Good news for fans of cult science fiction director Shane Carruth (Primer, Upstream Color)! He’s got financing and a big-name cast for his next picture, which is being produced by FilmNation (not on the indie-micro budget that financed his previous two pictures). The film stars Anne Hathaway, Keanu Reeves, Daniel Radcliffe, Chloë Grace Moretz, Tom Holland, Asa Butterfield, and Jeff Goldblum. And it’s going to need this star power, considering the plot revolves around…Shipping Routes for Huge Cargo Freighters. Fasten your seat belts folks, Carruth is the Captain now. Also, be prepared to wait a while, as Shane Carruth is a perfectionist used to doing everything himself.
We do not generally publish news items here in the third row, and this is not even fully confirmed news, and this isn’t even the first time for this news. But screw it. Amazon Streaming is funding Terry Gilliam’s often aborted The Man Who Killed Don Quixote (see: Lost in La Mancha for the well documented cluster-fuck of the project) a pseudo-adaptation of Miguel de Cervantes famous novel.
According to an interview with the director at indiewire, Amazon is funding the film to get a brief theatrical run before becoming a streaming-only Amazon Prime product. He has even tapped John Hurt to star as the famous man of chivalry who tilts at windmills for a 2016 shoot.
Time will tell if this actually happens, but god, we hope it does.
Skyfall was the first Bond film I saw that I felt wasn’t a novelty. It was a proper film (as Mark Kermode might say). It was gorgeous. It had interesting characters. The story was intricate and plot fulfilled. But the nostalgia was still there. Today all of the nine one-one on the next Bond film dropped in one fell swoop. Director, cast, title, villain and some marketing material.
So glad was I to hear that Sam Mendes would be returning for another go around! For twenty years, no Bond film has been made by the same director. So when they finally got one right, it’s wonderful to hear the news that they’ll be bringing back essentially the same team.
Of course, the first question I had was, “will they bring back Roger Deakins as cinematographer?” Alas no, but coming in at a close second – that I’m more than happy with – is Hoyte Van Hoytema, who has done some of the best looking cinema of recent years (e.g. Her, Tinker Tailor Soldier Spy, Let the Right One In).
Next on the list is actors. Let’s just say my attention is garnered! Daniel Craig, Christoph Waltz, Ben Whishaw (returning as Q), Ralph Fiennes (spoiler character), Dave Bautista, Léa Seydoux, Naomie Harris, Rory Kinnear (Skyfall) and Albert Finney.
So yeah, I’m usually not that all caring about the next Bond film, but this one jut jumped up pretty high on my list of must sees in 2015. What do you guys think of all the news dropping today?
We had a long talk the other night about HBO breaking away from cable and moving to their own subscription-based service. CBS recently announced something similar with their “CBS All Access” service (anyone need an instant “Twin Peaks” fix?). Is this the way TV and movies are moving for good? Obviously Netflix is here to stay, but what I mean is, with all of these off-shoots, rather than paying a hundred bucks a month for cable, will we be shelling out a hundred bucks a month (or more) for several different streaming platforms? Though in my utopia there would be one service with everything I could possibly want and I’d be willing to pay a premium price for it. But it’s unlikely this will ever happen and with Hulu and Amazon and Netflix already going strong, the future seems to be an ala carte selection of various video on-demand services that you’ll have to navigate to separately. But I digress…
The latest “media conglomerate” seems an unlikely pairing at first whisper since when I think Tribeca Film Fest I think of artier, more thoughtful dramas and Lionsgate conjures thought of people having their limbs sawed off while evil clowns stand by laughing. But of course those are both generalizations and not altogether true. The Tribeca/Lionsgate VOD service has been dubbed “The Tribeca Short List.” Possibly a little misleading to some as some sort of shorts program; but no, this will be a highly curated list of titles from festivals around the world as well as critically acclaimed and prestigious films from the Lionsgate and Tribeca. The list of titles are to be replenished and refreshed each week.
Launching in early 2015, this sounds like a way to see the newest The Hunger Games movie as soon as possible while at the same time making it possible to hunt down all of the festival titles you heard about on podcasts and blogs, but know will never see the light of day (or the darkness of the cinema). In other words, depending on the launch titles announced and price point, I’m kind of digging this idea; count me in!
Would you like to know more…?
Wait, it’s Oscar nom time? But I haven’t seen anything good this year! Well, perhaps you’re in the wrong country or not hitting the festival circuit; because apparently the world seem to think that there are at least 83 films worthy of Oscar consideration. It’s a record year for the Foreign Language submissions this year. Last year there were 76 submissions (also a record), but 2014 has bested that number by seven.
Of course not all 83 will be up for an actual nomination. Eventually this list of 83 will be whittled down to five (which you will likely have heard of by then) and then on the big night only one will survive. I’ve always contended that the foreign language category is the one category that The Academy actually gets (mostly) right – both in nominations and often the winner.
