in theaters on July 3, 2012.

  • Machete Kills

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    I know that Robert Rodriguez works fast as a filmmaker and all, but doing some quick arithmetic says this: Danny Trejo’s current age of almost 68 years old – the tall tattooed Mexican is almost 70 and you have two films to go through pre-production! So, yea, you better get on the promised sequels to the Grindhouse trailer-turned-feature, Machete, fast, Mr. Rodriguez. Of course, Trejo still manages to crack out about 10 films appearances per year, despite his age, so there is that – and even in the first film, it seemed Machete was almost supporting character in a huge ensemble.

    Machete Kills! is currently in pre-production. No word if Machete Kills Again! will be happening.

    Oh, and given that these films came from Planet Terror (in a way), is it too much to ask for a Zombie Seagal (post Hara-Kiri guts hanging out and all to appear in one of the sequels

  • Happy Birthday Nic! [Belated]

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    Can’t believe I missed this yesterday. Well, late is better than never. Cheers Nic, here’s looking forward to another 30 years of glorious cinema from you sir.

     

     

  • The literary source for Gosling’s Drive is getting a sequel.

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    So it turns out that my favorite film of the year so far, Drive, is based on a novel. Who knew? Apparently, in my efforts to avoid all things Drive before actually seeing the film, I missed this information, although I guess I’ve just missed it all around because apparently many “regard it as one of the best crime noirs written in the last fifty years.”

    Thanks to Kurt for sending along a link from LitReactor containing not only this information, but also the juicy tidbit that the 2005 novel written by James Sallis is receiving the literary sequel treatment – perhaps to capitalize on the success of Nicolas Winding Refn’s adaptation?

    The sequel is titled Driven and Poisoned Pen Press provided the brief synopsis:

    “Six years later – Phoenix. Out of nowhere someone wants Driver dead. Who? Why? Big mistake…”

    Not much, but interesting enough. The publishing company also seems very pleased with Sallis as a human being, releasing the following statement:

    When we agreed to publish Drive, it felt like a happy accident. In the Spring of 2004 my friend and one of my favorite writers, James Sallis, gave me a slight manuscript: Drive. I loved it. When I ran into his agent, Vicky Bijur, at Bouchercon later that Fall, I told her that if she were unable to find a large house to publish Drive, I’d be elated to have Poisoned Pen Press publish it.

    After the extraordinary success of Drive and with no contractual obligation to Poisoned Pen Press, Vicky and Jim easily could have sold Driven to virtually any mainstream publishing house for significant money, but they didn’t. I should not have been surprised. Among the many themes running through these books—and upon reflection, through all the books of James Sallis—is integrity. I know of no other writer so devoted to his craft and to what he believes.

    Has anyone out there read the novel? If it turns out to be great, does anyone think a film sequel might be in the cards as well – or, more importantly, does anyone want such a thing?

  • It’s Ender!

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    So Ender has been cast (or at least the role has been offered up) and the movie seems to finally be rolling at a pace actually reminiscent of a film production.

    14-year-old Asa Butterfield (@Twitter) has been offered the role of Ender Wiggin. You may recognize this rising actor from the trailer for the upcoming movie, Hugo. I myself remember him from The Boy in the Striped Pajamas.

    So there you go. Will “Ender’s Game” finally get made into a film? Time will tell, but at least they seem to be on the right track.

     

  • Help get Canadian film on-demand. When YOU want it

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    FWC

    One of the questions that often comes up when talking about movies, when you’re in Canada at least, is “are there areny good Canadian movies?” I argue that there are and judging by the reviews from other Row Three contributors I think it’s safe to say that the number of good Canadian entertainment is on the rise. Still, much of it isn’t seen outside the festival circuit. Last year, less than 5% of Canada’s total box office went towards Canadian film and this is likely not going to get any better any time soon. Add in the dying video store (not sure they were ever much of a help when it came specifically to Canadian film) and the rise of on line, on demand film viewing and I’m thinking this new initiative may be a great step in the right direction.

    The First Weekend Club, a national organization which, for eight years, has been supporting Canadian film by encouraging people, often by hosting events, to see Canadian films on their opening weekend, is trying to expand into the streaming market by providing a gateway where individuals can find and watch Canadian film from the comfort of their home. It’s like iTunes or YouTube movie rental but specifically for Canuck movies.