At any rate, come February 22nd, one of the following titles will be crowned king of the films not funded by American monies:
We do not often post this kind of news on this site, but after Planes, Monster University and Fire & Rescue, I’m just very happy to see an original Pixar movie happen. Inside Out is directed by Pete Doctor (Up, Monster’s Inc.) and is going to be released June 2015.
Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy (Amy Poehler), Fear (Bill Hader), Anger (Lewis Black), Disgust (Mindy Kaling) and Sadness (Phyllis Smith). The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley’s main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.”
[dropcap style=”font-size: 60px; color: #a9a883;”] O [/dropcap]ut side of some kids’ films, the great George Miller hasn’t been behind a camera for nearly 20 years. What he has done has been slightly better than mediocre but I don’t think I’m alone in saying I’m ecstatic that he’s going back to his post-apocalyptic roots with more Mad Max in Mad Max: Fury Road ! Tom Hardy will be in the titular role and along for the sure-to-be high-octane ride is Charlize Theron (apparently with some sort of robotic, prosthetic arm), Rosie Huntington-Whiteley, Nicholas Hoult and Zoë Kravitz.
The closest we have come to visiting the Mad Max world on any kind of a budget was in 2007s (awesome) Doomsday from Neil Marshall. And if these pictures released in the July 4th issue of “Entertainment Weekly” are any indication, this going to be awesome; plain, simple and pure.
Take a look and tell me you’re not excited (so that I can ban you from the third row 😉 )[tabs slidertype=”images” auto=”yes” autospeed=”5000″] [imagetab width=”640″ height=”396″] http://www.rowthree.com/wp-content/uploads/2014/06/mmfr01.jpg [/imagetab] [imagetab width=”640″ height=”396″] http://www.rowthree.com/wp-content/uploads/2014/06/mmfr02.jpg [/imagetab] [imagetab width=”640″ height=”396″] http://www.rowthree.com/wp-content/uploads/2014/06/mmfr03.jpg [/imagetab] [imagetab width=”640″ height=”396″] http://www.rowthree.com/wp-content/uploads/2014/06/mmfr04.jpg [/imagetab] [imagetab width=”640″ height=”396″] http://www.rowthree.com/wp-content/uploads/2014/06/mmfr05.jpg [/imagetab] [imagetab width=”640″ height=”396″] http://www.rowthree.com/wp-content/uploads/2014/06/mmfr06.jpg [/imagetab] [/tabs]
[dropcap style=”font-size: 60px; color: #a9a883;”] T [/dropcap]itle pretty much sums up everything that I could ever write in the following couple of paragraphs, but wow this is unexpected and fairly exciting! Depending on the amount of studio (read as Disney and George Lucas) interference, we might find a fairly unique look and feel to the Star Wars universe. Of course there is a certain amount of consistency that needs to be had throughout the new trilogy and franchise, but still; meshing out what Abrams does and then going into full Johnson mode for the next two films sounds promising.
His success with Looper is of course what likely solidified the position for Johnson, though appearing on the RowThree Cinecast was what initially got his foot in the door.
Rian has yet to comment on this new turn of events. But his Twitter feed had this to say:
We’re huge fans of Brick and Brothers Bloom in the third row. We’re also pretty big fans of Star Wars – at least this author is. So while there are literally dozens of directors I can think of that would make great choices for carrying the Galaxy Far Far Away torch, Rian Johnson is solidly in that list and I’m excited to see how it pans out. Congrats Rian!
EDIT: So we’ve revamped things again. This time it’s sort of a hybrid of the old and the new. Gone is all of the java and crazy comment links and we’re back with a little bit more traditional linking system.
Again, there may be some oddities at first, but over time they’ll get wrinkled out. Hopefully.
Not sure exactly which evolution of the third row this is, but 6.0 sounds like a reasonable iteration. One thing is for sure, it’s a significant change! It’s still all of the same great(?) content, but we’ve skimmed down the scope and look of the site to be as streamlined and minimal as possible. Gone is the “old west” look and in with the flat and sharp. Many might have some initial reservations about this new look/style, but we welcome you to just play around with it and hopefully embrace it. It isn’t rocket science, but it’s quite unlike the usual functionality/aesthetic of most movie (or any) blogs out there.
We’ve abandoned the traditional scrolling list of posts and everything on the sides. It’s a simple, clean landing page with just a logo. Rollover the logo to see all of the latest posts and podcasts broken into their subsequent categories (one of which is “all posts” so you’ll never miss a thing. Once you’re in, you can navigate the topics via the menu at the bottom of your screen or the large left/right arrows on either side. To return to the main home screen, simply “X” out of the display window or hit the temporary “HOME” button at the top of the screen.
There is bound to be a few kinks and wrinkles in these opening few days and if you find any, feel free to email the admin about them. Most of the older posts might look a little strange and/or not all that handsome, but all posts going forward should be streamlined with the rest of the site aesthetic in mind.
We’re hope you’re able to get used to the new layout and color scheme. Hey, at least it’s not in 3D!