    The group has set up an IndieGoGo campaign to raise funds to get a beta site up and running and with the help of some very familiar faces in Canadian cinema, they’re definitely headed in the right direction. Their promotional video is tucked under the seats but I encourage you to head over and drop them a few bucks to get this project up and running.

    » Read the rest of the entry..

  • Netflix divides. The internet complains.

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    “I have some great ideas on how to make our services less convenient!”

    Some folks around the web have been wondering if these were the recent thoughts of Netflix co-founder and CEO Reed Hastings before he announced that Netflix would be dividing into two services: the streaming portion continuing under the name of Netflix and a separate DVD portion going under the less-than-catchy Qwikster. And by separate, it seems Hastings means truly separate when it comes to these two. An article on Slate today summed up some of the problems associated with this:

    Most of Netflix’s customers subscribe to both DVDs and streaming, and if they’re like me, they like the service because it enables both not-so-picky instant gratification and well-considered delayed gratification. I use the DVD service to select movies that I really want to watch and am willing to wait for; I use the streaming service when I want to watch something – and pretty much anything – right now. I can keep doing this after the DVD plan is renamed Qwikster, but it will require more work. If I search for a movie on Qwikster, it won’t tell me that the movie can be seen for free, right now, on Netflix. If I search for a movie on Netflix and don’t find it, it won’t let me add it to my DVD queue.

    On the other hand, perhaps Hastings is looking towards the future – it is only natural, as DVD viewings are on the decline with the popularity of streaming on computers and through video game and Blu-ray systems. Having two separate companies means that when the time comes and DVD viewings begin an even more dramatic decline and more people stream, Netflix will already be well ahead of the game not having to focus on the rising costs of shipping DVDs. That will be Qwikster’s problem.

    What do you think of these unexpected turn of events? Is Harrington alienating even more Netflix users, making it easy for some competition to get a stronghold? Or is he justly thinking ahead?

  • Inside Llewyn Davis: The Next Film from The Brothers Coen

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    I know I am not the only one excited to know what the next film from Joel and Ethan Coen will be. They have scripted the Michael Hoffman (The Last Station) helmed remake of Gambit; that according to IMDB is currently in post-production. The next project that they will be both directing and writing may at first seem a tad peculiar amongst the rest of the Brothers’ filmography. That very project is an adaptation of Dave Van Ronk’s memoir The Mayor of MacDougal Street.

    It was back in June during the opening of the Elinor Bunin Munroe Film Center, a new facility erected on behalf of The Film Society of Lincoln Center, that the Coens first made allusions to this new venture. As they sat alongside Noah Baumbach in a discussion of their films’ openings mentions were made of a script in progress that will feature naturalistic dialogue, a lot single instrument-music performances to be recorded live on set, and extreme attention to capture the feel of a specific time and place. That time and place will be no other than New York City’s Greenwich Village during the ’60s, the epicenter of the folk music revival scene which spawned Bob Dylan, Joni Mitchell,and Phil Ochs to name a few. Dave Van Ronk was a friendly staple of the Village, and noted as a major influence of the sound which defined many of the performers who came out of there with a blend of blues style, and complex harmonies.

    Variety announced this week that StudioCanal will co-finance the film. In addition, Scott Rudin will produce while Robert Graf will act as Executive Producer – the same positions they filled on No Country for Old Men and True Grit. It was also revealed that the film will now be called Inside Llewyn Davis. This can surely be seen as an indicator that this won’t be a direct adaptation. In a recent interview with frequent Coen-collaborator Roger Deakins, the master cinematographer spoke of a film he was going to shoot in a style emulating the work of D.A. Pennebaker. If I was the sort of lad who liked to place bets, Inside Llewyn Davis is that movie. This is interesting on a number of levels. Other than the opportunity for bold characters this (at least to me) wouldn’t seem like obvious Coen fare. The stylistic details that have been mentioned have writers around the net making Robert Altman comparisons. Joel and Ethan themselves regarded to Baumbach at the Lincoln Center function that it would be something he would do. It would definitely seem as if they want move away from the sensibility we all know them for as their remake of True Grit, while no doubt having some Coen flourishes, still seems quite restrained in the light of their other work even compared with something like Miller’s Crossing. Not to in any way imply that is indicative of quality. Another aspect of this is how cool it will to see a movie within this world. The Village-Folk scene has really only been touched upon in light of Dylan as in Todd Haynes’ I’m Not There and Scorsese’s documentary No Direction Home. I am a sucker for music films, and even more fascinated when they attempt to embody a particular scene itself. Well, I am already there. The Coen Brothers could make a movie based on Swedish Fish, and my tickets already bought. Your thoughts, the Third Row?

     

  • What’s it like to have your film flop at the box office?

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    That’s the question Sean Hood answered in a recent post to Quora. While not quite a household name, Sean Hood has been around the Hollywood scene for more than a few years, first as a set dresser, prop assistant and art director, and the past decade as a screenwriter. His writing credits include Halloween: Resurrection, The Crow: Wicked Prayer, and his most recent endeavor, reworking the shooting script of Conan the Barbarian, which opened this past weekend with an underwhelming $10 million at the domestic box office.

    While these are not necessarily the types of films that interest me, when I was emailed the above link – which contained some refreshing brutal honesty – I was intrigued. He likens the long filmmaking process to that of a political campaign, a multitude of people working together for the common goal of success, but differing ideas on how to get there. After the filming is completed, it’s a long waiting game, when anticipation builds as to the film’s outcome: success or failure?

    » Read the rest of the entry..

  • Who wants to hear the new album from Jeff Bridges?

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    If you are like me, you played out the soundtrack to Crazy Heart to the point where your friends were begging you to stop and the patrons at the local dive bar were groaning every time you walked up to the jukebox. From “Hold On You” to “Somebody Else” to “Fallin’ and Flying,” there was just something in Jeff Bridges’ gruff, natural voice that made it irresistible and, to me at least, it seemed like perfect music to listen to while drinking cheap draft beer in a smoky country bar.

    While a veteran actor releasing a self-titled album might inspire some cynicism, most fans of Bridges realize that the man has been jamming since he was a teenager and anyone who saw Crazy Heart is sure to recognize that the man’s musical abilities are nothing to scoff at. Below is a clip from Rolling Stone, where Bridges talks a bit about then plays the opening track to his album “What a Little Love Can Do.”

    There are other clips on the Rolling Stone channel as well, including a brief interview, so be sure to check them out. You can listen to the entire album over at Spinner, but if you enjoy it, be sure to purchase it through Amazon or iTunes.

    For the sake of the discussion, what are your favorite music albums released by people known primarily for being actors? How about your most despised?

  • Dark Bridges Film Festival Announces Feature Film Lineup!

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    Dark Bridges Film Festival just announced their feature film lineup. I am quite lucky to be able to say that this years festival has an amazing lineup and I am really proud of what I and the others who help run the festival have been able to do. Saskatoon, has a growing film community and through Dark Bridges we are able to bring films to Saskatoon that never would have been given the chance to screen theatrically. Sure you can catch some of these on DVD by the time the festival comes out but seeing them with an audience of fans is what makes Dark Bridges so much fun.

    This year we have a wide selection of films. The high points for me are not the big name films like 13 Assassins, TrollHunter, Stake Land and Tucker & Dale vs Evil but instead are the ones that are just hitting the festival circuit or are somewhat unknowns.

    Victims is a powerful low budget drama from the UK about a kidnapping that deals with justice, vengeance and redemption. Sennentuntschi: Curse of the Alps is really fun mashup of a ghost story combined with a thriller, horror and mystery. Rabies is Israel’s first horror film and it is a really interesting twist on the typical slasher in the woods. Finally, The Millennium Bug is a fun campy hillbilly horror comedy that just happens to have a giant monster bug in it that is done with no CGI.

    Dark Bridges Film Festival will be screening 14 feature films (13 Assassins, Beauty Day, The Corridor, Detective Dee and the Mystery of the Phantom Flame, Mandrill, The Millennium Bug, Rabies, Sennentutschi: Curse of the Alps, Stake Land, Super, TrollHunter, True Legend, Tucker & Dale Vs Evil, Victims), a whole bunch of short films, hosting a zombie walk and having a discussion for film makers all on Sept. 29th through October 2nd.

    Be sure to check out our website at darkbridges.com and our facebook event page for more information. Full festival passes are only $65 at the early bird rate.

    Check out our trailer below the seat. » Read the rest of the entry..

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